Ticket to an Anatomical Lecture with Cupids and Human Skull, 1809

Ticket to an anatomical lecture given by Doctor Alexander Ramsay (ca. 1754-1824), dated 1809, which granted Samuel A. Bradley Esquire, "admission to 'Anatomy and Physiology or the 1st Course No. 13' which likely included a live dissection of a cadaver."

Found here.

"Ink and Silver: Medicine, Photography, and the Printed Book, 1845-1880," Columbia University Medical Center, NYC

Stephen E. Novak--Head, Archives & Special Collections at A.C. Long Health Sciences Library at Columbia University Medical Center--just sent word of this wonderful looking free lecture on 19th century medicine and photography taking place at Columbia University Medical Center on Thursday, April 3. Full details follow. Hope very much to see you there

History of the Health Sciences Lecture Series
Ink and Silver: Medicine, Photography, and the Printed Book, 1845-1880
Stephen J. Greenberg, MSLS, PhD, Coordinator of Public Services, History of Medicine Division, National Library of Medicine
Thursday, April 3, 2014
Refreshments, 5:30, Lecture 6pm
Russ Berrie Pavilion, Room 1
1150 St. Nicholas Avenue at West 168th Street
Sponsored by the Columbia University Augustus C. Long Health Sciences Library
Free and Open to the Public

The impact of the introduction of photography after 1839 on the arts and popular culture has long been extensively explored.  The use of photography in medicine has also attracted the interest of historians and archivists, resulting in many significant collections of material both in public and private hands.

However, far too often, individual images have been made to stand alone, far removed from their original context, and therefore mysterious to the viewer. Why were these pictures taken? Who saw them? Were they meant for private study or professional publication?  How did they reflect the techniques and aesthetics of the rest of contemporary photography? Most importantly, how, in a purely technical sense, did one produce and publish medical photographs in the 19th century?

Dr. Greenberg will address the use of photography in 19th-century printed medical books, both from technological and aesthetic viewpoints, using the vast photographic resources of the National Library of Medicine to highlight milestones in the history of medical photography, and to explain how they were presented to the viewer.

The lecture is on Thursday, April 3 at 6pm in Room 1 of the Russ Berrie Pavilion.  Refreshments will be served beginning at 5:30.

Image: from G.-B. Duchenne’s 1862 Mecanisme de la Physionomie Humaine.

SASS Presents "Haunted History," with Morbid Anatomy, Todd Cobb and Michelle Legro; Monday, October 14, Brooklyn, NY. FREE!

Are you are free and in or about the greater New York area tomorrow night--Monday October 14? If so, perhaps you might be interested in a night of short lectures devoted to the notion of "Haunted History," organized by The Society for the Advancement of Social Studies! As part of the evening's festivities, Morbid Anatomy's Joanna Ebenstein will be giving a heavily-illustrated talk on death-themed arts, crafts and amusements; Todd Cobb will relay the history of the ghost story; and the lovely Michelle Legro will " reveal the grisly beginnings" of the Madame Tussaud Empire.

The event is also free, and there will be drinks and music!

Full details follow; hope to see you there!

"Haunted History" Presented by The Society for the Advancement of Social Studies

Date: Monday, October 14

Time: Doors at 7:00 PM/Lectures at 7:30
Admission: Free
Location: Cameo Gallery (93 North 6th Street, Brooklyn, 11211) Secret Back Room!

The Society for the Advancement of Social Studies (SASS!) is proud to present a series of free lectures designed to both entertain and enlighten. Once a month we meet at a bar to discuss historical topics that you probably knew at one point but don’t remember anymore. Plus, themed drink specials.

Monday night's event on Haunted History will consist of three short lectures:

Cultures of Death: An Informal History, in which the Morbid Anatomy Library's Joanna Ebenstein will talk about how death-themed arts, crafts and amusements have been used as medication for our own feelings on the topic.

The History of Ghost Stories, Featuring Historic Ghost Stories, in which Todd Cobb tells us why cultures the world over are fascinated by these nebulous beings.

Madame Tussaud: Hot Wax and Cold Stiffs, in which Michelle Legro reveals the grisly beginnings of this Times Square classic.

DJ Kate Pilgrim will make you do the Monster Mash

http://pilgrimsofsound.wordpress.com/

More info on the event at

http://getsaucedatsass.tumblr.com/

More info here.

LECTURE: "The History of Hair Work Jewelry" with Karen Bachmann, opening of "The Art of Hair Work: Love and Memory in the 19th Century," The Mount Vernon Hotel Museum, NYC

This Friday, September 20th, hope to see you at the opening of The Mount Vernon Hotel Museum's new exhibition "The Art of Hair Work: Love and Memory in the 19th Century." The occasion will be marked with a special illustrated lecture on the history of hair work jewelry by many time Morbid Anatomy instructor and lecturer Karen Bachmann, an art historian and master jeweler whose area of expertise is Victorian hair work jewelry.

The lecture will begin at 6 and will take place at The Mount Vernon Hotel Museum, which is located at 421 East 61st Street between First and York Avenue in New York City. Full details on both the lecture and exhibition follow; hope to see you there! Also, stay tuned for news of a special Morbid Anatomy tour of the exhibition to take place very soon--probably on October 14th!

LECTURE
"The History of Hair Work Jewelry"
Illustrated lecture with Karen Bachmann, Art Historian and Master Jeweler
September 20, 6pm
$18 Adults; $15 Museum Members and Students

Art Historian and Master Jeweler Karen Bachmann will present 19th-century mourning rituals, focusing on hair work jewelry, a popular form of commemorative art that reached its zenith during the Victorian Era. Afterward, join Ms. Bachmann for a reception and discussion of the Museum's exhibit.

EXHIBITION
The Art of Hair Work: Love and Memory in the 19th Century
August 28, 2013 – November 17, 2013

The Art of Hair Work:  Love and Memory in the 19th Century, Part II, opens August 28, 2013, at The Mount Vernon Hotel Museum & Garden and will remain on view until November 17, 2013. Used as tokens of love, friendship, and remembrance, the objects in this exhibition show changing social customs and popular fashions in the 19th century. Hair work set into jewelry had been produced in Europe for several centuries, but it was not until the second half of the eighteenth century that hair jewelry began to be produced in significant quantities in America. Hair was a natural material for mourning ornaments; however, hair jewelry was also often used for commemorative or celebratory purposes.  Part II of the exhibition focuses on the mid-to-late 19th century and the development of hair jewelry in both size and the elaborate nature and variety of designs.  Professional hair jewelry manufacturers could now be found along Broadway, and directions for making hair work at home were printed in popular ladies’ magazines and instructional manuals. Objects on display include rings, charms, pendants, bracelets and two hair wreaths, one of the more elaborate forms of this art.  

An opening reception with a lecture by Art Historian and Master Jeweler Karen Bachmann will be held on September 20th at 6pm at The Mount Vernon Hotel Museum & Garden. Ms. Bachmann will present 19th-century mourning rituals, focusing on hair work jewelry which reached its zenith during the Victorian Era.

The Mount Vernon Hotel Museum building was constructed in 1799 as a carriage house and converted into a “day hotel” in 1826. Today the museum transports visitors back to that Mount Vernon Hotel, a 19th-century country resort for New Yorkers escaping the crowded city below 14th Street. The Museum’s mission is to preserve and interpret travel, leisure, work and play in diverse antebellum New York. 

Visitor Information: The Mount Vernon Hotel Museum and Garden is open Tuesday through Sunday, 11am to 4pm. The exhibit is open concurrent with Museum hours and is included with admission. The Museum is located at 421 East 61st Street between First and York Avenues. It is easily accessible from 59th Street/Lexington Avenue on the 4, 5, 6 or N, R, Q. For further information call the Museum at 212-838-6878 or visit www.mvhm.org.

More here. Hope very much to see you there! Image supplied by the museum.

