Ivory Memento Mori-Themed Rosary, Circa 1500-1525, Metropolitan Museum of Art

From the Metropolitan Museum of Art; the website explains:

Rosary, ca. 1500–1525
German
Ivory, silver, partially gilded mounts
Overall: 24 11/16 x 2 1/8 x 1 3/4 in. (62.7 x 5.4 x 4.5 cm) Gift of J. Pierpont Morgan, 1917 (17.190.306)

Each bead of the rosary represents the bust of a well-fed burgher or maiden on one side, and a skeleton on the other. The terminals, even more graphically, show the head of a deceased man, with half the image eaten away from decay. Such images served as reminders that life is fleeting and that leading a virtuous life as a faithful Christian is key to salvation.

You can find out more about this wonderful object by clicking here.

Offertory Box (Collecting Box) for Gravediggers, Painted Wood, 18th Century, Birmingham Museums and Art Gallery

Offertory Box (Collecting Box) for Gravediggers, Painted Wood, 18th Century; found on the Birmingham Museums and Art Gallery website; text explains:

This is a rare surviving example of a collecting box for gravediggers. It probably dates from the 18th century and is made from an unidentified hardwood, which has been painted, with a skull and crossbones. The church and the people working for the parish relied heavily on donations of money to boost their meagre earnings. 

More information--and additional views--can be found here.

Detail of Calvary, Ebony and Ivory, Late 17th–Early 18th Century, From the Metropolitan Museum of Art

From the Metropolitan Museum of Art website:

Calvary, late 17th–early 18th century (detail)
German or Netherlandish(?)
Ivory, ebony; (a) H. (with cross)
The Metropolitan Museum of Art, New York

Calvary was the hill outside Jerusalem where Christ was crucified. Here, the traditional group of the Virgin, the Magdalene, and Saint John includes the Good and Bad Thieves. The suffering expressed in the contorted poses would have aided in the viewer's efforts at private devotion. In an unusual iconographic touch, the Virgin kneels at the foot of the cross, a place usually reserved for the Magdalene, who is shown in a posture more typical of the Mourning Virgin. The bearded Saint John is also uncommon, as is the oriental (Turkish?) hairstyle of the thief at the left. The distinctive carving style produced delicate but highly expressive features on comparatively small heads set against broad, flat classical draperies and heavy bodies with unusually stout wrists and ankles.

You can learn more--and see the piece in its entirety--by clicking here.

A Tour of Erotic Paris Circa 1936, Morbid Anatomy Singles Night, The Dark Arts in the Dark Ages, Antique Smut, and Imp of the Perverse: Upcoming Morbid Anatomy Events in New York City

The next few weeks are very exciting ones at Morbid Anatomy Presents! This Thursday (Jan 23), we are deeply excited to be hosting Guardian journalist Oliver Burkeman for a talk on "The Imp of the Perverse and the Power of Negative Thinking." He will also signing copies of his excellent book The Antidote, copies of which will be available for sale at the event.

Soon after, we have our epic Valentine's Day-week lineup. First up is "Morbid Curiosity: A Morbid Anatomy Singles Night" hosted by Daisy Tainton (Monday, Feb 10) followed the next evening by "Women Who Bite: Chastity Belts, Castration Anxiety and Feminism" with Art Historian Karen Bachmann (Tuesday, Feb 11). On Valentine's Day proper, we hope you'll join us for "Privately Published: A Descent Into Early 20th Century Mail Order Erotica" with Cranioklepty author Colin Dickey, and drinks and music by Friese Undine (Friday, Feb 14). The very next night, you won't want to miss "An Erotic Guide to Paris at Night, Circa 1936," a highly-illustrated lecture with "rare filmic exposes of luxury brothels, gay and lesbian cabarets, nudist supper clubs, lavish music hall productions, and love cult initiations" hosted by Mel Gordon, author of Voluptious Panic: The Erotic World of Weimar Berlin (Saturday, Feb 15).

If none of these tempt you, we also have Dr. Elly Truitt's illustrated talk on "The Dark Arts in the Dark Ages" (Thursday, Jan 30); the first iteration of our new Death and The Occult in the Ancient World Series with the Metropolitan Museum of Art's Ava Forte Vitali on "The ‘After’ Life: Death in Ancient Egypt" (Thursday, Feb 13); "Selfies At Funerals: Postmortem Photography and Cultural Taboos" with Halli Gomberg (Thursday, Feb 20) and "Death in a Nutshell: Frances Glessner Lee and the Nutshell Studies of Unexplained Death" with special guest Bruce Goldfarb, executive assistant to the Chief Medical Examiner of Maryland (Thursday, Feb 27). 

For the artsy and the craftsy among you, we also have a number of excellent workshops where you can learn forgotten or arcane arts in such classes as Bunny/Jackelope Taxidermy (Saturday, Jan 25th); Valentine's Day Anthropomorphic Insect Shadowbox Workshop (Saturday, Feb 1); Victorian Art of Hair Jewelry workshop (Saturday, Feb 8); Frederik and Rachel Ruysch Inspired Wet Specimen Workshop with Moles (Sunday, Feb 9); Anthropomorphic Mouse Taxidermy Class (Sunday, Feb 23); or Melanistic Pheasant Taxidermy Class (Saturday, March 8).

Full details follow on all events and workshops follow; hope very much to see you at one or more! You can also always find a full list of events on our Facebook page by clicking here.

