


Happy New Years and bonne année to all of you, on this, the last day before we ring in the final year of the Mayan calendar.
All images found here.
There is a 10 person limit for this class; you can sign up by sending an email to morbidanatomy [at] gmail.com. This class is one of the newest installments in the series newly termed The Morbid Anatomy Art Academy; to find out more about that--including a full class list thus far--click here.Vanitas Drawing Class with Classically Trained Artist Lado Pochkhua
Date: 6 Mondays, January 9th through February 13th
(Jan. 9, Jan. 16, Jan. 23, Jan. 30, Feb. 6 & Feb. 13)
Time: 7:30-10:00 PM
Admission: $110 (classes can also be taken individually on a drop-in basis for $20 per class)
*** This class has a 10 person size limit; Please RSVP for full course at morbidanatomy [at] gmail.com
This class is part of the Morbid Anatomy Art AcademyVanitas is a genre of still-life painting that flourished in the Netherlands in the early 17th century. A vanitas painting contains collections of objects symbolic of the inevitability of death and the transience and vanity of earthly achievements and pleasures, exhorting the viewer to consider mortality and to repent.
This Vanitas course will comprise six drawing lessons in which, using artifacts drawn from The Morbid Anatomy Library, students will learn how to create and draw their own “vanitas” composition. The ultimate goal of the class will be not only the creation of this particular drawing, but also understanding of the principles of classical drawing. The instructor will also share historical images throughout the course.
No previous drawing experience necessary; all levels are welcome!
MATERIALS
Please bring with you to class:
- One drawing pad at least 18" X 20" with a firm back; paper Fabriano or Arches, or Strathmore 400
- Pencil: HB, 2B, 4B, simple graphite pencils, (no charcoal !!!)
- Eraser
ABOUT THE INSTRUCTOR
Lado Pochkhua was born in Sukhumi, Georgia in 1970. He received his MFA in Painting and Printmaking from Tbilisi State Art Academy in Georgia in 2001. He currently divides his time between New York and Tbilisi, Georgia.Selected Exhibitions:
- 2011 “Works from the Creamer Street Studio,” at the Literature Museum, Tbilisi Georgia (solo show)
- 2010 “Paradise ” at Proteus Gowanus, New York
- 2009 “Prague Biennale 4,” Georgian pavilion
- 2009 “The Art of returning Home,” Arsi Gallery, Tbilisi Georgia (solo show)
- 2008 Gardens, Ships, and Lessons, K. Petrys Ház Gallery, Budapest, Hungary (solo show) Exhibition of Georgian Artists, Festival OFF EUROPA ditorei Gallerie NBL, Leipzig, Germany
- 2004 Artists of Georgia, Georgian Embassy, London, UK
- 2003 Curriculum Vitae: a retrospective of 20th century Georgian art, Caravasla Tbilisi History Museum, Tbilisi, Georgia, Waiting for the Barbarians, Gallery Club 22, Tbilisi, Georgia (solo show)
- 2001 21 Georgian Artists, UNESCO, Paris, France
- 1998 Magical Geometry, TMS Gallery, Tbilisi, Georgia (solo show)
The Insects' Christmas (1913)Found via my former intern Laetecia; Text via IMDB.
Rozhdestvo obitateley lesa (original title)
A Father Christmas ornament climbs down from a decorated tree, and goes to the forest. There he creates and decorates a Christmas tree for the forest creatures. He then invites all the insects, along with a friendly frog, to come and enjoy the gifts he has prepared, and to celebrate Christmas. Written by Snow Leopard
I have to admit - before i began this whole thing - i had no idea what the Grand Guignol theater was... I was raised on a magnificent diet of blood and gore as a kid. (For Christ's sake - i gave up my career as an adjunct professor to work for less than minimum wage at Troma films...) But - as always - the unsung bastard of this artform was a sleazy theatre in paris where eyes were gouged out - faces were burnt off - and torturous agony was displayed before some of the wealthiest and most affluent aristocrats while visiting the fabulous city of blights... (lights). In this episode - Mel Gordon - the man who LITERALLY wrote the book on the Grand Guignol gives us a brief explanation of what it was and what it meant to society, the world and all those other things i could care less about... I knew nothing about the theater before i started this as i've stated - and i've learned about 3 minutes more than that as i hope you will... enjoy... and please consider chopping up your neighbor as a fun tribute.For more on the series, to see former episodes, or to sign up for the mailing list so as to be alerted to future uploads, visit The Midnight Archive website by clicking here. You can also "like" it on Facebook--and thus be alerted--by clicking here.
The Missing Dimension: A Cultural History of 3D Images - Anaglyphs, Stereographs, View-Masters, Holograms, and Flaming Arrows Coming Right at You!
