La Maison Mantin, Home of 19th Century Aesthete and Gentleman of Leisure Completely Intact and Open to Public after 106 Years

Louis Mantin was an aesthete and gentleman of leisure who bequeathed his opulent home to the town of Moulins on condition that a century later it be a museum.

After he died in 1905, the mansion was closed up and fell into dilapidation. Now...it has been returned to its original pristine state.

The result is a remarkable time-capsule, combining rich fin-de-siecle furnishings, archaeological curios, skulls and other Masonic paraphernalia, a collection of stuffed birds, as well as the latest domestic gadgets such as electricity and a flushing loo.

19th Century aesthete and gentleman of leisure Louis Mantin willed his mansion--complete with a private museum of art, archaeological and natural historical specimens--to the people of Moulins, to be opened as a museum 100 years after his death. Now, 106 years after his death in 1905--and after a 3.5m euro refit funded by local authorities--the home of this real life Des Esseintes been returned to its original pristine state and is, per Monsieur Mantin's wishes, open to the public.

"In the will," explains Maud Leyoudec, assistant curator of the collection, Mantin "says that he wants the people of Moulins in 100 years time to be able to see what was the life of a cultured gentleman of his day. A bachelor with no children, he was obsessed with death and the passage of time. It was his way of becoming eternal."

Text, video and story from yesterday's BBC. Click here to read the full story and take a video tour. You can find out more (if you read French!) here.

Via Eleanor Crook and Chantal Pollier.

"Cadmus et Hermoine," The First French Opera from 1673, Period Reproduction by Vincent Dumestre and Benjamin Lazar

I just discovered a most amazing cultural artifact: Vincent Dumestre and Benjamin Lazar's 2008 resurrection of Jean-Baptiste Lully's Metamorphoses-inspired "Cadmus et Hermoine," the first French opera, which premiered on April 27, 1673 and has long since faded into obscurity.

This 21st Century revival of a baroque original is like a magnificent, life-sized toy theatre come to glorious and uncanny life, and functions as more like time-travel than performance, with its lavishly reproduced stage machinery, sets, costumes, makeup, mannered performance style, dance sequences, and completely candle-lit stage all painstakingly based on baroque originals. The music, too, is unforgettable; hauntingly lovely and slightly alien, yet, somehow, utterly familiar at the same time.

The complete production (Christmas gift, anyone?) is available in DVD form from Amazon.com, which describes it thusly:

The event of the year! The team led by conductor Vincent Dumestre and Benjamin Lazar has produced the very first French opera, composed in 1673 by Lully with a libretto by Quinault. With reconstructed sets and costumes, this entirely candle-lit production is a landmark in the rediscovery of baroque opera, providing a unique opportunity to discover a musical masterpiece that has fallen into oblivion over the last 3 centuries. Performers include Andre Morsch, Claire Lefilliatre, Arnaud Marzonati, Jean-Francois Lombard, Isabelle Druet, Arnaud Richard, and Camille Poul with the Orchestra, Choir, & Dancers of Le Poeme Harmonique.
Vincent Dumestre directs this performance of Jean-Baptiste Lully's CADMUS ET HERMOINE. Composed in the 17th century, this libretto is a classic example of a musical tragedy and is known as the first French opera.

Click here to find out more, or purchase the DVD. Click here (highly recommended!) to view many more segments on the Oedipus at Versailles You Tube station. You can find out more about the history of the Cadmus et Hermoine opera here.

Recent related posts: Drottningholm Court Theatre, 1764-1766, Stockholm

Via Le Divan Fumoir Bohémien

Drottningholm Court Theatre, 1764-1766, Stockholm

Today I visited one of the most incredible spaces I have ever had the honor to momentarily inhabit: the Drottningholm Court Theatre, a former royal summer theatre at the Drottningholm Royal Park, a UNESCO World Heritage site in Stockholm, Sweden.

The Drottningholm Court Theatre was described memorably by our tour guide as "an intact baroque theater unique for never having been restored." This intactness includes not just paint, chandeliers, stage, and viewing boxes but also extends--astoundingly!--to the stage machinery and special effects, which are not only original but also still used in productions! The sets and "side flats" are not original, but are utterly convincing and painstaking reproductions in canvas and wood from originals found under a meter of dust when the theatre was rediscovered in 1921. The theatre also has--and continues to use!--machinery for lowering a person from the ceiling, as in the case of a goddess descending on a cloud, as well and a trap door to be used in such cases as "drowning heroines or sudden appearances."

During the summer, the Drottningholm Court Theatre stages 18th Century operas and ballets using these replica sets and the original stage machinery to create a completely immersive 18th Century theatre experience; unfortunately for me, the productions had already ended for the season before I arrived, so I had to content myself with volunteering to operate the "gale machine" (a wooden wheel whirled around inside a tight canvas strip producing with its friction a sound remarkably like howling winds) while my volunteer-partner worked the thunder machine--a box of rocks tossed this way and that by the pull of a rope.

The video above helps give a sense of the charm and wonder of these wonderful antique sets and machineries in motion where my words fail; both the video and a visit to this really fantastic--in ever sense of the word--theatre are highly recommended! I am already fantasizing about a return trip just to see The Magic Flute in this environment.

To find out more about the Drottningholm Court Theatre, click here.

Thanks so much to friend, friend-of-the-blog, and author of the wonderful book Death, Modernity, and the Body: Sweden 1870-1940 Eva Åhrén for telling me about this incredible place, and for all her other wonderful Sweden tips as well.