Anatomical Lecture Certificate Engraved by Paul Revere (!), 18th Century

In a random image search today, I stumbled upon this lovely anatomical lecture certificate featuring an engraving by 18th century American patriot Paul Revere. It turns out that Mr. Revere, in addition to his famous midnight ride--as explained by the Illustrated Inventory of Paul Revere's works at the American Antiquarian Society website--also worked in dentistry, iron, and engraving. The design on the certificate above, wherein a "man with rolled sleeves operates on a corpse on a round table" is said to be one of his works.

Full details follow; You can find out more about the image and Paul Revere's engravings more generally by clicking here. Click on image to see larger, more detailed version.

Anatomical Lectures Certificate.

[mss. 1785]; sheet: (23.5 x 19 cm). plate: (19 x 15 cm). Link to record. 

Brigham plate 48. Link to Brigham.

Engraved certificate featuring a bust portrait of a bald Galen (AD 129 – 199/217) facing right surrounded by a medallion-shaped Chippendale border. Additional Chippendale bordering and two surgical skeletons flank the manuscript and engraved text in the center. Beneath the text is an anatomical scene where a man with rolled sleeves operates on a corpse on a round table; the corpse has a rope, presumably the remains of a noose, around his neck. On the table, accompanying the body are a blanket and surgical tool.

The certificate reads, both engraved and manuscript text, “These may certify that Mr Levi Bartlett has diligently attended an entire course of my Anatomical Lectures & Demonstrations; together with Physiological & Surgical observations at the dissecting Theatres in the University at Cambridge whereby he has had an opportunity of acquiring an accurate knowledge in the structure of the human body and the surgical branch of his Professions. John Warren Prof. of Anat[omy] and Surgery University Cambridge. Boston June 8th 1785.” Engraved initials in lower right “PR [Paul Revere].” On verso: Purchase information, 1951.

Morbid Anatomy Presents in London! This June and July at Hackney's Last Tuesday Society

Greetings friends

Are you interested in learning more about the Neapolitan Cult of the Dead, "human zoos," "speaking reliquaries," why music drives women mad, eccentric folk medicine collections, Santa Muerte (or "Saint Death), the links between dissection and masturbation or dissection and magic, Victorian memorial hair jewelry, the "hot nurse" in popular fiction, "The Danse Macabre," the history of the memento mori, British folk traditions, "The Vampires of London," and/or anatomical waxworks and death?

Or perhaps you might fancy a special backstage tour of Blythe House, home of the incredible collection of Henry Wellcome? Or the Natural History Museum's zoological collection, featuring the Blaschka invertebrate glass model collection?

If that does not interest, perhaps you might be tempted by a real magic lantern show featuring "the weirdest, most inappropriate and completely baffling examples of lantern imagery" or a screening of rare short films from the BFI National Archive documenting folk music, dance, customs and sport?

Failing that, perhaps you might like to learn how to do Victorian hair work, create lifelike wax wounds, or articulate a bat skeleton in a glass dome?

Full details follow on all events, most of which take place at London's Last Tuesday Society this June and July; hope to see you at one or more!
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Bubonic Plague by
workshop teacher
Eleanor Crook

Wax Wound Workshop with medical artist Eleanor Crook
2nd June 2013
1 to 5pm
Ticket price £120 - all materials included; Tickets here

Let acclaimed sculptor Eleanor Crook guide you in creating your very own wax wound. Crook has lent her experience to professionals ranging from forensic law enforcement officers to plastic surgeons, so is well placed to help you make a horrendously lifelike scar, boil or blister. More details to be confirmed shortly.

Eleanor Crook trained in sculpture at Central St Martins and the Royal Academy and makes figures and effigies in wax, carved wood and lifelike media. She has also made a special study of anatomy and has sculpted anatomical and pathological waxworks for the Gordon Museum of Pathology at Guy's Hospital, London's Science Museum, and the Royal College of Surgeons of England. She exhibits internationally in both fine art and science museum contexts. In the interest of making figures more lifelike than the living, using a generous grant from the Wellcome Trust she developed the incorporation of electronic animatronics systems into the sculptures so that her moribund and macabre creations now can twitch and mutter. She is artist in residence at the Gordon Museum of Pathology, a member of the Medical Artists' Association, runs a course in Anatomy drawing at the Royal College of Art and lectures on the M. A. Art and Science course at Central St Martins School of Art in London.

More here.
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Image: Wax Head by
Clemente Susini;
Copyright: University of
Cagliari, Italy

Art, Wax, Death and Anatomy : Illustrated lecture with art historian Roberta Ballestriero
3rd June 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here

Wax modelling, or ceroplastics, is of ancient origin but was revived in 14th century Italy with the cult of Catholic votive objects, or ex votos. With the rise of Neoclassicism this art became repulsive to artistic sensibilities; it did, however, continue to survive in a scientific environment, where it flourished in the study of normal and pathological anatomy, obstetrics, zoology and botany. Interest in anatomical wax models spread throughout Europe during the eighteenth century leading to the creation of beautiful collections where art and death harmonically cohabit. In today's illustrated lecture, Art Historian Roberta Ballestriero will discuss the art and history of wax modeling sacred and profane; she will also showcase many of its greatest masterworks, such as the anatomical head by Clemente Susini (1754-1814) seen above.

Roberta Ballestriero is an associate lecturer in History of Art for the Open University, in U.K. She graduated from the Academy of Fine Arts of Venice, and had her a European PhD for the Complutense University of Madrid. Her research concerns the history of Ceroplastic and wax figures throughout the centuries, (with emphasis on the ‘body of wax’). She started her research on the art of ceroplastics in 1995 and since 2004 she has presented at numerous conferences and has published several articles on her thesis subjects.

More here.
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Music Driving Women Mad: The History of Medical Fears of its Effects on Female Bodies and Minds: Illustrated lecture with Dr. James Kennaway
4th June 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here

For many doctors since the eighteenth century, women's supposedly weak nerves made them especially vulnerable to over-stimulation, which could lead to a variety of complaints from the vapours to neurasthenia. One surprisingly common focus of these concerns was music. Over the past few centuries, countless physicians and writers have asserted that music could cause very serious medical problems for the 'weaker sex'. Not only could it bring on symptoms of nervousness and hysteria, it could also cause infertility, nymphomania and even something called 'melosexualism'. This talk will give an outline of this strange debate, using the raciest stories to be found in gynaecological textbooks.

Dr James Kennaway is a lecturer in the History of Medicine at the University of Oxford. He has previously held posts at Stanford University, the University of Vienna and the University of Durham. His book "Bad Vibrations: The History of the Idea of Music as a Cause of Disease" was published last summer.

More here.
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Solitary vice? Sex and Dissection in Georgian London Illustrated Lecture with Dr Simon Chaplin
5th June 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here

In his watercolour of a 'Persevering Surgeon' (see left), the British artist Thomas Rowlandson made no bones about the darkly erotic nature of anatomical dissection. Poised over the body of a naked woman, erect knife in hand, Rowlandson's anatomist conjured images of the other solitary vice that consumed later 18th century moralists and medical men. But like Rowlandson - who combined popular satirical illustration with a more discreet trade in pornographic imagery - anatomists maintained a delicate balance between personal pursuits and public propriety. In this lavishly illustrated lecture, Simon Chaplin explores the sexual undertones of the anatomy schools of Georgian London, in which students dissected grave-robbed bodies in the back-rooms of their teachers' houses, while their masters explored new strategies for presenting their work to polite audiences through museums and lectures.

Dr Simon Chaplin is Head of the Wellcome Library in London. Before joining the Wellcome he was Director of the Hunterian Museum in London, one of the world's oldest anatomy collections. His research interests include the history of anatomy, surgery and museums, and his doctoral thesis explored the relationship between dissection and display through the work of the Hunterian Museum's founder, the surgeon John Hunter (1728-1793).