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'A Cloud of Unnameable Feeling': The Imp of the Perverse and the Power of Negative Thinking: Illustrated lecture and book signing with Oliver Burkeman, writer for The Guardian and author of The Antidote: Happiness for People Who Can't Stand Positive Thinking

Date: Thursday, January 23
Time: 8:00 PM
Admission: $5
Location: Observatory (543 Union Street at Nevin, Brooklyn; enter via Proteus Gowanus Gallery)
***Books will be available for sale and signing

In Edgar Allen Poe's story of the same name, the imp of the perverse is the overpowering urge to do exactly the wrong thing in any given situation: to throw yourself from the precipice – or just to spill the red wine on the carpet, or to procrastinate on a crucial project – solely because you shouldn't. It's one example of what modern psychologists call "ironic effects", which sabotage us in all sorts of ways, from habit change to climate change, and which help explain why happiness seems to elude us the harder we try to attain it. This talk by Oliver Burkeman, author of The Antidote: Happiness for People Who Can't Stand Positive Thinking, will explore the fascinating world of ironic effects research, the absurdities of the positive thinking movement, and the history of efforts to defeat the imp – via a "negative path" to happiness that involves embracing pessimism, uncertainty, insecurity and failure instead.

More info here.
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Bunny/Jackelope Taxidermy Class with Rogue Taxidermist Katie Innamorato
Saturday, January 25th
Time: 12 – 6 PM
Admission: $300
***Tickets must be pre-purchased at http://www.brownpapertickets.com/event/536313
This class is part of The Morbid Anatomy Art Academy
Location: Offsite: Morbid Anatomy Museum (New Space), 424 A 3rd Avenue ( Corner of 7th Street and 3rd Avenue ), 11215 Brooklyn, NY

This class will introduce students to the process and techniques behind more advanced basic small mammal taxidermy. Students will learn how to skin, prep, preserve, mount, and position the animal. Attention will be focused on how to properly split, turn, and position rabbit ears. Basic armatures will be used and custom made forms (made by me) will be provided. Students will learn how to make a custom body for their specimens using an old traditional taxidermy technique of wrapping a body. Using the carcass for reference, students will learn how to build up and craft the bodies. Students encouraged to bring in any props they may want to dress the animal up in. I will provide all specimens, materials, and tools for the class. Each student will leave with his or her own finished mount.

More info here.
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The Dark Arts in the Dark Ages: An Illustrated Lecture By Dr. Elly Truitt, Bryn Mawr College
Date: Thursday, January 30
Time: 8:00 PM
Admission: $8
Location: Observatory (543 Union Street at Nevin, Brooklyn; enter via Proteus Gowanus Gallery)

The pages of medieval history teem with sorcerers, soothsayers, and necromancers who used their knowledge to foretell the future, uncover lost treasure, and create animated statues. In tonight's lecture, historian Elly R. Truitt will discuss legendary figures from medieval history, including Gerbert of Aurillac, Gerard of York, and Albertus Magnus, in order to examine the scientific theories foundational to divination, as well as natural and demonic magic. Discover the scientific sophistication of the so-called "Dark Ages."

More info here.
_______________________________________________

Special Valentine's Day Anthropomorphic Insect Shadowbox Workshop with Former AMNH Senior Insect Preparator Daisy Tainton
Date: Saturday, February 1
Time: 1 – 4 PM
Admission: $75
***Must buy ticket at here
This class is part of The Morbid Anatomy Art Academy
Location: Offsite: Morbid Anatomy Museum (New Space), 424 A 3rd Avenue ( Corner of 7th Street and 3rd Avenue ), 11215 Brooklyn, NY

Today, join former AMNH Senior Insect Preparator Daisy Tainton for a special Valentine's Day edition of Morbid Anatomy's popular Anthropomorphic Insect Shadowbox Workshop.

More info here.
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The Victorian Art of Hair Jewelry : Workshop with Art Historian and Master Jeweler Karen Bachmann
Saturday, February 8
Time: 1 – 5 PM
Admission: $75
***Tickets must be pre-purchased here
This class is part of The Morbid Anatomy Art Academy
Location: Offsite: Morbid Anatomy Museum (New Space), 424 A 3rd Avenue ( Corner of 7th Street and 3rd Avenue ), 11215 Brooklyn, NY

Hair jewelry was an enormously popular form of commemorative art that began in the late 17th century and reached its zenith during the Victorian Era. Hair, either of someone living or deceased, was encased in metal lockers or woven to enshrine the human relic of a loved one. This class will explore a modern take on the genre.

More info here.
_______________________________________________

Frederik and Rachel Ruysch Inspired Wet Specimen Workshop with Moles with Divya Anantharaman
Date: Sunday, February 9
Time: 12 – 6 PM
Admission: $130 Valentine's Day Special : buy two ticket for you and your date for $250 ! ( Send an email to morbidanatomylibrary@gmail.com, Get your $10 refund the day of the workshop )
Location: Offsite: Morbid Anatomy Museum (New Space), 424 A 3rd Avenue ( Corner of 7th Street and 3rd Avenue ), 11215 Brooklyn, NY

This workshop takes as its departure the work of Frederik Ruysch (1638 - 1731), a pioneer in many of areas of research and development in anatomy, natural sciences, and of course, the preparation of wet specimen. He was also responsible for assembling one of Europe's most famous cabinets. This class will also focus on the oft overlooked collaborative efforts between F. Ruysch and his daughter Rachel. An accomplished still life painter, she  helped her father adorn his specimen with dried flowers, rare seashells, interesting stones, dried fish, and handmade lace, usually of significance to the specimen being preserved. The resulting pieces were beautiful tableaux of nature, art, and science.

More info here.
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Morbid Curiosity: A Morbid Anatomy Singles Night
Hosted by Daisy Tainton
Date: Monday, February 10
Time: 8:00
Admission: $15 (includes one free adult beverage)
Tickets can be purchased here.
Location: Observatory (543 Union Street at Nevin, Brooklyn; enter via Proteus Gowanus Gallery)

Single? Different? Want to meet some like-minded New Yorkers? Do your perspective paramours often tell you you're weird, or ask you why you are so interested in those creepy things? If you answered yes to any or all of these questions, we hope you'll join us this Valentine's Day week for Morbid Curiosity: A Morbid Anatomy Singles Night!