Illustrated lecture on and in 3D (glasses provided) by artist and NYU Professor Chris Muller
Date: TONIGHT Tuesday, December 13th
Time: 8:00
Admission: $5
Presented by Morbid Anatomy
An overview of the development of three-dimensional images, from the first recognition of the stereoscopic function of our two eyes in ancient times, to Charles Wheatstone's explanation of binocular vision and his creation of the stereoscope in 1838, and the flood of three dimensional images that followed the invention of photography. We'll look at the stereograph viewer developed by Oliver Wendell Holmes that was in every Victorian parlor, the View-Master in every baby boomer's childhood bedroom, red and green anaglyph printing that allowed comic book characters to pop off the page, and the strange story of the development of 3D film. The unique pleasures of the 3D image will be celebrated, and its persistent failure to become the Next Step in photography and film discussed. The lecture will be illustrated entirely and gratuitously in 3D, with glasses provided to all comers.
Chris Muller is an artist and exhibit designer based in Brooklyn. He has designed exhibits for the Whitney Museum of American Art, the Museum for African Art, the Children's Museum of Manhattan, and many others. He has designed sets for Laurie Anderson, Alvin Ailey Dance Theater, the Atlantic Theater Company, and others. He teaches drawing and digital painting at NYU's Tisch School of the Arts.
Image: Image by Chris Muller
“Oddities” Marathon and Season Launch Party
Screening of TV's "Oddities" followed by after party with MC Lord Whimsy, giveaways, special drinks, and DJ
Date: Saturday, December 17th
Time: 8:00
Admission: $8
Presented by Morbid Anatomy
On Saturday, December 17th, you are cordially invited to join Morbid Anatomy and Observatory as we gather to celebrate the new season launch of "Oddities," that unlikely hit of a television series based on our favorite purveyor of curious and amazing artifacts, Obscura Antiques and Oddities in New York City's East village.
The evenings festivities will include the screening of several new episodes of "Oddities," special drinks and music by Friese Undine, and give-ways by Kikkerland and Obscura Antiques. The always charming Lord Whimsy will oversee the evening in his role of Master of Ceremonies, and members of the cast of "Oddities" will be on hand for questions and comments.
To find out more about the show, check out http://dsc.discovery.com/tv/oddities.
Hope very much to see you there!
2011 Morbid Anatomy and Observatory Holiday Fair
Holiday fair with multiple vendors serving your alternative holiday needs including taxidermy, miniature insect tableaux and more
Dates: Saturday, December 17 & Sunday, December 18
Time: Noon - 6:00 PM
Admission: Free Free beer courtesy of our sponsor Brooklyn Brewery
Please join us on December 17th and 18th for a holiday fair presented in conjunction with partner spaces Proteus Gowanus and Morbid Anatomy. Here you will find such covetables as steampunk jewlery, anatomical blocks, macabre drawings, ceramic reliquary bat heads, wet specimens, photographs, and books, books and more books, all to music DJed by Lado Pochkhua and washed down with beer provided by our sponsor Brooklyn Brewery. This will be the perfect place to purchase unique, niche, and off-the-beaten-path gifts for those hard-to-please folks on your shopping list! Hope to see you there.
Image: Crocheted Skulls by Dewey Decimal Crafts, a featured seller at last year's fair. More of her work can be found here.
And more upcoming:JANUARY
FEBRUARY
MARCH
You can find out more and get directions to Observatory by clicking here. You can join the Observatory Facebook group by clicking here.
2011 Morbid Anatomy and Observatory Holiday FairFor directions, click here. To see some press coverage of the fair, click here, here, and here.
Holiday fair with multiple vendors serving your alternative holiday needs including taxidermy, miniature insect tableaux and more
Dates: Saturday, December 17 & Sunday, December 18
Time: Noon - 6:00 PM
Admission: Free
Free beer courtesy of our sponsor Brooklyn Brewery
Please join us on December 17th and 18th for a holiday fair presented in conjunction with partner spaces Proteus Gowanus and Observatory. Here you will find such covetables as steampunk jewelry, anatomical blocks, macabre drawings, ceramic reliquary bat heads, wet specimens, photographs, and books, books and more books, all to music DJed by Lado Pochkhua and washed down with beer provided by our sponsor Brooklyn Brewery. This will be the perfect place to purchase unique, niche, and off-the-beaten-path gifts for those hard-to-please folks on your shopping list! Hope to see you there.
NEW YORK CITY -- When the rides stop running at Coney Island each year in October, the area takes on a desolate and decidedly creepy character. That's all fine and well with the Coney Island Museum, which on Saturday night hosted the Grand Guignol Variety Show, an homage to the eponymous Parisian production that specialized in theatrical gore, sex and violence from 1897 to 1962.Read the whole article--a review of Saturday's Grand Guingol Variety Show--in today's Huffington Post by clicking here. Please be indulgent when you read my quotes, keeping in mind that it was my birthday and I had had a few drinks by the time this interview took place...