More here.
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Heartthrobs of the Human Zoo: Ethnographic Exhibitions and Captive Celebrities of Turn of the Century America: An Illustrated Lecture with Betsy Bradley
6th June 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here

The ethnographic exhibitions that became popular in late Victorian Europe gave white visitors the chance to gaze upon entire villages of naturmenschen, temporarily imported from distant (usually colonial) lands and going about their daily lives in recreated habitats, much like their animal counterparts at the zoo. The Busby Berkeley scale of these colonial show-and-tells was designed to make a statement: instead of one displayed person, here were tribes of them, "villages negres," to quote the French. But the pointed anonymity of these living diorama could not prevent the media and the public from making stars out of their favorite "savages," particularly in the United States. From ransomed Congolese pygmies to winsome Eskimo babies, the American world's fairs and patriotic expositions  present history with a number of troubling ethnographic celebrities, and their stories offer a rare glimpse inside the psychology and culture of imperial America at the turn of a new century.

Betsy Bradley is a Brooklyn-based writer whose interests include the hidden histories of New York City and the intersection of literature, science, and American popular culture. She is the author of Knickerbocker: The Myth Behind New York, and a contributor to the Cambridge Companion to the Literature of New York, among other anthologies. She has written for Edible Manhattan, Edible Brooklyn, Bookforum, and The New York Times.  Bradley is the author of a forthcoming guidebook about New York to be published by Reaktion Books (UK) and is at work on a history of eugenics and its impact on American society, from sideshows to compulsory sterilization.

More here.
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The Astounding Collection of Henry Wellcome: Blythe House Backstage Tour with Selina Hurley, Assistant Curator of Medicine, The Science Museum
7th June 2013
This event is limited to only 15 participants and will begin at 15:00 at Blythe House, 23 Blythe Road, West Kensington
Ticket price £20; Tickets here

Henry Wellcome (1853 – 1936)----early pharmaceutical magnate and man behind the Wellcome Trust, Collection, and Library--was the William Randolph Hearst of the medical collecting world. Upon his death, he had collected over one million objects--many still in unopened crates in far-flung warehouses--related in the broadest sense to the history of medicine. His curators reduced that number by around to around 100,000 keeping only the very best. That collection, possibly the finest medical collection in the world, now resides in Blythe House, kept in trust by The Science Museum on permanent loan from the Wellcome Trust.

Today, a lucky fifteen people will get a rare chance to see this collection, featuring many artifacts of which have never before been on public view, in this backstage tour led Selina Hurley, Assistant Curator of Medicine at The Science Museum.

More here.
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Neapolitan Cult of the Dead with Chiara Ambrosio
10th June 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here

.. Naples, the most macabre of cities. Naples, the mouth of Hades. The dead are played with there like big dolls...
--The Necrophiliac, Gabrielle Wittkop

Naples is a unique city in which the sacred and the profane, Catholicism and paganism, beauty and decay blend and contrast in intriguing ways. No practice illustrates this tangle of ideas better than what is known as "The Neapolitan Cult of the Dead" in which devout Catholics--generally poor women--adopt anonymous skulls found in charnel houses and clean, care for, and sometimes house them, offering up prayers and offerings to shorten that soul's time in purgatory before reaching paradise, where, it is hoped, it will assist its earthbound caretaker with special favors. The macabre artifacts of this cult can be seen in the Cimitero delle Fontanelle (see above) and the crypt of the church of Saint Mary of Purgatory.

In tonight's illustrated lecture, Italian artist and filmmaker Chiara Ambrosio will elucidate this curious and fascinating "Neapolitan Cult of the Dead" and situate it within a the rich death culture and storied history of Naples.

Chiara Ambrosio is a visual artist working with video and animation. Her work has included collaborations with performance artists, composers, musicians and writers, and has been shown in a number of venues including national and international film festivals, galleries and site specific events. She also runs The Light and Shadow Salon is a place for artists, writers and audience to meet and share ideas about the past, present and future of the moving image in all its forms.

More here.
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I am Amazed and Know Not What to Say! - A Vile Vaudeville of Gothic Attractions: Illustrated lecture by Mervyn Heard, author of Phantasmagoria- The Secret Life of the Magic Lantern
11th June 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here

An illustrated talk in which writer and showman ‘Professor’ Mervyn Heard waxes scattergun- sentimental over some of the more bizarre, live theatrical experiences of the 18th, 19th and early 20th century – from the various ghastly manifestations of the phantasmagoria to performing hangmen, self-crucifiers and starving brides.

Mervyn Heard is the author of Phantasmagoria- The Secret Life of the Magic Lantern (2006), was responsible for designing the phantasmagoria intallation for the Tate Britain’s Gothic Nightmare (2006), and has staged bespoke magic lantern performances worldwide in playhouses, cinemas, department stores, museums, tents and dissecting theatres.

More here.
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Professor Heard's Most Extraordinary Magic Lantern Show with Mervyn Heard
12th June 2013
First performance begins at 7pm
Second performance begins at 9pm
Ticket price £10; Tickets here

Professor Heard is well known to patrons of the Last Tuesday Lecture programme for his sell-out magic lantern entertainments. In this latest assault on the eye he summons up some of the weirdest, most inappropriate and completely baffling examples of lantern imagery, lantern stories and optical effects by special request of Morbid Anatomy. These he will present on a magnificent mahogany and brass magic lantern projector perfectly suited for the purpose.

Mervyn Heard is the author of Phantasmagoria-The Secret Life of the Magic Lantern (2006), was responsible for designing the phantasmagoria installation for the Tate Britain’s Gothic Nightmare (2006), and has staged bespoke magic lantern performances worldwide in playhouses, cinemas, department stores, museums, tents and dissecting theatres.

More here.
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"Speaking Reliquaries" and Christian Death Rituals: Part One of "Hairy Secrets" Series With Karen Bachmann
13th June 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here

In this 3-part series on human relics and Victorian mourning jewelry--master jeweler and art historian Karen Bachmann will focus on what are termed "speaking" reliquaries: the often elaborate containers which house the preserved body parts--or relics--of saints and martyrs with shapes which reflect that of the body-part contained within. Bachmann will examine these fascinating objects from an art historical perspective, and discuss their relationship to concepts of human body parts as icons of the immortal. They will be put into the larger context of Christian death rituals, in particular the veneration of saints body parts as sacred and magical relics. Also discussed will be the extremely odd proclivities of a variety of renaissance saints, such as Catherine of Sienna who drank pus from open sores. This will serve as the genesis in our further discussions of human hair, teeth, and nails as icons of the immortal.

Karen Bachmann is a fine jeweler with over 25 years experience, including several years on staff as a master jeweler at Tiffany and Co. She is a Professor in the Jewelry Design Dept at Fashion Institute of Technology as well as the School of Art and Design at Pratt Institute. She has recently completed her MA in Art History at SUNY Purchase with a thesis entitled “Hairy Secrets; Human Relic as Memory Object in Victorian Mourning Jewelry”. In her downtime she enjoys collecting biological specimens, amateur taxidermy and punk rock.

More here.
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Hair Art Workshop Class: The Victorian Art of Hair Jewellery With Karen Bachmann
14th, 15th, and 16th June 2013 from 1 - 5pm
Ticket price £50; Tickets here (14th June), here (15th June), and here (16th June)

Hair jewellery was an enormously popular form of commemorative art that began in the late 17th century and reached its zenith during the Victorian Era. Hair, either of someone living or deceased, was encased in metal lockers or woven to enshrine the human relic of a loved one. This class will explore a modern take on the genre. The technique of "palette working" or arranging hair in artful swoops and curls will be explored and a variety of ribbons, beads, wire and imagery of mourning iconography will be supplied for potential inclusion. A living or deceased person or pet may be commemorated in this manner. Students are requested to bring with them to class their own hair, fur, or feathers; all other necessary materials will be supplied. Hair can be self-cut, sourced from barber shops or hair salons (who are usually happy to provide you with swept up hair), from beauty supply shops (hair is sold as extensions), or from wig suppliers. Students will leave class with their own piece of hair jewelry and the knowledge to create future projects. 