More info here._______________________________________________

Women Who Bite: Chastity Belts, Castration Anxiety and Feminism: Illustrated lecture with Art Historian and Master Jeweler Karen Bachmann
Date: Tuesday, February 11
Time: 8:00
Admission: $8
Location: Observatory (543 Union Street at Nevin, Brooklyn; enter via Proteus Gowanus Gallery)

Humankind's earliest cultures were matriarchal in nature. The advent of agrarian civilization witnessed women’s power gradually devalued by a growing patriarchy. Both Western and Eastern cultures have folklore and art history attesting to the leitmotif of the strong, fierce, and aggressively sexual woman rising against oppressive male authority. Tonight’s lecture--just in time for Valentine's Day!--will explore the myths, fables, and visual representations of the ferocious, toothed woman. Such imagery includes: chastity belts (and their development), male castration anxiety, vengeful goddesses, the femme fatale, Amazon warriors, and "vagina dentata." These subjects will be explored in all their frightening, savage, erotic and often humorous incarnations.


More info here.

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The ‘After’ Life: Death in Ancient Egypt: Illustrated lecture with Ava Forte Vitali, Metropolitan Museum of Art
Date: Thursday, February 13
Time: 8:00 PM
Admission: $8
Part of the Death and The Occult in the Ancient World Series
Location: Observatory (543 Union Street at Nevin, Brooklyn; enter via Proteus Gowanus Gallery)

When one considers Death and the Occult in the Ancient World, often the first culture that comes to mind is that of the Ancient Egyptians. Known for their elaborate tombs, complicated religious texts, and captivating mummies, the Ancient Egyptian fascination with death has captivated public interest for centuries. This inaugural lecture in our new monthly series will introduce the mortuary beliefs, traditions, and archaeology of the Ancient Egyptians and examine whether or not they were as morbidly focused as they have traditionally been portrayed to be.

More info here.
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Privately Published: A Descent Into Early 20th Century Mail Order Erotica: A Special Valentine's Day Event: An illustrated lecture by Colin Dickey, author of Cranioklepty and Afterlives of the Saints with drinks and music by Friese Undine
Date: Friday, February 14
Time: 8:00
Admission: $12
Location: Observatory (543 Union Street at Nevin, Brooklyn; enter via Proteus Gowanus Gallery)

Tonight, join writer Colin Dickey for a peek into the world of early 20th century mail-order erotica. In order to evade post office censors, smut peddlers like Panurge Press and Falstaff Press were obligated to dress up their offerings with a veneer of scientific dross, resulting in works that were too smutty to be of any real scientific or sociological value, and yet too riddled with academic nonsense to be properly erotic. A curiously forgotten and nearly nonsensical sub-genre, these books exist in between the finely-drawn lines of obscenity and free speech, pornography and literature, and titillation and scientific inquiry. Colin will share the history of these odd publishers and choice examples from his library, including works like White Meat, Praeputii Incisio, Black Opium, The Sword and Womankind, and An Anthropological Cabinet of Curiosities. Come for the lecture, and stay for delicious artisinal cocktails and thematic tunes courtesy of Friese Undine.

More info here.
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An Erotic Guide to Paris at Night, Circa 1936
Illustrated Lecture and Vintage Films with Mel Gordon, author of Voluptious Panic: The Erotic World of Weimar Berlin
Date: Saturday, February 15
Time: 8:00
Admission: $8
Location: Observatory (543 Union Street at Nevin, Brooklyn; enter via Proteus Gowanus Gallery)

Tonight, the night after Valentine's Day, please join Voluptious Panic: The Erotic World of Weimar Berlin author Mel Gordon for a highly illustrated lecture in which he traces the standard and atypical paths that international sex tourists followed during the heyday of Paris' most unfettered years. He will also screen rare filmic exposes of luxury brothels, gay and lesbian cabarets, nudist supper clubs, lavish music hall productions, and love cult initiations. The vast majority of the visual materials shown tonight have never been presented since the 1930s and were purchased from private collectors.

More info here.
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Selfies At Funerals: Postmortem Photography and Cultural Taboos: An Illustrated Lecture By Halli Gomberg
Date: Thursday, February 20
Time: 8:00 PM
Admission: $8
Location: Observatory (543 Union Street at Nevin, Brooklyn; enter via Proteus Gowanus Gallery)

Is the phenomenon of “Selfies At Funerals” a new manifestation of social media narcissism, or the last in a long line of older post mortem cultural practices? This talk will explore the complex attitudes towards death and photography over the course of American history, fom its precursors in painted deathbed portraiture, through Victorian postmortem and medical school dissection photographs and into newly emerging technologies. We will examine how society deals with our private and public mourning rituals, and why postmortem remembrance imagery can still be a cultural taboo.

More info here.
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Anthropomorphic Mouse Taxidermy Class with Divya Anantharaman
Date: Sunday, February 23
Time: 12:00pm - 5pm
Admission: $110
***Tickets must be pre-ordered here
Location: Offsite: Morbid Anatomy Museum (New Space), 424 A 3rd Avenue ( Corner of 7th Street and 3rd Avenue ), 11215 Brooklyn, NY

Anthropomorphic taxidermy--a practice in which taxidermied animals are posed as if engaged in human activities--was an artform made famous by Victorian taxidermist and museologist Walter Potter. In this class, as profiled by the New York Times, students will learn to create--from start to finish--anthropomorphic mice inspired by the charming and imaginative work of Mr. Potter. Your final project might take the form of a bespectacled, whiskey swilling, top hat tipping mouse; or perhaps a rodent mermaid queen of the burlesque world? With some props and some artful styling, your mouse can become whatever or whomever you want; this is the joy of anthropomorphic taxidermy.

