Showing posts with label performance. Show all posts
Showing posts with label performance. Show all posts

Saturday, July 21, 2012

"Phantom Creep Theatre: Lon Chaney Shall Not Die," Tonight at The Coney Island Museum

At the Coney Island Museum in Brooklyn, the Phantom Creep Theater pays tribute to classic horror with its version of the spook show, a macabre entertainment popular in the early 20th century that weds Grand Guignol tradition with modern sideshow showmanship. Hosted by M.C.’s in the vein of late-night television horror hosts like Ghoulardi and Dr. Creep, the shows feature B movies, live music, old-hat magic and a total blackout in which a monster or phantom tears through the theater.
--"No Rest for the Wicked, Undead or Ghoulish," New York Times.
July 12, 2012
Tonight, at the Coney Island Museum, I hope to see you for "Phantom Creep Theatre: Lon Chaney Shall Not Die!",  an ode to the 1950s spook show organized in part by friend and Midnight Archive creator Ronni Thomas. The night's series of performances, screenings and hijinx will be dedicated to the memory and work of Lon Chaney Sr., patron saint of classic horror, and will feature a live theatrical recreation of the lost 1929 film "Thunder,"which included "insidious carnies, murderous dwarves, [and] ravenous gorillas on the loose" and reputedly killed "the man of a 1,000 faces." In fine spook show tradition, there will also be an attempt to make contact with the ghost of Mr. Chaney, a chance to meet the "Hypno Corpse," varied film screenings, live music, and many thrills and screams, all for only 10 dollars.

Full details follow; hope very much to see you there!
PHANTOM CREEP THEATRE: Lon Chaney Shall Not Die!
Location: The Coney Island Museum
Date: TONIGHT Saturday, July 21
Time: Doors 8:00, Event 8:30 PM
Admission: $10
Free Popcorn!
Set your faces to stun for THE UNHOLY THREE (1930), screened from a 16mm film print! This film includes insidious carnies, murderous dwarves, ravenous gorillas on the loose, Lon Chaney, Sr.'s only speaking role, and much, much more!
Experience a one time live theatrical recreation of the (lost) film that killed Lon Chaney, Sr.... THUNDER! No one has seen this gut wrenching, edge of your seat, golden era rail road drama, in over 80 years!! You can't see it anywhere, but the Phantom Creep Theatre stage!

These presentations and more are part of an entire evening celebrating the man of a 1,000 faces, the man who ceased to exist between pictures, the broken hearted clown who was born on April Fool's Day - Lon Chaney, Sr.!

Will you bear witness to COUNT MOLOCH and EK, as they attempt to make contact with the ghost of Lon Chaney, Sr., live on the Coney Island Museum stage?!?!

Entities known, and unknown, may leave the stage and roam the room in the dark. Will you be ripped from your seat, or frozen with fear to it?

"That's all there is to life: A little laugh, a little tear." - Lon Chaney, Sr.

Plus, the HYPNO CORPSE will shock and amaze you!

LIVE performances, FILM (not digital!) projections, LIVE music! ...ONLY ten bones?! YES! 
The team that ran the original Silver Scream Spook Show at Coney Island, reunite for the first time ever on the stage that started it all! NYC's 8mm Movie Matinee, along with Atlanta GA's Silver Scream Spook Show, and the internet's own Midnight Archive web series, are throwing a gala summer-long series!

A spook show collaboration of colossal proportions in Coney Island! Ghosts materialize before your eyes! Monsters summoned from beyond! Strange creatures reach out at you through the darkness!

Including, but not limited to:

Golden era monster movies presented from 16mm film prints!

Live morbid magicians conjuring spirits that may run out into the audience to shake and shock you to your very core!

Each month is a DIFFERENT theme with NEW films, NEW gags, and NEW live hijinks! Collect ALL the memories and experiences!
You can find out more, and get tickets, by clicking here; tickets can also be purchased at the door. You can read the entire New York Times article about the event by clicking here.

