Tuesday, September 18, 2018

Morbid Anatomy Vienna Anatomy Weekend at the Narrenturm and the Josephinum: Registration Now Open!



Morbid Anatomy Vienna Anatomy Weekend at the Narrenturm and the Josephinum
Vienna, Austria
October 13 and 14, 2018
All programs will be in English.

DUE TO LIMITED SPACE, *** MUST*** REGISTER IN ADVANCE

For Josephiunum Events:
E-Mail: josephinum@meduniwien.ac.at
Phone: +43 1 40160 26001

For Narrenturm Events:
E-Mail: pas@nhm-wien.ac.at
Phone: +43 1 521 77 606

Please join us this October as we partner with two of the world's most magnificent medical museums--The Josephinum, housing a historical collection of 18th century anatomical wax models crafted by Italy's La Specola workshop, and the pathological-anatomical collection housed in an 18th century former madhouse, the Narrenturm.

Also, please note: this will be one of your last chances to see The Josephinum before it closes down for renovations!

This special weekend will include exclusive front and back stage tours of these incredible historic collections, along with the opportunity to make your own wax moulage and draw 18th century wax models removed from their cases. It will also include illustrated lectures by Eduard Winter of the Narrenturm, conservator Martina Peters of the Josephinum, medical illustrator Marie Dauhiemer, wax artist Eleanor Crook, and Morbid Anatomy's Joanna Ebenstein, all touching on the intersections of art and medicine, death and culture.

SCHEDULE

Saturday October 13
  • Tours, lectures and drawing from the specimens workshop at the Josephinum
  • Tours at the Narrenturm
Sunday October 14
  • Tours and moulage making workshop at the Narrenturm
FULL SCHEDULE: SATURDAY OCTOBER 13

Josephinum
  • Lectures, guided tours, and workshop
  • Lectures and guided tour: 40 EUR per person
  • Guided tour (without lectures): 25 EUR per person
  • Drawing workshop (with original, uncased wax models from the collection): 35 EUR per person (all materials provided)

10:00 am – 12:00 pm – Lectures
12:00 pm – 13:00 pm – Lunch break
13:00 pm – 14:30 pm – Drawing workshop, guided tour
14:30 pm – 15:00 pm – Coffee break (Lesesaal-Josephinum, incl. coffee, cold drinks and snacks)
15:00 pm – 16:30 pm – Drawing workshop, guided tour
17:00 pm – 18:30 pm – guided tour

Lectures
  1. Eduard Winters of the Narrenturm: The Pathologic-anatomical Collection Vienna Preparations from the Last 222 Years
  2. Martina Peters of the Josephinum: Waxworks at the Josephinum: History and Technology
  3. Marie Dauhiemer of The Vesalius Trust: Bernard Siegfried Albinius, Jan Wandelaar, and the Creation of Homo Perfectus
  4. Wax Anatomical Artist Eleanor Crook: Wax Moulage: Trophies of the Extremes of Human Experience
  5. Morbid Anatomy's Joanna Ebenstein The Anatomical Venus: An Enlightenment-era St. Teresa Ravished by Communion with the Invisible Forces of Science

Guided tours

The guided tours will offer deeper look into the Josephinum’s extensive collection of historical anatomical wax models back and front stage. Attendees will learn about human anatomy with the help of the historic waxworks. They will also see the extensive collection of pathological obstetric wax models learn about the history and origin of the collections and museum.

The tours will also include a visit backstage to the conservation atelier, where you will learn about the challenges of the artefact’s protection and maintenance. We will also see The Josephinum’s unique collection of ophthalmological 19th century wax moulages; crafted by by Johann Hofmayer under supervision of Professor Anton von Rosas, they are not generally on view to the public.

Workshop

In this workshop, Martina Peters, conservator at the Josephinum, will guide students in drawing wax anatomical models from the collection. Two original 18th century models will be removed from their historic glass cases to allow for a more detailed study. The participants will hereby have the opportunity to explore human anatomy in the classical 18th century manner. All material--including sketch blocks, pencils (HB, 2B and 6B), erasers and sharpeners as well as easels--will be provided.

Narrenturm

Open hours at the museum are from 10-13h. We will provide English guided tours every hour, starting at 10am, 11am and 12am. The tour will take you through the study collection of the museum. We will charge the normal (opening hours) fee of 8€ per person. Each tour will last 45 minutes.