More info here.

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Death in a Nutshell: Frances Glessner Lee and the Nutshell Studies of Unexplained Death: Illustrated lecture with Bruce Goldfarb, executive assistant to the Chief Medical Examiner of Maryland
Date: Thursday, February 27
Time: 8:00
Admission: $8
Location: Observatory (543 Union Street at Nevin, Brooklyn; enter via Proteus Gowanus Gallery)

The Nutshell Studies of Unexplained Death is an extraordinary collection of miniature dioramic death scenes, hand-crafted in the 1940s in obsessive detail by Frances Glessner Lee. They were -- and still are -- used to train police in the methods of forensic death investigation. Lee, a wealthy socialite with no formal education who in middle age was commissioned by the New Hampshire State Police, is considered the mother of modern, scientific death investigation; she is also said to be the inspiration for the character of Jessica Fletcher in Murder, She Wrote. Ttonight's illustrated lecture will tell the fascinating story of Frances Glessner Lee and her Nutshell Studies of Unexplained Death. Later, on Saturday, March 29th, join Morbid Anatomy for a special field trip to Baltimore featuring a tour of The Nutshells and the forensic facilities by Mr. Goldfarb. Visits to additional "Charm City" highlights will be organized with the help of our guide, rogue taxidermist and "angelic boyfriend" Robert Marbury." Email morbidanatomylibrary [at] gmail.com to be put on the list for more information as it becomes available.

More info here.
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Melanistic Pheasant Taxidermy Class-Intermediate level class with Divya Anantharaman
Date: Saturday, March 8
Time: 1 pm - 5pm
Admission: $435
Location: Offsite: Morbid Anatomy Museum (New Space), 424 A 3rd Avenue ( Corner of 7th Street and 3rd Avenue), 11215 Brooklyn , NY
Limited class size of 3 people
***Tickets must be pre-ordered here

In this exclusive intermediate level workshop, we learn about the melanistic pheasant and classic bird taxidermy. These large, beautiful birds are a mutation of the common pheasant, first observed in the 1800s, and bred as a mutation in the 1920's/30's. Known for their unique coloration, exquisitely patterned feathers and iridescent green/black/purple plumage, these are very special birds!

More info here.
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Full list and more information on all events can be found here. More on the Morbid Anatomy Art Academy can be found here.

Undertaker's Trade Card, 1745

Undertaker's trade card from 1745 labeled "The sign of the Naked Boy and Coffin."

Text reads: "At ye lower Corner of Fleet Lane at ye Signe of ye Naked Boy & Coffin you may be Accommodated wth all things for a Funeral as well ye meanest as those of greater Ability upon Reasonable Terms more particularly Coffins Shrouds Palls Cloaks Sconces Stans Hangings for Rooms Heraldry Hearse & Coaches Gloves wth all other things not here mentioned by Wm.Grinly Coffin Maker."

Sourced here.

18th Century Memorial Locket with Skeleton, Lady and Plaited Hair; Victoria and Albert Museum, London

British made, late 18th century memorial locket depicting a skeleton and a lady; the skeleton is saying "I alone can heal" while taking from the woman a pierced heart. Engraved gold frame, ivory painted in watercolor, and plaited hair. From the amazing Victoria and Albert Museum.

Memorial jewellery, as the museum website explains:

"to honour the dead is one of the largest categories of 18th- century jewellery to survive. Many mourning jewels have inscriptions that record the name and dates of the dead person.

From 1760 there was a new vogue for memorial medallions or lockets. These became especially popular in Britain, though similar work was produced throughout Europe.

The lockets could be bought ready made, and the designs were standardised. Neo-classical motifs of funerary urns, plinths and obelisks joined the more traditional cherubs, angels and weeping willows. Hair was preserved as curls within the locket, or cut up and used to create designs."

 You can find out more by clicking here.

Morbid Anatomy Museum T-Shirts Now Available!

A new batch of hand-silk screened, 100% cotton Morbid Anatomy Museum T-shirts are now available on the Morbid Anatomy Museum gift shop for only $20!

Shirts are available in all sizes, and are hand printed by local artist Mark Splatter with an image drawn from anatomical artist Frederik Ruysch's Opera Omnia Anatomico-Medico-Chirurgica of 1721. The image demonstrates, in the words of Ruysch scholar Daniel Margocsy, "a foetus, the size of a louse, hanging on its umbilical cord, with the placenta attached. The skeleton is a three-month old foetus, and, in its other hand, is also an embryo, the size of an anise seed." The illustrator behind this wonderful and iconic image was Cornelius Huyberts.

You can learn more--and order one of your own--by clicking here!

Nutshell Murders, Imp of the Perverse, "Scientific Smut" Valentine's Eve, and Death and the Occult in the Ancient World: Upcoming Morbid Anatomy Events in New York City

We are so excited about our new batch of exciting Morbid Anatomy events! First up, we hope you'll join us next Thursday for Guardian journalist Oliver Burkeman's talk on "The Imp of the Perverse and the Power of Negative Thinking" (Thursday, Jan 23); he will also signing copies of his excellent book The Antidote: Happiness for People Who Can't Stand Positive Thinking, copies of which will be available for sale.

The following week, we are delighted to be hosting Bryn Mawr's Dr. Elly Truitt talk on "The Dark Arts in the Dark Ages" (Thursday, Jan 30) followed by an assortment of Valentine's Day events including "Women Who Bite: Chastity Belts, Castration Anxiety and Feminism" with Art Historian Karen Bachmann (Tuesday, Feb 11) and, on Valentine's Day itself, "Privately Published: A Descent Into Early 20th Century Mail Order Erotica" with Colin Dickey (author of Cranioklepty) with drinks and music by Friese Undine (Friday, Feb 14). Also, stay tuned for more on Morbid Anatomy's first ever singles event (!) organized and hosted by Daisy Tainton (Monday, Feb 10).