The event, co-sponsored by the Morbid Anatomy Library and Atlas Obscura, featured two original plays from the Grand Guignol's golden era. They give a sense of what the theater was like in its heyday: In one, a spurned woman mutilates her former fiance with sulphuric acid, only to meet the same fate at his hand. In another, a man's unrequited love for the wife of his closest friend drives him to cast a hypnotist's spell on her. When she's tragically killed in a train crash, the spell's power remains. Disfigured and grotesque, she returns from beyond the grave to be at his side. Horrified, he kills himself...
--"Coney Island Museum Hosts Creepy Homage To Victorian Horror Theater," The Huffington Post, Rachel Tepper
More here.Grand Guignol Variety Show at The Coney Island Museum
Featuring classic Grand Guignol performances, film, toy theatre, song, dance, film and more, followed by a DJed after-party
Date: Saturday, December 10th
Time: 8:00 (doors at 7)
Admission: $25 (tickets available here)
Location: The Coney Island Museum, 1208 Surf Avenue, Brooklyn
Presented by Morbid Anatomy, Atlas Obscura and The Coney Island Museum and curated by Joanna Ebenstein & John Del GaudioFrom turn-of-the-century Paris through the 1960s, the Theatre of the Grand Guignol gleefully celebrated horror, sex, and fear with infamous productions featuring innocent victims, mangled beauty, insanity, mutilation, humour, sex, and monstrous depravity in a heady mix that attracted throngs of thrill-seekers from all echelons of society, making it the progenitor of today’s blood-spilling, eye-gouging, and limb-hacking “splatter” films.
Join us on December 10th at the Coney Island Museum for a one-night-only ode to The Grand Guignol and its legacy. Our evening of variety theatre was developed in conversation with Mel Gordon, author of Grand Guiginol: Theatre of Fear and Terror; Participants will include Doll Parts, Meg Moseley, GF Newland, Melissa Roth, Shannon Taggart, Alison Termine, Ronni Thomas, and Kathleen Kennedy Tobin and the role of Master or Ceremonies filled by Lord Whimsy. Projects include stagings of two classic Grand Guignol plays, a toy theater version of Bryusov’s “The Sisters,” a harmonious and creepy rendition of “Dry Bones,” and more, all followed by an after-party with music and Hendrick’s Gin cocktails courtesy of Friese Undine.
Calling All Creatures . . . The Secret Science Club presents the 6th-annual "Carnivorous Nights Taxidermy Contest"Image: Mouse Taxidermist, student work from our popular Anthropomorphic Taxidermy class. More photos here; more on the class here.
Friday, December 9
8 PM @ the Bell House
$7
Just in time for the holidays . . . the beasts are back!
The Secret Science Club presents the 6th-annual “Carnivorous Nights TAXIDERMY CONTEST,” Friday, December 9, 8 pm @ the Bell House, $7
Calling all science geeks, nature freaks, and rogue geniuses! Your stuffed squirrel got game? Got a beaver in your brownstone? Bring your beloved beast to the Bell House and enter it to win!
Eligible to enter: Taxidermy (bought, found, or homemade), biological oddities, articulated skeletons, skulls, jarred specimens—and beyond, way beyond.
Show off your moose head, snake skeleton, rabbit relics, and other amazing specimens. Compete for prizes and glory. Share your taxidermy (and its tale) with the world.
The contest will be judged by our panel of savage taxidermy enthusiasts, including Robert Marbury of the Minnesota Association of Rogue Taxidermists and feline wrangler Dorian Devins, co-founder and curator of the Secret Science Club.
Plus!
--Groove to furry tunes & video
--See an illustrated lecture on (yes!) taxidermy
--Imbibe ferocious specialty drinks! (They’ll bring out the animal in you.)
Entrants: Contact secretscienceclub@gmail.com to pre-register.
Spectators: Don’t miss a beastly second of this wild night!
Tickets: Advance tickets are available for purchase here.
This fiercely special edition of the Secret Science Club meets Friday, December 9 @ the Bell House, 149 7th St. (between 2nd and 3rd avenues) in Gowanus, Brooklyn. Subway: F or G to 4th Ave; R to 9th St. Doors open at 7:30 pm. Please bring ID: 21+. $7 cover.
