"St. Dennistoun Mortuary" Coin-Operated Automaton LIVE AND IN ACTION!!!

Regular readers of Morbid Anatomy might remember a recent post on this blog about an amazing 1920/30s era coin-operated automaton depictingthe St. Dennistoun Mortuary (yes, really!) that will be going to auction this Saturday. Skinner Auction House just sent along a video of this magnificent machine in action.

Press play above and enjoy. WOW.

The piece is estimated to go for between $4,000-$6,000 as part of an upcoming Science, Technology & Clocks auction taking place Saturday, June 2 at 10:00AM. Full lot description from the Skinner Auctioneers website follows:

Lot 207
"St. Dennistoun Mortuary" Coin-Operated Automaton, attributed to Leonard Lee, c. 1900, the mahogany cabinet and glazed viewing area displays a Greek Revival mortuary building with double doors and grieving mourners out front, when a coin is inserted, doors open and the room is lighted revealing four morticians and four poor souls on embalming tables, the morticians move as if busily at work on their grisly task and mourners standing outside bob their heads as if sobbing in grief, ht. 30 1/2, wd. 24, dp. 17 1/4 in.

Estimate $4,000-6,000

Brass coin plate stamped J. Dennison Leeds NO. 80

As I said before, whoever buys this, please (please!!!) let me come over to meet it! You can find out more about it here.

New Lot of the Beautiful Book "Musical Machines and Living Dolls" The Guinness Collection at The Morris Museum

The Murtogh D. Guinness Collection at the Morris Museum is an astounding collection of automata (mechanical toys popular in the 18th and 19th century) and mechanical musical instruments that can be visited in--of all surprising places--Morristown, New Jersey. The collection is mind-blowingly vast; it is, in fact, the largest such public collection in the U. S. and one of the largest in the world, with around 700 automata and mechanical musical instruments and over 5,000 programmed media, nearly all of which are were produced in the 19th Century.

The highlight of the Morris Collection--in my opinion, at least!--is its extensive lot of fine 19th Century European automatons. Most of the pieces are in excellent repair and still able to go through their uncanny motions, and the scale, quality, and range of the collection are simply flabbergasting, the kind of thing you might consider yourself lucky to find in France (where many automata producers were based) but certainly not here on the East Coast of the United States.

The Morris Museum has just published a new book devoted to this collection, and I currently have 10 copies of the book in stock. Entitled Musical Machines and Living Dolls: Mechanical Musical Instruments and Automata from the Murtogh D. Guinness Collection, this book is a lovely little gem all its own; it is hardcover, full color throughout, beautifully printed, and well-researched. It also includes a well-researched overview of the history of automata from ancient times to the present and a biography of Murtogh D. Guinness, the heir to the Guinness beer fortune who amassed this collection and ultimately bequeathed it to the Morris Museum.

The book also--luckily for me!--features extensive text and scores of images (all images above are drawn from the book!) devoted to many of my favorite pieces in the collection, such as a number of 18th Century-style monkey dandies engaging in human activities (images 2, 3 & 4), 3 cats playing cards (image 5), a lute-playing Mephistopholes (image 7), an asp-suiciding Cleopatra (!!!) (image 6), performing tightrope walkers with orchestral accompaniment (image 9), a hookah-smoking Turk, singing birds, strutting peacocks, performing magicians, street vendors peddling their wares, and much, much more.

To give you a taste of the style and level of research to be found in this book, I include here the entire entry for the fascinating piece you see 6 images down, a late 19th century automaton entitled "The Suicide of Cleopatra":

The Suicide of Cleopatra
About 1880-90
Phalibois, Paris, France
37" x 45 1/2" w x 12 1/2" d
2003.18.236a-c

Surrounded by a massive gilt frame, this animated scene would have dominated most parlors of the time. It depicts a highly sensual version of Queen Cleopatra of Egypt's supposed suicide in 30 B.C. When activated, her breast heaves, her eyelids blink--and an asp strikes.

Although made in the late 1800s, the scene reflects a long-standing Western fascination with Egypt, which had been renewed by Napoleon Bonaparte's occupation of the country at the turn of the nineteenth century. Along with tens of thousands of troops, Bonaparte brought with him scientists and scholars who recorded all that they saw. The Description de l'Egypte, which emerged from their research, became a source for artists, designers, architects, and others, and the ensuing widespread fascination spread from everything from furniture to parlor entertainment.

Morbid Anatomy is delighted to be assisting The Morris Museum in the distribution of this lovely and informative book, which contains images and information to be found nowhere else. The cost of the book is $40; shipping and handling within the United States is $5 and shipping and handling for international orders is $20. The book is 10 1/2" X 8 1/2" and runs to about 140 pages. As I am unable to get these books listed on Amazon.com, those interested in ordering a copy can contact me directly at morbidanatomy [at] gmail.com.