If none of these sufficiently intrigue. we also have the first iteration of our new Death and The Occult in the Ancient World Series with the Metropolitan Museum of Art's Ava Forte Vitali; the topic? "The ‘After’ Life: Death in Ancient Egypt" (Thursday, Feb 13); this will be followed by "Selfies At Funerals: Postmortem Photography and Cultural Taboos" with Halli Gomberg (Thursday, Feb 20) and "Death in a Nutshell: Frances Glessner Lee and the Nutshell Studies of Unexplained Death" with special guest Bruce Goldfarb, executive assistant to the Chief Medical Examiner of Maryland (Thursday, Feb  27). 

If you fancy learning some arcane taxidermilogical arts, you might be interested in such workshops and classes as Anthropomorphic/Naturalistic Squirrel Taxidermy (Sunday, Jan12); Bunny/Jackelope Taxidermy (Saturday, Jan 25th); Valentine's Day Anthropomorphic Insect Shadowbox Workshop (Saturday, Feb 1); Victorian Art of Hair Jewelry workshop (Saturday, Feb 8); Frederik and Rachel Ruysch Inspired Wet Specimen Workshop with Moles (Sunday, Feb 9); Anthropomorphic Mouse Taxidermy Class (Sunday, Feb 23); or Melanistic Pheasant Taxidermy Class (Saturday, March 8).

Full details follow on all events and workshops follow; hope very much to see you at one or more! You can also always find a full list of events on our Facebook page by clicking here.

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Anthropomorphic/Naturalistic Squirrel Taxidermy Class with Divya Anantharaman
A class with Morbid Anatomy Library Taxidermist in Residence Divya Anantharaman
Date: Sunday, January 12
Time: 12:00 PM
Admission: $250.00
*TICKETS MUST BE PRE-ORDERED AT http://squirrelytaxidermy.brownpapertickets.com/
***Offsite at The Fabricoscope (41 Willow Place, #2, 11201 Brooklyn) (MAP)
Subway: Court St, Borough Hall, Jay St. Metro Tech.

In this intimate, hands-on class (limited to only five students), we will study the nutty ways of the squirrel! Students will create a fully-finished classic squirrel mount in a natural sitting position. Students will learn everything involved in producing a finished mount - from initial preparation, hygiene and sanitary measures, to proper technique and dry preservation. The class will offer the option of creating a form through the age old technique of wrapping and carving a head, or using a pre-fabricated head and sculpting a body. There will also be a carcass casting demo, and explanation of how foam mannikins are made. The use of anatomical study, reference photos, and detailed observation will also be reviewed as important tools in recreating the natural poses and expressions that magically reanimate a specimen. A selection of naturalistic and anthropomorphic props will be provided, however, students are welcome to bring their own bases and accessories if something specific is desired. All other supplies will be provided for use in class.

Each student will leave class with a fully finished piece, and the knowledge to create their own pieces in the future.

More info here.

_______________________________________________

'A Cloud of Unnameable Feeling': The Imp of the Perverse and the Power of Negative Thinking: Illustrated lecture and book signing with Oliver Burkeman, writer for The Guardian and author of The Antidote: Happiness for People Who Can't Stand Positive Thinking

Date: Thursday, January 23
Time: 8:00 PM
Admission: $5
Location: Observatory (543 Union Street at Nevin, Brooklyn; enter via Proteus Gowanus Gallery)
***Books will be available for sale and signing

In Edgar Allen Poe's story of the same name, the imp of the perverse is the overpowering urge to do exactly the wrong thing in any given situation: to throw yourself from the precipice – or just to spill the red wine on the carpet, or to procrastinate on a crucial project – solely because you shouldn't. It's one example of what modern psychologists call "ironic effects", which sabotage us in all sorts of ways, from habit change to climate change, and which help explain why happiness seems to elude us the harder we try to attain it. This talk by Oliver Burkeman, author of The Antidote: Happiness for People Who Can't Stand Positive Thinking, will explore the fascinating world of ironic effects research, the absurdities of the positive thinking movement, and the history of efforts to defeat the imp – via a "negative path" to happiness that involves embracing pessimism, uncertainty, insecurity and failure instead.

More info here.

_______________________________________________

Bunny/Jackelope Taxidermy Class with Rogue Taxidermist Katie Innamorato
Saturday, January 25th
Time: 12 – 6 PM
Admission: $300
***Tickets must be pre-purchased at http://www.brownpapertickets.com/event/536313
This class is part of The Morbid Anatomy Art Academy
*** Offsite: Morbid Anatomy Museum (New Space) , 424 A 3rd Avenue ( Corner of 7th Street and 3rd Avenue ), 11215 Brooklyn , NY
Subway: 4th Av - 9th Street (R - F - G)

This class will introduce students to the process and techniques behind more advanced basic small mammal taxidermy. Students will learn how to skin, prep, preserve, mount, and position the animal. Attention will be focused on how to properly split, turn, and position rabbit ears. Basic armatures will be used and custom made forms (made by me) will be provided. Students will learn how to make a custom body for their specimens using an old traditional taxidermy technique of wrapping a body. Using the carcass for reference, students will learn how to build up and craft the bodies. Students encouraged to bring in any props they may want to dress the animal up in. I will provide all specimens, materials, and tools for the class. Each student will leave with his or her own finished mount.

More info here.