More here.
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The History of the Memento Mori and Death's Head Iconography: Part Two of "Hairy Secrets" Series: Illustrated lecture with Art Historian and Master Jeweler Karen Bachmann
14th June 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here

In tonight's lecture--the second in a 3-part series on human relics and Victorian mourning jewelry--master jeweler and art historian Karen Bachmann will explore the development of the memento mori,objects whose very raison d'être is to remind the beholder that they, too, will die. Bachman will trace the symbolism and iconography of the memento mori and death's head imagery in both Medieval and Renaissance art, focusing on jewelry. She will also discuss the development of the "portable relic" -- a wearable form of body part reliquary, will be the focus of this lecture. The importance of hair in contemporaneous art of the period will be addressed, as well as the development of bereavement jewelry with hair.

More here. 
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The Victorian Love Affair with Death and the Art of Mourning Hair Jewelry and Part Three of “Hairy Secrets” Series: Illustrated lecture with Art Historian and Master Jeweler Karen Bachmann
17th June 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here

The Victorians had a love affair with death which they expressed in a variety of ways, both intensely sentimental and macabre. Tonight’s lecture–the last in a 3-part series on human relics and Victorian mourning jewelry–will take as its focus the apex of the phenomenon of hair jewelry fashion in the Victorian Era as an expression of this passion. Nineteenth century mourning rituals will be discussed, with a particular focus on Victorian hairwork jewelry, both palette worked and table worked. Also discussed will be the historical roots of the Victorian fascination with death, such as high mortality rates for both adults and children, the rise of the park cemetery, and the death of Queen Victoria’s beloved Prince Albert and her subsequent fashion-influencing 40-year mourning period. Historical samples of hair art and jewelry from the lecturer’s personal collection will also be shown.

More here.
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Dissection and Magic with Constanza Isaza Martinez
18th June 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here

This lecture examines images of human corpses in Early Modern European art in relation to two specific themes: the practice of ‘witchcraft’ or ‘magic’; and the emergent medical profession, particularly anatomical dissection. As the images demonstrate, the two practices were closely linked during this period, and the corpses were a source - albeit fraught with anxieties - of power and knowledge for the figures of the witch and the anatomist.

Constanza Isaza Martinez is an artist, photographer, and independent researcher. She gained her BA in Photographic Arts from the University of Westminster, and her MA in History of Art from the Courtauld Institute. Both her art and her research have frequently explored themes of mortality, mutability, death, and decay. For more information, please visit www.constanzaisaza.com.

More here.
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Future Death. Future Dead Bodies. Future Cemeteries: Illustrated lecture by Dr. John Troyer, Deputy Director of the Centre for Death and Society at the University of Bath
20th June 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here

Approximately 1500 people die every day across the United Kingdom, roughly one person a minute. And unless you are a person who works in a profession connected to the dying, chances are good you rarely (if ever) see any of these 1500 dead bodies. More importantly-- do you and your next of kin know what you want done with your dead body when you die? In the future, of course, since it's easier to think that way. Dr. John Troyer, from the Centre for Death & Society, University of Bath, will discuss three kinds of postmortem futures: Future Death, Future Dead Bodies, and Future Cemeteries. Central to these Futures is the human corpse and its use in new forms of body disposal technology, digital technology platforms, and definitions of death.

Dr. John Troyer is the Deputy Director of the Centre for Death and Society at the University of Bath. His interdisciplinary research focuses on contemporary memorialisation practices, concepts of spatial historiography, and the dead body?s relationship with technology. Dr. Troyer is also a theatre director and installation artist with extensive experience in site-specific performance across the United States and Europe. He is a co-founder of the Death Reference Desk website and a frequent commentator for the BBC. His forthcoming book, Technologies of the Human Corpse (published by the University of North Carolina Press), will appear in 2013.

More here.
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‘She Healed Their Bodies With Her White Hot Passions’: The Role of the Nurse in Romantic Fiction with Natasha McEnroe: Illustrated lecture Natasha McEnroe, Director of the Florence Nightingale Museum
23rd June 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here

“She stood by, handing him the required instruments while he stitched up an ice-pick stabbing that had by some miracle barely missed a woman’s heart. She heard the woman’s thick voice as she went under the anaesthetic: ‘My man didn’t really mean to hurt me, Doc. He was just mad account of I didn’t have him a meat supper when he got home from work.’” [Society Nurse, 1962].

Under such dramatic circumstances, it is no wonder that passion flares between the beautiful young nurse and her handsome doctor colleague. The figure of the nurse in romance fiction is a powerful one, her starched white apron covering a breast heaving with suppressed emotion. Victorian portrayals of the nurse show either a drunken and dishonest old woman or an angelic and devoted being, which changes to a 20th-century caricature just as pervasive – that of the ‘sexy nurse’. In this talk, Natasha McEnroe will explore the links between the enforced intimacy of the sickroom and the handling of bodies for more recreational reasons.

Natasha McEnroe is the Director of the Florence Nightingale Museum. Her previous post was Museum Manager of the Grant Museum of Zoology and Comparative Anatomy and Curator of the Galton Collection at University College London. From 1997 – 2007, she was Curator of Dr Johnson’s House in London’s Fleet Street, and has also worked for the National Trust and the Victoria and Albert Museum. Natasha has lectured widely at venues including the Royal Society, the British Museum and the Hunterian Museum.

More here.
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Face lift or face reconstruction? Redesigning the Museum Vrolik, Amsterdam's anatomical museum: An illustrated lecture with Dr. Laurens de Rooy, curator of the Museum Vrolik in Amsterdam
24th June 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here

Copies of the book Forces of Form: The Vrolik Museum will be available for sale and signing.

Two skeletons of dwarfs, rare Siamese twins, cyclops and sirens, dozens of pathologically deformed bones, the giant skull of a grown man with hydrocephalus, the skeleton of the lion once owned by king Louis Napoleon, as well as the organs of a babirusa, Tasmanian devil and tree kangaroo – rare animals that died in the Amsterdam zoo ‘Artis’ shortly before their dissection. Counting more than five thousand preparations and specimens, the Museum Vrolikianum, the private collection of father Gerard (1775-1859) and his son Willem Vrolik (1801-1863), was an amazing object of interest one hundred and fifty years ago. In the 1840s and 50s this museum, established in Gerard’s stately mansion on the river Amstel, grew into a famous collection that attracted admiring scientists from both the Netherlands and abroad. After the Vrolik era, the museum was expanded with new collections by succeeding anatomists and the museum now houses more than 10,000 anatomical specimens.

Since 1984, the museum has been located in the academic Hospital of the University of Amsterdam. In 2009 the museum collections were portrayed by the photographer Hans van den Bogaard for the book Forces of Form. This book was the starting point for the creation of a new 'aesthetic' of the museum and its collection, eventually resulting in the grand reopening of the renovated and redesigned permanent exhibition in September 2012. For the first time since the death of father and son Vrolik, all of their scientific interests - the animal anatomy, the congenital malformations and the pathologically deformed human skeletons can all be viewed together, thus giving an impression of what that mid-19th century anatomy was all about. In this talk, Museum Vrolik curator will take you on a guided tour of the new museum, and give an overview of all the other aspects of the 'new' Museum Vrolik.

Dr. Laurens de Rooy (b. 1974) works as a curator of the Museum Vrolik in the Academic Medical Centre in Amsterdam. He studied Medical Biology, specializing in the history of science and museology. during his internship he researched the collection of father and son Vrolik. In 2009 he obtained his PhD in medical history.