Friday, April 15, 2011

Tonight at The Coney Island Museum: Acep Hale on Con Men and Sideshow Legends Ward Hall and Bobby Reynolds!


Tonight, as night 7 of the Congress of Curious Peoples, we have a fantastic double header: magician and scholar Acep Hale lecturing on ""Legerdemain and Larceny'--a history of the con man--followed by a performance by sideshow talker legends Ward Hall and Bobby Reynolds onstage for the first time ever in Coney Island.

This is sure to be an incredible night! Full details follow; very much hope to see you there.
Acep Hale, "Legerdemain and Larceny"
Tonight, FRIDAY, APRIL 15th
CONEY ISLAND MUSEUM, 7:30 pm - $5

Coney Island, like most fairs, amusement parks, and midways has always had a reputation for hucksterism and the con job. Join magician and scholar, Acep Hale, as he explores the history of the con, taking the audience on a guided tour of the clowns, contrarians, murmurers and mystics that have held fast to lives of wandering wonder throughout the ages. Acep Hale is a street performing magician, musician, traveler, and rogue gentleman scholar. Driven by the 19th century belief in propaganda by deed he performs daily on street corners everywhere to prove that magic still lives around every bend, you don’t need a nine to five to stay alive, and hope springs eternal between the cracks of every sidewalk.”.

Sideshow Legends Ward Hall and Bobby Reynolds
Tonight, FRIDAY, APRIL 15th
SIDESHOWS BY THE SEASHORE, 8:30 pm - $15

Ward Hall (born 1930) has been around longer than anyone in the business and runs The World of Wonders Sideshow. He is "a modern-day P.T. Barnum and the last of the sideshow promoters. He's a national treasure who is loved and revered by showfolk, sideshow historians, and fans the world over."

Bobby Reynolds (born 1932) got his start at Hubert's Museum in Times Square and has been talking, performing in, and operating sideshows ...ever since. He still comes out of "retirement" every year or so to run shows all over the world. "With his two-headed babies, all frog band, and giant rat, Bobby has perfected the art of giving people the art of giving people what they didn't know they wanted."

Tonight, join Ward Hall, King of the Sideshow, and legendary side showman Bobby Reynolds as they perform
For more info--and to purchase tickets--click here and here.

Saturday, June 26, 2010

This Tuesday at Observatory! Torino:Margolis Performance


This Tuesday! Morbid Anatomy presents at Observatory! Hope to see you there!
Torino:Margolis Performance
A performative exploration of electricity, biomedicine, and spectacle
Date: June 29, 2010
Time: 8:00 P.M.
Admission: $5
Please note: This lecture is paired with an event which took place on Tuesday, June 15; More here.

Tonight, join Observatory as it hosts Torino:Margolis in a three-part performance investigating the rich history of biomedicine, electricity, and spectacle. First, the audience will have the opportunity to control the movement of the performer using neuromuscular stimulation, which sends outside electricity into the performer’s muscle, forcing their muscle to contract and the performer to move involuntarily.

In the second part of the performance, they will use electromyography (EMG) in a sound-based performance. EMG is a way of sensing the electricity produced naturally during muscle contraction when an individual moves voluntarily. However, when the performer is physically manipulated by another person there is no action potential generated, no signal sensed by the EMG, and no change in the sound is produced. In this way you can hear someone’s free will.

In the third portion they will add a vocal component to the EMG “rig” by manipulating sound coming from the vocal cords using neuromuscular stimulation.

Torino:Margolis will then explain the workings of the biomedical tools used in the performance and the audience will have the opportunity to ask questions.