_______________________________________________

The Dark Arts in the Dark Ages: An Illustrated Lecture By Dr. Elly Truitt, Bryn Mawr College
Date: Thursday, January 30
Time: 8:00 PM
Admission: $8
Location: Observatory (543 Union Street at Nevin, Brooklyn; enter via Proteus Gowanus Gallery)

The pages of medieval history teem with sorcerers, soothsayers, and necromancers who used their knowledge to foretell the future, uncover lost treasure, and create animated statues. In tonight's lecture, historian Elly R. Truitt will discuss legendary figures from medieval history, including Gerbert of Aurillac, Gerard of York, and Albertus Magnus, in order to examine the scientific theories foundational to divination, as well as natural and demonic magic. Discover the scientific sophistication of the so-called "Dark Ages."

Image: Pope Sylvester II and the Devil. Cod. Pal. germ. 137, Folio 216v Martinus Oppaviensis, Chronicon pontificum et imperatorum. c1460.

More info here.

_______________________________________________

Special Valentine's Day Anthropomorphic Insect Shadowbox Workshop with Former AMNH Senior Insect Preparator Daisy Tainton
Date: Saturday, February 1
Time: 1 – 4 PM
Admission: $75
***Must buy ticket at http://morbidanatomy.bigcartel.com/product/anthropomorphic-insect-shadowbox-workshop-special-valentines-day-edition-with-daisy-tainton
This class is part of The Morbid Anatomy Art Academy
**Offsite*** Morbid Anatomy Museum ( New Location ) : 424A 3rd Ave
Corner of 7th St, Brooklyn, NY 11215

Today, join former AMNH Senior Insect Preparator Daisy Tainton for a special Valentine's Day edition of Morbid Anatomy's popular Anthropomorphic Insect Shadowbox Workshop.

More info here.

_______________________________________________

The Victorian Art of Hair Jewelry : Workshop with Art Historian and Master Jeweler Karen Bachmann
Saturday, February 8
Time: 1 – 5 PM
Admission: $75
***Tickets must be pre-purchased here
This class is part of The Morbid Anatomy Art Academy
*** Offsite: Morbid Anatomy Museum (New Space) , 424 A 3rd Avenue ( Corner of 7th Street and 3rd Avenue ), 11215 Brooklyn , NY
Subway: 4th Av - 9th Street (R - F - G)

Hair jewelry was an enormously popular form of commemorative art that began in the late 17th century and reached its zenith during the Victorian Era. Hair, either of someone living or deceased, was encased in metal lockers or woven to enshrine the human relic of a loved one. This class will explore a modern take on the genre.

More info here.

_______________________________________________

Frederik and Rachel Ruysch Inspired Wet Specimen Workshop with Moles with Divya Anantharaman
Date: Sunday, February 9
Time: 12 – 6 PM
Admission: $130 Valentine's Day Special : buy two ticket for you and your date for $250 ! ( Send an email to morbidanatomylibrary@gmail.com, Get your $10 refund the day of the workshop )
Location: Offsite: Morbid Anatomy Museum (New Space) , 424 A 3rd Avenue ( Corner of 7th Street and 3rd Avenue),  11215 Brooklyn , NY
Subway: 4th Av - 9th Street (R - F - G)
***Tickets must be pre-purchased here

This workshop takes as its departure the work of Frederik Ruysch (1638 - 1731), a pioneer in many of areas of research and development in anatomy, natural sciences, and of course, the preparation of wet specimen. He was also responsible for assembling one of Europe's most famous cabinets. This class will also focus on the oft overlooked collaborative efforts between F. Ruysch and his daughter Rachel. An accomplished still life painter, she  helped her father adorn his specimen with dried flowers, rare seashells, interesting stones, dried fish, and handmade lace, usually of significance to the specimen being preserved. The resulting pieces were beautiful tableaux of nature, art, and science.

More info here.
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Women Who Bite: Chastity Belts, Castration Anxiety and Feminism: Illustrated lecture with Art Historian and Master Jeweler Karen Bachmann
Date: Tuesday, February 11
Time: 8:00
Admission: $8
Location: Observatory (543 Union Street at Nevin, Brooklyn; enter via Proteus Gowanus Gallery)

Humankind's earliest cultures were matriarchal in nature. The advent of agrarian civilization witnessed women’s power gradually devalued by a growing patriarchy. Both Western and Eastern cultures have folklore and art history attesting to the leitmotif of the strong, fierce, and aggressively sexual woman rising against oppressive male authority. Tonight’s lecture--just in time for Valentine's Day!--will explore the myths, fables, and visual representations of the ferocious, toothed woman. Such imagery includes: chastity belts (and their development), male castration anxiety, vengeful goddesses, the femme fatale, Amazon warriors, and "vagina dentata." These subjects will be explored in all their frightening, savage, erotic and often humorous incarnations.


More info here.

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The ‘After’ Life: Death in Ancient Egypt: Illustrated lecture with Ava Forte Vitali, Metropolitan Museum of Art
Date: Thursday, February 13
Time: 8:00 PM
Admission: $8
Part of the Death and The Occult in the Ancient World Series
Location: Observatory (543 Union Street at Nevin, Brooklyn; enter via Proteus Gowanus Gallery)

When one considers Death and the Occult in the Ancient World, often the first culture that comes to mind is that of the Ancient Egyptians. Known for their elaborate tombs, complicated religious texts, and captivating mummies, the Ancient Egyptian fascination with death has captivated public interest for centuries. This inaugural lecture in our new monthly series will introduce the mortuary beliefs, traditions, and archaeology of the Ancient Egyptians and examine whether or not they were as morbidly focused as they have traditionally been portrayed to be.

More info here.