More here.
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The Walking Dead in 1803: An Illustrated Lecture with Phil Loring,
Curator of Psychology at the Science Museum in London
25th June 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here

A visiting Italian startled Londoners at the turn of the 19th century by making decapitated animals and executed men open their eyes and move around, as if on the verge of being restored to life. This was not magic but the power of electricity from the newly invented Galvanic trough, or battery. It was also the dawn of the modern neurosciences, as the thrust behind these macabre experiments was to understand the energy that moved through the nerves and linked our wills to our bodies. This talk will discuss a variety of historical instruments from the Science Museum's collections that figured in these re-animation experiments, including the apparatus used by Galvani himself in his laboratory in Bologna. This will be a partial preview of an upcoming Science Museum exhibition on nerve activity, to open in December 2013.

Phil Loring is BPS Curator of Psychology at the Science Museum in London. He has a Master's degree in Medical Anthropology from Harvard University and is currently completing his Ph.D. in the History of Science, also from Harvard, with a dissertation on psycho-linguists in Cambridge, Massachusetts, after the Second World War. Phil has been at the Science Museum since 2009, and during that time he has been particularly committed to sharing artefacts related to psychology and psychiatry with adult audiences. He's currently preparing an exhibition on the history of nerves, to open in December 2013.

More here. 

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The Influencing Machine: James Tilly Matthews and the Air Loom with Mike Jay
26th June 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here

Confined in Bedlam in 1797 as an incurable lunatic, James Tilly Matthews’ case is one of the most bizarre in the annals of psychiatry. He was the first person to insist that his mind was being controlled by a machine: the Air Loom, a terrifying secret weapon whose mesmeric rays and mysterious gases were brainwashing politicians and plunging Europe into revolution, terror and war. But Matthews’ case was even stranger than his doctors realised: many of the incredible conspiracies in which he claimed to be involved were entirely real. Caught up in high-level diplomatic intrigues in the chaos of the French revolution, he found himself betrayed by both sides, and in possession of a secret that no-one would believe…

Mike Jay is an author, historian and curator who has written widely on the history of science and medicine, and particularly on drugs and madness. As well as The Influencing Machine, he is the author of Emperors of Dreams: Drugs in the Nineteenth Century and High Society: Mind-Altering Drugs in History and Culture, which accompanied the exhibition he curated at Wellcome Collection.

More here.
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A Waxen France: Madame Tussaud’s Representations of the French: Illustrated Lecture by Pamela Pilbeam Emeritus Professor of French History, Royal Holloway, University of London and author of Madame Tussaud and the History of Waxworks
27th June 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here

`You perceive that this is some sort of holy of holiest, the nearest Victorians got to a Cathedral, with its saints enniched within’. The chief saint in Madame Tussaud’s exhibition was Bonaparte, the chief villains were Robespierre and his revolutionary colleagues. When she arrived in Britain in 1802 for a short tour that lasted until she died in 1850, her exhibition was an exploration of the evils of the French Revolution. She had modelled the guillotined revolutionaries, as well as Louis XVI and Marie-Antoinette, from their severed heads- and brought a model of a guillotine and the Bastille fortress to expose the short comings of the French. The British, busily at war with their nearest neighbour, loved this critical exposure. Later the focus of her collection became her `Shrine to Napoleon’ consisted of two rooms dedicated to the Emperor. Napoleon had always had a leading role in her touring company, but in 1834, when she was a well-established figure in the world of entertainment and about to open a permanent museum in Baker Street, Madame. Tussaud began to amass large quantities of Napoleonic memorabilia. She built up a collection which Napoleon III acknowledged, when he tried abortively to buy it from the Tussauds, to be the best in the world. Madame Tussaud’s presentation of French politics and history did much to inform and influence the popular perception of France among the British. This paper will explore that view and how it changed during the nineteenth century.

Pamela Pilbeam is Emeritus Professor of French History, Royal Holloway, University of London.   She is the author of Madame Tussaud and the History of Waxworks.

More here.
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© The Natural History Museum,
London 2012. All Rights Reserved.

Backstage Tour of the Zoological Collection of the Natural History Museum with Miranda Lowe
28th June 2013
Limited to 10 participants; Time 3:00 - 4:00
Ticket price £20; Tickets here

Today, ten lucky people will get to join Miranda Lowe, Collections Manager of the Aquatic Invertebrates Division, for a special backstage tour of The Natural History Museum of London. The tour will showcase the zoological spirit collections in the Darwin Centre, some of Darwin’s barnacles and the famed collection of glass marine invertebrate models crafted by Leopold and Rudolf Blaschka in the 19th and early 20th century.

Miranda Lowe is the Collections Manager of the Aquatic Invertebrates Division, Life Sciences Department, The Natural History Museum (NHM), London. Within Zoology Miranda specifically manages the Crustacea collections as well as the team of curators responsible for the Invertebrate collections. Darwin barnacles and the Blaschka marine invertebrate glass models are amongst some of the historical collections that are her interests and under her care. In 2006, she was part of the organising committee and invited speaker at the 1st international Blaschka congress held in Dublin. Miranda collaborated with the National Glass Centre, Sunderland, UK in 2008 to exhibit some of the Museum’s Blaschka collection alongside contemporary Blaschka inspired art. She also has an interest in photography, natural history - past and present serving on a number of committees including the Society for the History of Natural History (SHNH) and the Natural Sciences Association (NatSCA).

More here. 
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Bat in Glass Dome Workshop: Part of DIY Wunderkammer Series : With Wilder Duncan (formerly of Evolution Store, Soho) and Laetitia Barbier, head librarian at The Morbid Anatomy Library
29th June and 30th June 2013, 1 to 5pm
Ticket price £150; Tickets here (29th) and here (30th)

In this class, students will learn how to create an osteological preparation of a bat in the fashion of 19th century zoological displays. A bat skeleton, a glass dome, branches, glue, tools, and all necessary materials will be provided for each student, but one should feel welcome to bring small feathers, stones, dried flowers, dead insects, natural elements, or any other materials s/he might wish to include in his/her composition. Students will leave the class with a visually striking, fully articulated, “lifelike” bat skeleton posed in a 10” tall glass dome. This piece can, in conjunction with the other creations in the DIY Wunderkammer workshop series, act as the beginning of a genuine collection of curiosities! This class is part of the DIY Wunderkammer workshop series, curated by Laetitia Barbier and Wilder Duncan for Morbid Anatomy as a creative and pluridisciplinary exploration of the Curiosity Cabinet. The classes will focus on teaching ancient methods of specimen preparation that link science with art: students will create compositions involving natural elements and, according to their taste, will compose a traditional Victorian environment or a modern display. More on the series can be found here.

Wilder Duncan is an artist whose work puts a modern-day spin on the genre of Vanitas still life. Although formally trained as a realist painter at Wesleyan University, he has had a lifelong passion for, and interest in, natural history. Self-taught rogue taxidermist and professional specimen preparator, Wilder worked for several years at The Evolution Store creating, repairing, and restoring objects of natural historical interest such as taxidermy, fossils, seashells, minerals, insects, tribal sculptures, and articulated skeletons both animal and human. Wilder continues to do work for private collectors, giving a new life to old mounts, and new smiles to toothless skulls.

Laetitia Barbier is the head librarian at The Morbid Anatomy Library. She is working on a master’s thesis for the Paris Sorbonne on painter Joe Coleman. She writes for Atlas Obscura and Morbid Anatomy.

More here (29th) and here (30th).
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The Coming of Age of the Danse Macabre on the Verge of the Industrial Age: Illustrated lecture with Alexander L. Bieri
9th July 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here

During the middle ages, the danse macabre developed into an independent art form, most often in the shape of murals which adorned the walls of cemeteries. These depictions of death followed a strict rulebook and generally were a representation of the class system of the time, which was based on nobility or – to be more precise – the estate-based society. The advent of the bourgeois during the 1700s and the upcoming industrialisation put a question mark not only behind the societal system, but quite naturally also behind many of the established art forms. The danse macabre was widely regarded to be an outdated concept and a discussion evolved whether the skeleton still was the appropriate epitome for death. One of the proponents of this discussion was the Swiss artist Johann Rudolf Schellenberg, who created the first modern danse macabre in 1785, far away from the old class system, a work of art which still has an uncanny actuality and addresses many of the modern fears still extant in society at present. His trailblazing work updated the genre overnight and can be seen as the master source of all similar works of art to follow. A complete set of the plates is held by the Roche Historical Collection and Archive in Basel, which also holds one of the world’s oldest anatomical collections. The lecture not only discusses Schellenberg’s danse macabre in detail, but also gives an insight into the current fascination with vanitas and its depictions, especially focusing on the artistic exploitation of the theme and takes into consideration the history of anatomical dissection and preparation.