SUNDAY, 14TH OF OCTOBER 2018

Narrenturm4 different tours, 15 participants each, 1 hour each
10 am, 11:30 am, 1 pm, and 2:30 pm
1 tour: 12€ each
3 or 4 tours: 10€ each
Wax moulage making workshop: 50 €

 TOURS
  • Architecture
  •  Study collection plus extra rooms (not included in the opening hour tours)
  • Gynaecology + Electropathology + Veterinary pathologies
  • Behind the scenes
Wax Moulage Making Workshop with Ceroplast Eleanor Crook 10 am and 1 pm, maximum 12 people
2 classes with 12 participants for each class
50€ all materials included

Let acclaimed sculptor Eleanor Crook guide you in creating your very own wax pathology sculpture. Crook has lent her experience to professionals ranging from forensic law enforcement officers to plastic surgeons, so is well placed to help you make a horrendously lifelike model of leprosy, syphilis, scars, boils or blisters, - any dermatological case. Each participant will end up with a mounted wax face moulage to keep, and will learn wax modelling the details, colouring , hair insertion and the traditional presentation method using a bandage and pins on a board for wall hanging. Materials and tools will be explained and demonstrated, disease processes illustrated, dire pathologies imitated, and the afflicted face of an unfortunate will eventually grace your home.

Eleanor Crook trained in sculpture at Central St Martins and the Royal Academy and makes figures and effigies in wax, carved wood and lifelike media. She has also made a special study of anatomy and has sculpted anatomical and pathological waxworks for the Gordon Museum of Pathology at Guy's Hospital, London's Science Museum, and the Royal College of Surgeons of England and the Vrolik Museum Amsterdam.She exhibits internationally in both fine art and science museum contexts. In the interest of making figures more lifelike than the living, using a generous grant from the Wellcome Trust she developed the incorporation of electronic animatronics systems into the sculptures so that her moribund and macabre creations now can twitch and mutter. She is artist in residence at the Gordon Museum of Pathology, a member of the Medical Artists' Association, runs a course in Anatomy drawing at the Camberwell School of Art and restores historic wax medical collections for a number of institutions.

Top image: 18th century Anatomical Venus; Alexander Ablogin/Josephinum. All others by Joanna Ebenstein.



Monday, September 10, 2018

EXHIBITION: Bridging Two Worlds: The Land of the Living and the Land of the Dead

"Dante's Inferno", Unknown Artist, found in Mid-Western US, circa 1940's - 1950's, Courtesy of the Stephen Romano Gallery
We are delighted to announce a new exhibition we have produced as part of our autumn residency at Green-Wood Cemetery. Entitled Bridging Two Worlds: The Land of the Living and the Land of the Dead, the exhibition will explore, via objects and artworks drawn from collection of the greater Morbid Anatomy Community and Green-Wood Historic Fund, the ways in which we conceptualize and attempt to stay in contact with the realm of the dead.

The exhibition be on from view Saturday, September 22 through Sunday, December 2 at Green-Wood Cemetery's spectacular 19th century Fort Hamilton Gatehouse, and will feature pieces ranging from a Ghanian figurative coffin to Catholic relics to outsider art to spirit photographs to contemporary fine art, drawn from The Morbid Anatomy Collection, Green-Wood Historic Fund, The Brooklyn Public Library, Stephen Romano Gallery, Cole Harrell Gallery and Invisible Gallery and the private collections of Laetitia Barbier, Doug DeFeis, Joanna Ebenstein, Erika Larsen, Sherry Kerlin, Evan Michelson, Sarah Murray, Rebecca Purcell, Shannon Taggart, Mallorie Vaudoise and Cathy Ward.

On Friday, September 21, we hope you'll join us for our opening party, where you can meet artists and collectors and enjoy music and refreshments after-hours at the cemetery; more on that here.

You can find out more about the exhibition below. Very much hope to see you there!

Bridging Two Worlds: The Land of the Living and the Land of the Dead
Saturday, September 22 - Sunday, Dec 2, 2018
Weekends 12 - 5
Free and open to the public
The Fort Hamilton Gatehouse at Green-Wood Cemetery (Hamilton Parkway and Micieli Place, F and G trains at Fort Hamilton Station or Church Street Station)
More here 

Today, many people see the death of the body as the end of life. For most of human history, however, many believed--as some still do--that the dead continued to live on after death in another, invisible world. These worlds could be bridged by individuals such as the shaman, medium, and the priest. There was also the psychopomp, whose job it was to guide the souls of the dead from this world to the next.

Bridges between the worlds could also take the form of practices, including rituals, ancestor worship, sacrificial offerings, and prayer. Some cultures even believed that there were special times of the year when the boundaries between the worlds were particularly porous, allowing the dead to pay a visit to the land of the living, such as Mexico's Day of the Dead or Chinese New Year.

Today, we continue to create metaphoric bridges between the land of the living and the land of the dead; doctors and scientists define and defy the boundaries between the worlds, while the study of history, familial and cultural traditions, the contemplation of objects from the past, and monuments we build to remember the dead--including cemeteries such as Green-Wood--create bridges that allow us to honor and stay in communion with those we have lost.

This exhibition seeks to explore the ways in which we bridge the worlds of the living and the dead via objects and artworks drawn from collection of the greater Morbid Anatomy Community and Green-Wood Historic Fund