You can find out more about the Morris Museum--including how to visit the collection in person!--by clicking here. Also, stay tuned for a soon-to-be-announced second field trip to visit the collection. If interested in receiving an alert, subscribe to the Morbid Anatomy mailing list by adding your email address on the upper left-hand side of this blog under the header "Mailing List of Events, Happenings, and The Like."

All images are drawn from the book and picture, from top to bottom:

1. Book Cover
2. Barrel Reed Organ with Monkey Automata, about 1865
3. Monkey Violinist, about 1855
4. Monkey Dandy, about 1880
5. Cats Playing Cards, about 1900
6. Suicide of Cleopatra, about 1880-1890
7. Mephistopholes (Model No. 1), about 1886-1900
8. Barrel Organ with Animated Figures, about 1820-1840 (detail)
9. Tightrope Dancer and Musicians, about 1875-1885 (detail)
   

New Automata Book Now Available: "Musical Machines and Living Dolls" The Guinness Collection at The Morris Museum

The Murtogh D. Guinness Collection at the Morris Museum is an astounding collection of automata (mechanical toys popular in the 18th and 19th century) and mechanical musical instruments that can be visited in--of all surprising places--Morristown, New Jersey. The collection is mind-blowingly vast; it is, in fact, the largest such public collection in the U. S. and one of the largest in the world, with around 700 automata and mechanical musical instruments and over 5,000 programmed media, nearly all of which are were produced in the 19th Century.

The highlight of the Morris Collection--in my opinion, at least!--is its extensive lot of fine 19th Century European automatons. Most of the pieces are in excellent repair and still able to go through their uncanny motions, and the scale, quality, and range of the collection are simply flabbergasting, the kind of thing you might consider yourself lucky to find in France (where many automata producers were based) but certainly not here on the East Coast of the United States.

The Morris Museum has just published a new book devoted to this collection. Entitled Musical Machines and Living Dolls: Mechanical Musical Instruments and Automata from the Murtogh D. Guinness Collection, this book is a lovely little gem all its own; it is hardcover, full color throughout, beautifully printed, and well-researched. It also includes a well-researched overview of the history of automata from ancient times to the present and a biography of Murtogh D. Guinness, the heir to the Guinness beer fortune who amassed this collection and ultimately bequeathed it to the Morris Museum.

The book also--luckily for me!--features extensive text and scores of images (all images above are drawn from the book!) devoted to many of my favorite pieces in the collection, such as a number of 18th Century-style monkey dandies engaging in human activities (images 2, 3 & 4), 3 cats playing cards (image 5), a lute-playing Mephistopholes (image 7), an asp-suiciding Cleopatra (!!!) (image 6), performing tightrope walkers with orchestral accompaniment (image 9), a hookah-smoking Turk, singing birds, strutting peacocks, performing magicians, street vendors peddling their wares, and much, much more.

To give you a taste of the style and level of research to be found in this book, I include here the entire entry for the fascinating piece you see 6 images down, a late 19th century automaton entitled "The Suicide of Cleopatra":

The Suicide of Cleopatra
About 1880-90
Phalibois, Paris, France
37" x 45 1/2" w x 12 1/2" d
2003.18.236a-c

Surrounded by a massive gilt frame, this animated scene would have dominated most parlors of the time. It depicts a highly sensual version of Queen Cleopatra of Egypt's supposed suicide in 30 B.C. When activated, her breast heaves, her eyelids blink--and an asp strikes.

Although made in the late 1800s, the scene reflects a long-standing Western fascination with Egypt, which had been renewed by Napoleon Bonaparte's occupation of the country at the turn of the nineteenth century. Along with tens of thousands of troops, Bonaparte brought with him scientists and scholars who recorded all that they saw. The Description de l'Egypte, which emerged from their research, became a source for artists, designers, architects, and others, and the ensuing widespread fascination spread from everything from furniture to parlor entertainment.

Morbid Anatomy is delighted to be assisting The Morris Museum in the distribution of this lovely and informative book, which contains images and information to be found nowhere else. The cost of the book is $40; shipping and handling within the United States is $5 and shipping and handling for international orders is $15. The book is 10 1/2" X 8 1/2" and runs to about 140 pages. As I am unable to get these books listed on Amazon.com, those interested in ordering a copy can contact me directly at morbidanatomy [at] gmail.com.

You can find out more about the Morris Museum--including how to visit the collection in person!--by clicking here. Also, stay tuned for a soon-to-be-announced second field trip to visit the collection. If interested in receiving an alert, subscribe to the Morbid Anatomy mailing list by adding your email address on the upper left-hand side of this blog under the header "Mailing List of Events, Happenings, and The Like."