More on Observatory can be found here. To sign up for events on Facebook, join our group by clicking here. To sign up for our weekly mailer, click here. Directions to Observatory can be found here.Photographing the Dead: The History of Postmortem Photography from The Burns Collection and Archive
Illustrated Lecture and book signing with Stanley B. Burns, MD, FACS of the Burns Collection and Archive
Date: Monday, December 5th
Time: 8:00
Admission: $5
Presented by Morbid Anatomy
*** Books will be available for sale and signing; see bottom of this page for complete list of books availablePostmortem photography, photographing a deceased person, was a common practice in the 19th and early 20th centuries. These photographs, from the beginning of the practice until now, are special mementos that hold deep meaning for mourners through visually "embalming" the dead. Although postmortem photographs make up the largest group of nineteenth-century American genre photographs, until recent years they were largely unseen and unknown. Dr. Burns recognized the importance of this phenomenon in his early collecting when he bought his first postmortem photographs in 1976. Since that time he has amassed the most comprehensive collection of postmortem photography in the world and has curated several exhibits and published three books on the subject: the Sleeping Beauty series. Tonight, Dr. Burns will speak about the practice of postmortem photography from the 19th century until today and share hundreds of images from his collection.
About Sleeping Beauty: Dr. Burns’ first book on postmortem photography, Sleeping Beauty: Memorial Photography in America (1990) has been widely recognized as one of the most important photography books of all time. Sleeping Beauty has influenced an eclectic array of fields, from bereavement counseling and education to cultural anthropology, history, medicine, philosophy, religion and spirituality (not to mention pop music) and has been cited in debates on the death penalty, euthanasia and abortion. It has been the subject of numerous scholarly papers as well as seminars and exhibitions at notable institutions such as the Metropolitan Museum of Art and The New Museum of Contemporary Art. A decade later the Archive published Sleeping Beauty II: Grief, Bereavement & The Family in Memorial Photography American & European Traditions in conjunction with an exhibit at the Musée d’Orsay. Sleeping Beauty III Memorial Photography: The Children, the third installment in this series was released this year to accompany a traveling exhibition.
About the Burns Collection and Archive: The Burns Collection, founded in 1975 hosts the nation's largest collection of early medical photography and has been generally recognized as one the most important private comprehensive collections of early photography (over one million photographs). The Collection is best known for images of the dark side of life: death, disease, disaster, mayhem, crime, racism, revolution, riots and war. Dr. Burns has authored forty-three photo-historical texts and curated more than fifty photographic exhibitions. He is a founding donor of several museum photography collections, including the J. Paul Getty Museum and The Bronx Museum of the Arts. In addition to being an internationally distinguished author, curator, historian, collector, publisher, and archivist, Dr. Burns is a New York City ophthalmologist and Clinical Professor of Medicine and Psychiatry at NYU Langone Medical Center. The Burns Archive produces publications, exhibitions, and manages image licensing for the Burns Collection. To find out more, you can visit the Burns Archive Blog, website, or press website.
These Burns Archive titles will be available for sale and signing:
Sleeping Beauty III Memorial Photography: The Children $36
Sleeping Beauty II: Grief, Bereavement & The Family in Memorial Photography... $85
Shooting Soldiers: Civil War Medical Photography by R.B. Bontecou $50
News Art: Manipulated Photographs from the Burns Archive $50
Deadly Intent, Crime & Punishment: Photographs from the Burns Archive $75
Seeing Insanity: Photography & The Depiction of Mental Illness $40
Grand Guignol Variety Show at The Coney Island Museum
Featuring classic Grand Guignol performances, film, toy theatre, song, dance, film and more, followed by a DJed after-party
Date: Saturday, December 10th
Time: 8:00 (doors at 7)
Admission: $25 (tickets available here)
Location: The Coney Island Museum, 1208 Surf Avenue, Brooklyn
Presented by Morbid Anatomy, Atlas Obscura and The Coney Island Museum and curated by Joanna Ebenstein & John Del GaudioFrom turn-of-the-century Paris through the 1960s, the Theatre of the Grand Guignol gleefully celebrated horror, sex, and fear with infamous productions featuring innocent victims, mangled beauty, insanity, mutilation, humour, sex, and monstrous depravity in a heady mix that attracted throngs of thrill-seekers from all echelons of society, making it the progenitor of today’s blood-spilling, eye-gouging, and limb-hacking “splatter” films.
Join us on December 10th at the Coney Island Museum for a one-night-only ode to The Grand Guignol and its legacy. Our evening of variety theatre was developed in conversation with Mel Gordon, author of Grand Guiginol: Theatre of Fear and Terror; Participants will include Doll Parts, Meg Moseley, Robert Munn, GF Newland, Melissa Roth, Shannon Taggart, Alison Termine, Ronni Thomas, and Kathleen Kennedy Tobin with a newly commissioned set by NYU’s Chris Muller (seen above) and the role of Master or Ceremonies filled by Lord Whimsy. Projects include stagings of two classic Grand Guignol plays, a toy theater version of Bryusov’s “The Sisters,” a harmonious and creepy rendition of “Dry Bones,” and more, all followed by an after-party with music and Hendrick’s Gin cocktails courtesy of Friese Undine.
Tickets available here.