Alexander L. Bieri (*1976) is the curator of the Roche Historical Collection and Archive, a department within Roche Group Holdings. He assumes this position since 1999. Based in Basel, Switzerland but active as a consultant throughout the world, he has published many books and articles both on Roche-related and other themes. He also is responsible for a variety of Roche in-house museums and curated special exhibitions in Switzerland and abroad. In his capacity as an expert for 20th century architecture and design, he is a member of ICOMOS. In 2012, he was appointed lecturer for exhibition design at the Basel University.

More here.
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Photo courtesy of
Tonya Hurley

Viva la Muerte: The Mushrooming Cult of Saint Death": Illustrated lecture and book signing with Andrew Chesnut
10th July 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here

The worship of Santa Muerte, a psuedo Catholic saint which takes the form of a personified and clothed lady death, is on the rise and increasingly controversial in Mexico and the United States. Literally translating to “Holy Death” or “Saint Death,” the worship of Santa Muerte–like Day of the Dead–is a popular form of religious expression rooted in a rich syncretism of the beliefs of the native Latin Americans and the colonizing Spanish Catholics. Worshippers of "The Bony Lady" include the very poor, prostitutes, drug dealers, transvestites, prison inmates and others for whom traditional religion has not served, and for whom the possibility of unpredictable and violent death is a very real part of everyday life. In the view of her worshippers, Santa Muerte is simply a branch of Catholicism which takes at its central figure the most powerful of all saints--Saint Death herself, the saint all must, after all, one day answer to.The Catholic Church sees it, however, as, at best, inadvertent devil worship, with the worship of death--and the manifestation of a saint from a concept rather than an individual--as heretical to its core tenants. Tonight, R. Andrew Chesnut, author of Devoted to Death: Santa Muerte, the Skeleton Saint and Chair in Catholic Studies at Virginia Commonwealth University, will detail his research into the history and ongoing development of this fascinating "new religion."

Copies of Devoted to Death: Santa Muerte, the Skeleton Sain will be available for sale and signing.

Dr. R. Andrew Chesnut earned his Ph.D degree in Latin American History from the University of California, Los Angeles in 1995 and joined the History Department faculty at the University of Houston in 1997 where he quickly became an internationally recognized expert on Latin American religious history. His most recent book is Devoted to Death: Santa Muerte, the Skeleton Saint (Oxford University Press, 2012). It is the first in-depth study of the Mexican folk saint in English.

More here. 
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From Blue Beads to Hair Sandwiches: Edward Lovett and London's Folk Medicine: An Illustrated lecture with Ross MacFarlane, Research Engagement Officer in the Wellcome Library
15th July 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here

During his life Edward Lovett (1852-1933) amassed one of the largest collections of objects pertaining to 'folk medicine' in the British Isles.  Lovett particularly focused his attention on objects derived from contemporary, working class Londoners, believing that the amulets, charms and mascots he collected - and which were still being used in 20th century London - were 'survivals' of antiquated, rural practices. Lovett, however, was a marginal figure in folklore circles, never attaining the same degree of influence as many of his peers.  Whilst he hoped in his lifetime to establish a 'National Museum of Folklore', Lovett's sizeable collection is now widely dispersed across many museums in the UK, including Wellcome Collection, the Science Museum, the Pitt Rivers Museum and the Cuming Museum.  This paper will offer an overview of the range of healing objects Lovett collected, the collecting practices he performed and recent efforts to rehabilitate his reputation.

Ross MacFarlane is Research Engagement Officer in the Wellcome Library, where he is heavily involved in promoting the Library's collections, particularly to academic audiences.  He has researched and given public talks on such topics as the history of early recorded sound and the collecting activities of Henry Wellcome and his members of staff.  Ross is a frequent contributor to the Wellcome Library's blog and has had led guided walks around London on the occult past of Bloomsbury and the intersection of medicine, science and trade in Greenwich and Deptford.

More here.
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The Vampires of London: A Cinematic Survey with William Fowler (BFI) and Mark Pilkington (Strange Attractor)
18th July 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here

This heavily illustrated presentation and film clip selection explores London's Highgate Cemetery as a locus of horror in the 1960s and 1970s cinema, from mondo and exploitation to classic Hammer horror.

William Fowler is curator of artists' moving image at the BFI National Archive and co-programmes the cult cinema strand at Flipside at BFI Southbank.

Mark Pilkington runs Strange Attractor Press and is the author of 'Mirage Men' and 'Far Out: 101 Strange Tales from Science's Outer Edge'. 

More here. 
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"Here's a Health to the Barley Mow: a Century of Folk Customs and Ancient Rural Games" Screenings of Short Films from the BFI Folk Film Archives with William Fowler
24th July 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here

Tonight, the British Film Institute's William Fowler will present a number of rare and beautiful short films from the BFI National Archive and Regional Film Archives showing some of our rich traditions of folk music, dance, customs and sport. Highlights include the alcoholic folk musical Here's a Health to the Barley Mow (1955), Doc Rowe’s speedy sword dancing film and the Padstow Mayday celebration Oss Oss Wee Oss (Alan Lomax/Peter Kennedy 1953).

The programme provides a taste of the BFI's 6-hour DVD release 'Here's a Health to the Barley Mow: a Century of Folk Customs and Ancient Rural Games', a rich and wide-ranging collection of archive films from around the UK.

William Fowler is curator of artists' moving image at the BFI National Archive and co-programmes the cult cinema strand at Flipside at BFI Southbank.

More here.
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Of Satyrs, Horses and Camels: Natural History in the Imaginative Mode: illustrated lecture by Daniel Margócsy, Hunter College, New York
25th July 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here

This talk argues that the creative imagination played a crucial role in the development of science during the scientific revolution. Modern, natural knowledge emerged from the interaction of painters, printmakers, artisans, cartographers, and natural historians. All these practitioners carefully observed, pictured and cataloged all the exotic naturalia that flooded Europe during the Columbian exchange. Yet their collaboration did not end there. They also engaged in a joint, conjectural guesswork as to what other, as yet unknown plants and animals might hide in the forests of New England, the archipelago of the Caribbean, the unfathomable depths of the Northern Sea, or even in the cavernous mountains of the Moon. From its beginnings, science was (and still is) an imaginative and speculative enterprise, just like the arts. This talk traces the exchange of visual information between the major artists of the Renaissance and the leading natural historians of the scientific revolution. It shows how painters’ and printmakers’ fictitious images of unicorns, camels and monkfish came to populate the botanical and zoological encyclopedias of early modern Europe. The leading naturalists of the age, including Conrad Gesner, Carolus Clusius and John Jonstonus, constantly consulted the oeuvre of Dürer, Rubens and Hendrick Goltzius, among others, as an inspiration to hypothesize how unknown, and unseen, plants and animals might look like.

Daniel Margocsy is assistant professor of history at Hunter College – CUNY. In 2012/3, he is the Birkelund Fellow of the New York Public Library’s Cullman Center for Scholars and Writers. He has co-edited States of Secrecy, a special issue of the British Journal for the History of Science on scientific secrecy, and published articles in the Journal of the History of Ideas, Annals of Science, and the Netherlands Yearbook of Art History.

More here.
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All talks and workshops take place at The Last Tuesday Society at 11 Mare Street, London, E8 4RP map here) unless otherwise specified; please click here to buy tickets. More on all events can be found here. Click on images to see larger versions.