All images are drawn from the book and picture, from top to bottom:

1. Book Cover
2. Barrel Reed Organ with Monkey Automata, about 1865
3. Monkey Violinist, about 1855
4. Monkey Dandy, about 1880
5. Cats Playing Cards, about 1900
6. Suicide of Cleopatra, about 1880-1890
7. Mephistopholes (Model No. 1), about 1886-1900
8. Barrel Organ with Animated Figures, about 1820-1840 (detail)
9. Tightrope Dancer and Musicians, about 1875-1885 (detail)
   

New Lot of Amazing, Lavishly Illustrated, Hard-to-Find Books on Victorian Anthropomorphic Taxidermist Walter Potter for Sale!

For those of you who, like I, are fascinated by the kitten tea parties, bunny schoolhouses, and kitten croquet matches of the undisputed king of Victorian anthropomorphic taxidermy Walter Potter, I have good news! Henceforth, Morbid Anatomy will be distributing the amazing (and very difficult to find!) book Walter Potter and his Museum of Taxidermy written and published by collector and taxidermy scholar Pat Morris.

There are two versions of the book available: the hardcover (see top image)--which sports a handsome stamped canvas cover and an extra signature of 8 full-color pages--and the paperback (see second image down). Both versions are large scale and lavishly illustrated in full-color with scores of nearly impossible-to-find photographs of Potter's unforgettable works, archival photographs of the early museum, and antique and vintage ephemera related to the museum (see bottom two images for examples; click on image to see larger size). The book is also extremely well researched, providing a through biography or Mr Potter, a detailed history of his museum of curious taxidermy, and the stories behind the making of his iconic pieces of anthropomorphic taxidermy.

Books can be purchased on Amazon.com; click here to purchase the hardcover, which goes for $50, and here to purchase the soft cover, which goes for $35. But order quickly: I only have about 8 hardback remaining, and 7 paperback, and these books tend to sell out fast!

And one more thing: I am also distributing the paperback version of Pat Morris' new book A History of Taxidermy: Art, Science and Bad Taste; you can find out more about this book by clicking here. if you are interested in purchasing a copy of this book, you can email me at morbidanatomy [at] gmail.com.

Morbid Anatomy Library / Observatory/ Proteus Gowanus Holiday Shopping Party, Sunday, December 19th, 12-6pm

This year, in the interest in offering an alternative to the general horrors that constitute The Holiday Season, The Morbid Anatomy Library is teaming up with our sister spaces Observatory and Proteus Gowanus for an epic, music-accompanied, beverage-enhanced day-long holiday shopping party this Sunday, December 19th, from 12-6 PM.

To the strains of the music of DJ Richard Faulk and with delicious seasonal drink in hand, we invite you to wander the labyrinthian spaces of Proteus Gowanus and its offshoots which will, for this day only, be filled with an amazing array of objects for sale, including (but not limited to): unusual and obscure books, one of a kind taxidermied and outfitted anthropomorphic mice (see above), crocheted skulls, reflective vests for uninsured bikers, miniature library furniture made from library catalogue cards, limited edition photographic prints from The Secret Museum, Private Cabinets, and Anatomical Theatre, and much, much more.

And on the note of "much, much more": The Morbid Anatomy Library continues to actively seek additional merchandise to include in the sale. If you are a maker, artist, author, publisher, taxidermist or collector interested in consigning objects/artifacts/artworks/books/specimens etc. for this event, please contact me at morbidanatomy@gmail.com.

Full directions follow. Hope very, very much to see you there!

Proteus Gowanus, is located at 543 Union Street (between Nevins and Bond) in the Gowanus neighborhood of Brooklyn, New York. Entrance to the gallery is off Nevins Street: enter through the large black gates, walk down the alleyway to the end, second door on the left. Look for the golden arm above the gallery door.

Subway

R or M train to Union Street in Brooklyn:
Walk two long blocks on Union (towards the Gowanus Canal) to Nevins Street. 543 Union Street is the large red brick building on right. Go right on Nevins and left down alley through large black gates. Gallery is the second door on the left.

F or G train to Carroll Street:
Walk one block to Union. Turn right, walk two long blocks on Union towards the Gowanus Canal, cross the bridge, take left on Nevins, go down the alley to the second door on the left.

Driving from Manhattan.
(There is usually easy parking on weekends.)

Continue straight off Brooklyn Bridge to Atlantic Avenue, take left on Atlantic. Go four blocks to Nevins St and take a right. Follow Nevins several blocks til you come to Sackett. Park on the next block (just before Union) and go down the alley off Nevins through the large black gates, second door on the left.