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Privately Published: A Descent Into Early 20th Century Mail Order Erotica: A Special Valentine's Day Event: An illustrated lecture by Colin Dickey, author of Cranioklepty and Afterlives of the Saints with drinks and music by Friese Undine
Date: Friday, February 14
Time: 8:00
Admission: $12
Location: Observatory (543 Union Street at Nevin, Brooklyn; enter via Proteus Gowanus Gallery)

Tonight, join writer Colin Dickey for a peek into the world of early 20th century mail-order erotica. In order to evade post office censors, smut peddlers like Panurge Press and Falstaff Press were obligated to dress up their offerings with a veneer of scientific dross, resulting in works that were too smutty to be of any real scientific or sociological value, and yet too riddled with academic nonsense to be properly erotic. A curiously forgotten and nearly nonsensical sub-genre, these books exist in between the finely-drawn lines of obscenity and free speech, pornography and literature, and titillation and scientific inquiry. Colin will share the history of these odd publishers and choice examples from his library, including works like White Meat, Praeputii Incisio, Black Opium, The Sword and Womankind, and An Anthropological Cabinet of Curiosities. Come for the lecture, and stay for delicious artisinal cocktails and thematic tunes courtesy of Friese Undine.

More info here.

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Selfies At Funerals: Postmortem Photography and Cultural Taboos: An Illustrated Lecture By Halli Gomberg
Date: Thursday, February 20
Time: 8:00 PM
Admission: $8
Location: Observatory (543 Union Street at Nevin, Brooklyn; enter via Proteus Gowanus Gallery)

Is the phenomenon of “Selfies At Funerals” a new manifestation of social media narcissism, or the last in a long line of older post mortem cultural practices? This talk will explore the complex attitudes towards death and photography over the course of American history, fom its precursors in painted deathbed portraiture, through Victorian postmortem and medical school dissection photographs and into newly emerging technologies. We will examine how society deals with our private and public mourning rituals, and why postmortem remembrance imagery can still be a cultural taboo.

More info here.

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Anthropomorphic Mouse Taxidermy Class with Divya Anantharaman
Date: Sunday, February 23
Time: 12:00pm - 5pm
Admission: $110
***Tickets must be pre-ordered here
Location: Offsite: Morbid Anatomy Museum (New Space) , 424 A 3rd Avenue ( Corner of 7th Street and 3rd Avenue ), 11215 Brooklyn , NY
Subway: 4th Av - 9th Street (R - F - G)

Anthropomorphic taxidermy--a practice in which taxidermied animals are posed as if engaged in human activities--was an artform made famous by Victorian taxidermist and museologist Walter Potter. In this class, as profiled by the New York Times, students will learn to create--from start to finish--anthropomorphic mice inspired by the charming and imaginative work of Mr. Potter. Your final project might take the form of a bespectacled, whiskey swilling, top hat tipping mouse; or perhaps a rodent mermaid queen of the burlesque world? With some props and some artful styling, your mouse can become whatever or whomever you want; this is the joy of anthropomorphic taxidermy.

More info here.

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Death in a Nutshell: Frances Glessner Lee and the Nutshell Studies of Unexplained Death: Illustrated lecture with Bruce Goldfarb, executive assistant to the Chief Medical Examiner of Maryland
Date: Thursday, February 27
Time: 8:00
Admission: $8
Location: Observatory (543 Union Street at Nevin, Brooklyn; enter via Proteus Gowanus Gallery)

The Nutshell Studies of Unexplained Death is an extraordinary collection of miniature dioramic death scenes, hand-crafted in the 1940s in obsessive detail by Frances Glessner Lee. They were -- and still are -- used to train police in the methods of forensic death investigation. Lee, a wealthy socialite with no formal education who in middle age was commissioned by the New Hampshire State Police, is considered the mother of modern, scientific death investigation; she is also said to be the inspiration for the character of Jessica Fletcher in Murder, She Wrote. Ttonight's illustrated lecture will tell the fascinating story of Frances Glessner Lee and her Nutshell Studies of Unexplained Death. Later, on Saturday, March 29th, join Morbid Anatomy for a special field trip to Baltimore featuring a tour of The Nutshells and the forensic facilities by Mr. Goldfarb. Visits to additional "Charm City" highlights will be organized with the help of our guide, rogue taxidermist and "angelic boyfriend" Robert Marbury." Email morbidanatomylibrary [at] gmail.com to be put on the list for more information as it becomes available.

More info here.
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Melanistic Pheasant Taxidermy Class-Intermediate level class with Divya Anantharaman
Date: Saturday, March 8
Time: 1 pm - 5pm
Admission: $435
Location: Offsite: Morbid Anatomy Museum (New Space), 424 A 3rd Avenue ( Corner of 7th Street and 3rd Avenue), 11215 Brooklyn , NY
Subway: 4th Av - 9th Street (R - F - G)
Limited class size of 3 people
***Tickets must be pre-ordered here

In this exclusive intermediate level workshop, we learn about the melanistic pheasant and classic bird taxidermy. These large, beautiful birds are a mutation of the common pheasant, first observed in the 1800s, and bred as a mutation in the 1920's/30's. Known for their unique coloration, exquisitely patterned feathers and iridescent green/black/purple plumage, these are very special birds!

More info here.

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Full list and more information on all events can be found here. More on the Morbid Anatomy Art Academy can be found here.

Images top to bottom:

1. Der Tanz der Salome, Leopold Schmutzler
2. “Aberrations, Perversions, Transvestitism, Fetishism, Flagellation; Secret Sex Clubs in Paris, Berlin, etc.”; Page from “A Private Anthropological Cabinet of 500 Authentic Racial-Esoteric Photographs and Illustrations…” Privately issued by Falstaff Press, Inc. From the Morbid Anatomy Library collections.
3. Frances Glessner Lee working on one of her  Nutshell Studies of Unexplained Death

Morbid Anatomy Museum Gift Shop: 2014 Wall Calendar Now 40% Off and Many, Many New Additions!