This Thursday Night at Observatory: "Natural Histories: Extraordinary Rare Book Selections from the American Museum of Natural History Library" with Tom Baione of AMNH

This Thursday, January 10, I am so very excited to be hosting my former colleague at the American Museum of Natural History--library director Tom Baione--at Observatory. He will be talking about--and showing scores of amazing illustrations from!--a variety of rarely seen illustrated books residing in the museum's research library special collections as explored in his new book Natural Histories: Extraordinary 
Rare Book Selections from the American Museum of Natural History Library
. We will also have twenty copies of this gorgeous book--which  features forty suitable-for-framing art prints of images from the book--available for sale and signing by Mr. Baione!

Full details follow. Hope very much to see you there!

Natural Histories: Extraordinary 
Rare Book Selections from the American Museum of Natural History Library: Illustrated lecture and Book Release Party with Tom Baione of New York’s American Museum of Natural History
Date: Thursday, January 10
Time: 8:00 PM
Admission: $5
Presented by Morbid Anatomy
*** Copies of the book will be available for sale and signing

Most people are well acquainted with the front-stage wonders of New York's American Museum of Natural History--the world class habitat group dioramas, the highly stylized hall of biodiversity, the epic dinosaur skeletons; what is less well known is the equally astounding back-stage collection, which includes an world-renowned collection of exquisite, rare, and beautifully illustrated books on the natural sciences held by museum's research library. The new book Natural Histories: Extraordinary 
Rare Book Selections from the American Museum of Natural History Library
, edited by AMNH's Tom Baione, brings these hidden works to the fore, showcasing forty extraordinary works created between the 16th and 20th centuries, covering all seven continents, and spanning such diverse scientific fields as anthropology, astronomy, earth science,
 paleontology, and zoology. The book also features essays about each work by Museum curators, scientists, and librarians, as well as forty extraordinary, suitable-for-framing art prints of images from the book.

In tonight's highly illustrated lecture, join American Museum of Natural History's Boeschenstein Director of
 Library Services and volume editor Tom Baione for a look inside the Natural Histories... and a virtual trip behind the scenes of the Library's Rare Book Room. Attendees will also have the opportunity to purchase--and have signed!--their own copy of this gorgeous new volume.

Tom Baione, a Brooklyn native, started working in the Museum's Library in 1995 
after attending Pratt Institute's School of Library and Information
 Science. After years in the Library's Special Collections and Reference 
Services units, Tom became the Library's Director in 2010. He is an active
 member of New York's Grolier Club and lives in midtown with his high
school sweetheart. The Museum was his favorite childhood destination and he still reports a thrill upon entering the museum each day.

More here.

"Death and What it Can Teach us About Improving Life," BBC Radio "Today," November 2

I just got back from the BBC studios, where I engaged in a (very brief) live discussion about death and "what it can teach us about improving life" with Ben Haggarty of the Crick Crack Club as part of the promotion for tonight's "Seize the Day" event at The Wellcome Collection. If you are interested in giving it a listen, click here; the piece begins at about two Hours and fifty five minutes in.

Segment description, from the BBC website:

The Wellcome Trust in London is going to hold an evening of talks about death and what it can teach us about improving life. Joanna Ebenstein, who runs a blog called Morbid Anatomy, and Ben Haggarty, who runs the Crick Crack Club which is a story telling workshop, ask why we find it hard in modern western society to talk about death.

Hope to see you at the event tonight!

Tonight: Morbid Anatomy Speaking at "Seize the Day," A Special Day of the Dead Inspired Program at The Wellcome Collection, London

Tonight! Hope to see you at "Seize the Day," a special Day of the Dead inspired program taking place at my all-time favorite institution, The Wellcome Collection. I will be giving an illustrated talk as part of the wonderful-looking evenings line-up that will also include drinking, dancing, and general death-related merriment.

Full details follow; hope very much to raise a glass with you there!

Seize the Day
02 November 2012, 19.00 - 23.00
The Wellcome Collection
183 Euston Road, London NW1 2BE

Experience a brush with death at our special Friday-night late, and explore what death has to tell us about life. If you knew you were going to die tomorrow, what would you choose to do today? How would you like to be remembered after you die? And what would you like to achieve before you go? Ponder these questions while enjoying stimulating talks, enchanting stories from around the world and activities throughout the galleries. Enjoy a drink while listening to a Dixieland jazz band. Decorate a coffin, pick up some dance steps in our special ‘Last Dance’ class and design your ideal fantasy funeral. Join us to embrace the inevitability of death and celebrate while we still can!

Featuring:

•  Joanna Ebenstein, founder of the Morbid Anatomy blog and library, on facing up to death through art

•  David Spiegelhalter, Winton Professor for the Public Understanding of Risk, University of Cambridge, on the statistics of death

•  Frank Swain, author of ‘Zombology: The new science of zombies, reanimation and mind control’ on science’s investigations into the final frontier

•  Activities in the galleries from The Natural Death Centre

•  New Orleans jazz funeral tunes from the Silk Street Jazz band

•  Stories of God, the Devil and Death from the Crick Crack Club

•  Tea dance classes from former dancer and teacher Glen Snowden

•  ‘Immortal Dream’ from Contemporary Vintage.

This event is free, so drop in any time. Talks are ticketed and tickets will be available on the night. 

You can find out more about this event here.

Image: Memento Mori, Andrea Previtali, 1502; Museo Poldi Pezzoli, Milan ; sourced here.

"Morbid Anatomy Anthology" Fundraiser! Halloween Insect Shadowboxes! Sugar Skull Workshop! Day of the Dead Party! Morbid Anatomy Presents This Week and Beyond at Observatory

Morbid Anatomy Presents This Week and Beyond at Observatory: Morbid Anatomy Anthology publication fundraising party with mini-lectures, cocktails, giveaways, screenings, music and delightful co-editor Colin Dickey! Thematic Halloween edition of our popular Anthropomorphic Insect Shadowbox class! Sugar Skull workshop! Observatory annual Day of the Dead Party!

Hope to see you at one or more of these great events.

"The Morbid Anatomy Anthology" Publication Fundraiser Party
Fundraising Party for "The Morbid Anatomy Anthology" with contributor mini-lectures. complementary artisinal cocktails, music, and giveaways from Kikkerland
Date: Friday, October 26
Time: 8:00 PM
Admission: $20
Presented by Morbid Anatomy

We are very pleased to announce the forthcoming Morbid Anatomy Anthology--a lavish, illustrated book which will immortalize in print some of the best of the Morbid Anatomy Presents lecture series from the past 5 years. The book, to be co-published by Morbid Anatomy and Strange Attractor Press, will be edited by Morbid Anatomy's Joanna Ebenstein and author, polymath, and many time Observatory-presenter Colin Dickey.

Tonight's party-- the proceeds of which will go towards the printing and production costs of The Morbid Anatomy Anthology--will feature 15 minute mini-lectures by 4 contributors to the volume: Mark Dery, Colin Dickey, Shannon Taggart and Joanna Ebenstein. There will also be a Midnight Archive screening, complementary artisinal cocktails and music provided by Friese Undine and giveaways of wonderful anatomical cutting boards from Kikkerland.

ABOUT THE BOOK
The Morbid Anatomy Anthology will cover such topics as anthropodermic bibliopegy (ie. books bound in human skin), 19th Century "Diableries", Henry Wellcome's collections of preserved human tattoos, 19th century death-themed Parisian cabarets, extreme taxidermy, popular wax anatomical models, collecting death, the Anatomical Venus, Santa Muerte and Death in Mexico, "artist of death" Frederik Ruysch, macabre collections, and much, much, MUCH more.