Torino:Margolis is a performance art team that smashes through physical and psychological barriers separating one body from another using invasive electronics and biomedical tools. They explore the idea that the self is transient, elusive and modular by playing with the notion of control and free will. Their extraction of physiological processes concretizes these concepts and presents them as questions to the viewer — not to illustrate the mechanism, but to explore the experience. The team has performed nationally and internationally at New York venues such as Issue Project Room, POSTMASTERS Gallery and Exit Art, the HIVE Gallery in California, and the Bergen Kunsthall Museum in Norway. They have lectured for institutions such as SUNY Stony Brook and the School of Visual Arts. For more information please see www.torinomargolis.com.
You can find out more about this here. You can get directions to Observatory--which is next door to the Morbid Anatomy Library (more on that here)--by clicking here. You can find out more about Observatory here, join our mailing list by clicking here, and join us on Facebook by clicking here.

Friday, June 11, 2010

Two Upcoming Events at Observatory by Torino:Margolis


Morbid Anatomy is very pleased to present an electricity-and-the-body-on-display themed lecture and performance pairing by Torino:Margolis. Event number one, a lecture entitled "Electricity and the Body in Public Performance," will investigate over 250 years of electricity and the body in spectacular scientific performance via an illustrated historical lecture. Event number two will explore the same rich territory via a historically informed interactive performance. Hope you can make it to one or both of these amazing sounding events!
Electricity and the Body in Public Performance
An illustrated lecture by Torino:Margolis
Date: June 15, 2010
Time: 8:00 P.M.
Admission: $5
Presented by Morbid Anatomy

Beginning with the first known public performance by Stephen Gray in 1729 and continuing through the present, scientists and artists have been exploring electricity and the human body for hundreds of years. The innate electrical potential of the human body, electricity as a medium of destruction and using outside electricity to manipulate the body have been served as conceptual fodder throughout this rich history. Although the collaboration between the arts and sciences may seem recent, due to its popularization in the media and 20th century art movements such as Bioart, the connection between these two groups have existed for centuries. Benjamin Margolis, MD and Jenny Torino, MS, RD current tinkerers in both worlds, will take you through the history of public performances in this arena and discuss how it relates to their own work using invasive electronics and the body.

________________________________________

Torino:Margolis Performance

A performative exploration of electricity, biomedicine, and spectacle
Date: June 29, 2010
Time: 8:00 P.M.
Admission: $5
Presented by Morbid Anatomy

Tonight, join Observatory as it hosts Torino:Margolis in a three-part performance investigating the rich history of biomedicine, electricity, and spectacle. First, the audience will have the opportunity to control the movement of the performer using neuromuscular stimulation, which sends outside electricity into the performer’s muscle, forcing their muscle to contract and the performer to move involuntarily.

In the second part of the performance, they will use electromyography (EMG) in a sound-based performance. EMG is a way of sensing the electricity produced naturally during muscle contraction when an individual moves voluntarily. However, when the performer is physically manipulated by another person there is no action potential generated, no signal sensed by the EMG, and no change in the sound is produced. In this way you can hear someone’s free will.

In the third portion they will add a vocal component to the EMG “rig” by manipulating sound coming from the vocal cords using neuromuscular stimulation.

Torino:Margolis will then explain the workings of the biomedical tools used in the performance and the audience will have the opportunity to ask questions.

Torino:Margolis is a performance art team that smashes through physical and psychological barriers separating one body from another using invasive electronics and biomedical tools. They explore the idea that the self is transient, elusive and modular by playing with the notion of control and free will. Their extraction of physiological processes concretizes these concepts and presents them as questions to the viewer — not to illustrate the mechanism, but to explore the experience. The team has performed nationally and internationally at New York venues such as Issue Project Room, POSTMASTERS Gallery and Exit Art, the HIVE Gallery in California, and the Bergen Kunsthall Museum in Norway. They have lectured for institutions such as SUNY Stony Brook and the School of Visual Arts. For more information please see www.torinomargolis.com.
You can find out more about these presentation here and here. You can get directions to Observatory--which is next door to the Morbid Anatomy Library (more on that here)--by clicking here. You can find out more about Observatory here, join our mailing list by clicking here, and join us on Facebook by clicking here.