Special alert: we have just reduced the price of our few remaining Morbid Anatomy Museum 2014 wall calendars (top image) by 40%; you can get yours now for only $12 (regularly $20) by clicking here! This handsome calendar features twelve full-color photographs of 18th century Italian anatomical waxworks, 17th century fetal skeleton tableaux, and Walter Potter taxidermied kittens having a tea party. Important dates such as the birthday of Edward Gorey, the first performance at Paris' Théâtre du Grand-Guignol, Dia de los Muertos and Santa Muerte's Feast Day are also noted.

Also! Have you visited the Morbid Anatomy Museum Gift Shop lately? We have tons of wonderful new additions. Fancy a signed, limited edition artwork by artist Saul Chernick ("Exit Strategy," 2nd down) or French artist Justine Gasquet ("Ollier’s Photo Collection Little Girl," 3rd down)? Perhaps you might be more interested in a silk histology scarf or handkerchief "printed with a slice of human Rectum, stained and examined with light microscopy" by ingenious anatomical artist Emily Evans (6th down)? Or perhaps you might like to own a gorgeous unique print from George Krause's "Saints and Martyrs" photograph series, paying "homage to the anonymous artisans who fashioned [religious] statues..." (4th down)? Or maybe your collection would not be complete without a one of a kind piece of anthropomorphic rat taxidermy by Emily Binard ("Lil' Hell Raiser, 5th down) or a beautiful, limited edition decorative flower-bedecked gingerbread skull is made by Austrian-Slovakian Delidesign (bottom image)?

You can see the full, dizzying collection of art, taxidermy, books, edibles and collectables sourced from artists and makers around the world on the Morbid Anatomy Museum Gift Shop by clicking here.

AND if you are interested in learning more about the nascent Morbid Anatomy Museum, check out this lovely article in today's Wall Street Journal!

"Casts of the Teeth of Julia Pastrana (1834-1860), the Nondescript" : Guest Post by Kristin Hussey, Hunterian Museum, London

Kristin Hussey--Assistant Curator of the Hunterian Museum at the Royal College of Surgeons with responsibility for the Odontological Collection--has kindly agreed to write a series of guest posts for Morbid Anatomy about some of the most curious objects in her collection.
 

The second post from that series, entitled "Curious Specimens From the Odontological Collection," follows; you can view all posts in this series by clicking here.

Julia Pastrana was one of the most sensational figures in the era of Victorian circuses and sideshows. Pastrana was known as the ‘bear woman’, the ‘ape woman’ or the ‘the nondescript’ as a result of a condition, now known as hypertrichosis, which resulted in her entire body being covered in hair. Her corpse remained an object of spectacle long after her death in 1860 as it was toured around the world, embalmed, another 20 years by her husband-manager. With her remains recently interred in her home town in Mexico, the casts of her teeth in the Odontological Collection are the last remaining physical memory of the Victorian era’s most famous human curiosities.

Pastrana met her husband, Theodore (also called Lewis) Lent, in the early 1850s. The two married and Lent toured Pastrana across Europe singing and dancing as ‘The Beaded and Hairy Lady’. The tour was enormously successful, and Pastrana fell pregnant with Lent’s child. While in Moscow in 1860, she gave birth to a son, also seemingly suffering from hypertrichosis. The child died after 35 hours and Pastrana passed away as a result of complications of the birth. Pastrana’s famous last words were, ‘I die happy; I have been loved for myself.’ Not to be outdone by death, Lent hired a Professor of Moscow University to embalm his wife and son and continued to tour with them until he was committed to a mental institution in 1884. 

As well as fascinating the general public, Pastrana was of special interest to the scientific world, particularly as the theory of evolution was emerging. Doctors of the day debated whether she was a cross between human and orang-utan, a distinct species in the chain of human evolution, or simply a woman suffering from a disfiguring condition. The great debate that surrounded Pastrana could not fail to catch the eye of the inquiring dentists of the Odontological Society of London when she was exhibited in the city in late 1850s. Sometime in the mid-nineteenth century, the Society came into the possession of a pair of casts of Pastrana’s upper and lower jaw. The exact origin of the casts in the Odontological Collection is disputed. They were possibly in the founding collection of the College of Dentists from 1856, which was later absorbed into the Odontological Society. It appears that in 1859, A. Thompson presented casts of Julia Pastrana and again in 1876, R. Hepburn presented the same casts. It is of course possible that the Society held several casts of Pastrana of which only one set now survives. The casts demonstrate that Pastrana was afflicted with gingival hyperplasia which caused an overgrowth of the gums which resulted in the enlarged appearance of her mouth. From discussions recorded in the Transactions of the Odontological Society, it seems that the members were interested in whether there was a connection between the condition of Pastrana’s teeth and her unique appearance.
 
The suspicions of the Victorian dentists turned out to be correct. There is indeed a link between congenital generalized hypertrichosis and the presence of gingival hyperplasia. Indeed the casts of Pastrana’s teeth have greatly contributed to the later diagnosis of her condition. Other dental casts in the Odontological Collection of figures such as the Aztec twins from London’s sideshows show the Society’s keen interest in whether bodily disease could be understood through the teeth.

Images:

1. Julia Pastrana, "the nondescript", advertised for exhibition of the famous bearded Lady.
   Coloured Woodcut and Text By: Regent Gallery (Regent Street, London, England)
   Published: W. Brickhill's Steam Printing Works.[London] (Kennington and Walworth Roads, 20 doors from the Elephant & Castle); Sourced from Wellcome Images
2. V0007256 Credit: Wellcome Library, London
   Julia Pastrana, a bearded lady. Reproduction of a photograph by G. Wick.
   By: George Wick; Sourced from Wellcome Images
3. Dental cast of the teeth of Julia Pastrana, from the Odontological Collection; Photo courtesy of the Hunterian Museum