The rogue scholars, artists, writers, museologists, morticians and scientists whose works fill this volume will include Morbid Anatomy Library Scholar in Residence and star of TV's "Oddities" Evan Michelson; Mark Dery, cultural critic and author of the upcoming The Doubtful Guest: The Mysterious Mind and Legendary Life of Edward Gorey; Paul Koudounaris, author/photographer of Empire of Death; Stephen Asma, author of Stuffed Animals and Pickled Heads; Caitlin Doherty of Order of the Good Death; Carl Schoonover, author of Portraits of the Mind; Mel Gordon, author of The Grand Guingol; Kate Forde, curator at The Wellcome Collection; Pat Morris, author of Walter Potter and His Museum of Curious Taxidermy; Ronni Thomas, creator of The Midnight Archive; John Troyer, deputy director of the Centre for Death and Society at the University of Bath; Artist Zoe Bellof; Photographer Shannon Taggart; Mark Pilkington of Strange Attractor Press; Ross MacFarlane of The Welcome Library; Joanna Ebenstein of Morbid Anatomy; writer Colin Dickey; and many, many more.

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Anthropomorphic Insect Shadowbox Workshop: Special Halloween Edition, with Former AMNH Senior Insect Preparator Daisy Tainton
With Daisy Tainton, Former Senior Insect Preparator at the American Museum of Natural History
Dates: Saturday, October 27 (Special Halloween Edition!)
Time: 1 - 4 PM
Admission: $65
***Must RSVP to morbidanatomy [at] gmail.com to be added to class list
This class is part of The Morbid Anatomy Art Academy

Today, join former AMNH Senior Insect Preparator Daisy Tainton for a special Halloween-themed edition of Observatory's popular Anthropomorphic Insect Shadowbox Workshop. In this class, students will work with Rhinoceros beetles: nature's tiny giants. Each student will learn to make--and leave with their own!--shadowbox dioramas featuring carefully positioned beetles doing nearly anything you can imagine. Beetles and shadowboxes are provided, and an assortment of miniature furniture, foods, and other props will be available to decorate your habitat. Students need bring nothing, though are encouraged to bring along dollhouse props if they have a particular vision for their final piece; 1:12 scale work best. 

Daisy Tainton was formerly Senior Insect Preparator at the American Museum of Natural History, and has been working with insects professionally for several years. Eventually her fascination with insects and  love of Japanese miniature food items naturally came together, resulting in cute and ridiculous museum-inspired yet utterly unrealistic dioramas. Beetles at the dentist? Beetles eating pie and knitting sweaters? Even beetles on the toilet? Why not?

Image: "Suicide Beetle," By Daisy Tainton, Teacher of workshop

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Sugar Skull Decorating Workshop and Lecture: El Dia de los Muertos in Context -- How the Day of the Dead Exemplifies the Greater Culture of Death in Mexico
Workshop and lecture with Dru Munsell
Date: Monday, October 29
Time: 8:00
Admission: $50
Produced by Morbid Anatomy
**** Class size limited; must RSVP to morbidanatomy [at] gmail.com

Mexico possesses a rich and complex relationship with death that extends far beyond the Day of the Dead holiday and its iconic sugar skulls. Indeed, from Mexico's indigenous Mayans through her occupations and revolutions, death has taken a leading role in the formation of the country's varied culture, causing scholar Claudio Lomnitz to even name Death as the symbol of Mexico's national identity.

The lecture portion of this workshop seeks to facilitate a deeper understanding not only of Southern Mexico's sugar skulls and El Dia de los Muertos as a whole, but also framing what is often thought of as the Mexican version of Halloween within the greater context of a culture that has blended indigenous practices, colonization's Catholic religion, and the subsequent revolutions and violence, recognizing death as a necessary part of life not to be ignored or feared, but embraced and celebrated.
For this workshop, each attendee will be provided with a blank, undecorated sugar skull, fully assembled, dried, and ready to decorate. Royal icing in bright colors as well as other traditional decorative materials such as sequins and colored foils will be provided. Each attendee is encouraged to bring any personal decorating items they wish to use if they are making a skull for a specific departed individual, though smaller items are recommended. Traditional themes and patterns will be discussed, as well as decoration application techniques. At the end of the workshop, each person will have their own large sugar skull to take home. Because of the drying time involved with the royal icing, it is advised that skulls be left at Observatory to dry and set, and that finished skulls be picked up at the annual El Dia de los Muertos party. Extra blank skulls will be available for purchase for those interested, as well as directions for making the royal icing recipe that is recommended for skull decoration.

Dru Munsell is a biological anthropology degree candidate at Columbia University specializing in forensics, pathological human anatomy, and cultural fetish and taboo. She examines these topics in her thesis on the intersection of science and spectacle as literally embodied by both the "born different" and "working acts" of sideshow and circus performance. Dru currently works as an intern for the Morbid Anatomy Library as well as a scientific consultant, archivist, transcriber, and Jane-of-all-Trades for James Taylor's Shocked & Amazed: On and Off the Midway. After completing her studies, she plans to either work with the governmental agency, DMORT, doing body identification at scenes of mass death with a particular interest in the mass graves of post-colonial revolutions and genocides in Latin America, or running away and joining the circus.



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Annual Observatory Day of the Dead and Halloween Costume PartyMusic, Performance, Costumes, Tequila, Traditional Altar, Sugar Skulls, Death Piñata, and tacos provided by our favorite local taqueria Oaxaca!
Date: Saturday, November 3
Time: Doors at 8:00 PM, Performance at 9
Admission: $15
Presented by Morbid Anatomy and Borderline Projects

Please join us on Saturday, November 3 for the annual Observatory Halloween/Day of the Dead costume party! This year we will welcome back the ghosts of the dead in the tradition of our favorite holiday--the Mexican Dia de los Muertos or Day of the Dead--with Aztec dances and chants, traditional foods and drink, tacos catered by local favorite taqueria Oaxaca, episodes of The Midnight Archive, tequila, music, sugar skulls, our beloved La Catrina, a Day of the Dead Altar honoring the late Chavela Vargas and Neil Armstrong and, as always, an opportunity to strike a mortal blow to our beautiful piñata of Lady Death herself! There will also be, as always, the opportunity to don--and admire other!--amazing Day of the Dead-themed costumes.

The year's iteration will include:

ENTERTAINMENT!

• Cetiliztli Nauhcampa: Aztec dances and chants
• Borderline Projects's Salvador Olguín with a brief lecture on the origins and significance of Day of the Dead celebrations
• The Midnight Archive: Screenings of The Midnight Archive, Ronni Thomas' web series based on Observatory
• Music: Halloween music for the all night dance party

FOOD AND DRINK!

• Event will be catered by local favorite taqueria Oaxaca!

TRADITIONAL DAY OF THE DEAD ATTRACTIONS!

• Day of the Dead Altar honoring the late Chavela Vargas and Neil Armstrong.
• Special appearance by our very own La Catrina
• Pan de Muerto: Indulge in this traditional dessert called Bread of Death
• Piñata: Dash death to smithereens with our annual death piñata!
• Sugar skulls: Decorate and eat or bring home your own Day of the Dead sugar skull
• Offerings to the Departed: In some places in Mexico, people leave small, coffin-like figures out for the souls of the departed. Guests are invited to leave their own offering; they will be available at the installation.

For photos from last years' party, click here. Hope very much to see you there.
Image: Rebeca Olguín

NOVEMBER EVENTS

November 8: *** POSTPONED; STAY TUNED FOR NEW DATE A Dark Day in New York: Dispatches from The New York Grimpendium: Lecture and launch party for book of death-related sites and artifacts in New York, with J.W. Ocker 

November 13: The Abuses of Enchantment: Illustrated Lecture and Book Signing with Mark Pilkington, Author of “Mirage Men: An Adventure into Disinformation, Paranoia and UFOs” 

November 19: From the Akashic Jukebox: Magic and Music in Britain, 1888-1978: Illustrated Lecture and Rare British Occult Recordings with Mark Pilkington of Strange Attractor Press.

 You can get a full list of upcoming events by clicking here.