Tuesday, August 6, 2013

Blaschka Glass Flowers! LA Death Salon! Rabbit Taxidermy! Reliquary Dolls! Ex Votos! Day of the Dead! Upcoming Morbid Anatomy Events in Brooklyn, Los Angeles and Mexico

Illustrated lecture on the legendary Blaschka glass flowers with Jenny Brown, collection manager of the Ware Collection of Blaschka Glass Models of Plants at Harvard University! A Los Angeles-based weekend symposium devoted to to discussions of mortality with programming by Morbid Anatomy, Atlas Obscura, and The Order of the Good Death! Jeweled skeletons book party with Dr. Paul Koudounaris, author of Empire of Death! Taxidermy of small rabbits, chipmunks and mice! Make your own ex votos and Wax reliquary dolls!

Full info follows on all events; Hope to see you at one or more!
_______________________________________________

Anthropomorphic Mouse Taxidermy Class with Divya Anantharaman
Date: Saturday, August 10
Time: 12:30 - 5 PM
Admission: $110
Advance Tickets Required; Tickets here: http://www.brownpapertickets.com/event/392363
Email divya.does.taxidermy at gmail dot com with questions or to be put on wait list
Class limit: 10
This class is part of the Morbid Anatomy Art Academy

Anthropomorphic taxidermy--in which taxidermied animals are posed into human attitudes and poses--was an artform made famous by Victorian taxidermist and museologist Walter Potter. In this class, students will learn to create--from start to finish--anthropomorphic mice inspired by the charming and imaginative work of Mr. Potter and his ilk. With the creative use of props and some artful styling, you will find that your mouse can take nearly whatever form you desire, from a bespectacled, whiskey swilling, top hat tipping mouse to a rodent mermaid queen of the burlesque world.

In this class, Divya Anantharaman--who learned her craft under the tutelage of famed Observatory instructor Sue Jeiven--will teach students everything involved in the production of a fully finished mount, including initial preparation, hygiene and sanitary measures, fleshing, tail stripping, and dry preservation. Once properly preserved, the mice will be posed and outfitted as the student desires. Although a broad selection of props and accessories will be provided by the instructor, students are also strongly encouraged to bring their own accessories and bases; all other materials will supplied. Each student will leave class with a fully finished piece, and the knowledge to create their own pieces in the future.

Also, some technical notes:
  • We use NO harsh or dangerous chemicals.
  • Everyone will be provided with gloves.
  • All animals are disease free.
  • Although there will not be a lot of blood or gore, a strong constitution is necessary; taxidermy is not for everyone
  • All animals were already dead, nothing was killed for this class.
  • Please do not bring any dead animals with you to the class.
_______________________________________________

Ex Voto Making Workshop with Master Jeweler Karen Bachmann
With Art Historian and Master Jeweler Karen Bachmann
Date: Sunday, August 11
Time: 1 - 5 pm
Admission: $150
***Must pre-purchase tickets at http://exvoto.brownpapertickets.com; 8 person limit
This class is part of The Morbid Anatomy Art Academy

An Ex-voto is an offering made in fulfillment of a vow, usually offered to a particular saint or other divinity. The term is Latin in origin, short for ex voto suscepto –“from the vow made." Ex-votos are placed in chapels, shrines, and other places of pilgrimage to offer thanks for blessings, healing, and to seek grace. Such places of pilgrimage have been found throughout history and in such diverse places as Egypt, Italy, and Mexico.

As ex-votos are often associated with miraculous healing, the forms they take reflect the healed body part. Hearts, lungs, legs, arms, heads, breasts, crutches, etc. often find themselves replicated in embossed and sometimes painted metal which adorn the walls of chapels in fantastic array. They are sometimes accompanied by written verse as well. Such ex-votos stand not only as tokens of thanks, but also as testaments of faith to other viewers.

This class will demonstrate how to construct from sheet metal an ex-voto of one’s own choosing. Using metal sheers and embossing tools, students will learn how to lay out a design and create their own individualized ex-voto suitable for hanging on a wall (chapel or otherwise). Metal and tools will be supplied. Samples will be shown, as well as anatomical images suitable for reproduction. Please bring sketchpad and pencil.

Karen Bachmann is a fine jeweler with over 25 years experience, including several years on staff as a master jeweler at Tiffany and Co. She is a Professor in the Jewelry Design Dept at Fashion Institute of Technology as well as the School of Art and Design at Pratt Institute. She has recently completed her MA in Art History at SUNY Purchase with a thesis entitled Hairy Secrets:... In her downtime she enjoys collecting biological specimens, amateur taxidermy and punk rock.
Image found here.

_______________________________________________

Small Rabbit Taxidermy Class with Divya AnantharamanDate: Sunday, August 25
Time: 12:00pm
Admission: $250
Class limited to six students
*TICKETS MUST BE PRE-ORDERED AT http://rabbittaxidermy.brownpapertickets.com
In this intimate, hands-on class (limited to only six students), we will study the happy and hoppy rabbit! Students will create a fully-finished rabbit mount in a naturalistic or anthropomorphic position. Students will learn everything involved in producing a finished mount - from initial preparation, hygiene and sanitary measures, to proper technique and dry preservation. The class will teach how to create a wrapped body form using the rabbit's own body as reference, and how to reconstruct a rabbit head using the skull as reference. Students will also be introduced to the techniques of ear turning and ear carding. The use of anatomical study, reference photos, and detailed observation will also be reviewed as important tools in recreating the natural poses and expressions that magically reanimate a specimen. A selection of props will be provided, however, students are welcome to bring their own bases and accessories if something specific is desired. All other supplies will be provided for use in class.
Each student will leave class with a fully finished piece, and the knowledge to create their own pieces in the future.
Divya Anantharaman is a Brooklyn based artist whose taxidermy practice was sparked by a lifelong fascination with natural mythology and everyday oddities. After a journey filled with trial and error, numerous books, and an inspiring class (Sue Jeiven's popular Anthropomorphic Mouse Taxidermy Class at Observatory!), she has found her calling in creating sickly sweet and sparkly critters. Beginning with mice and sparrows, her menagerie grew to include domestic cats, woodchucks, and deer. Recently profiled on Vice Fringes, the New York Observer, and other publications, she will also be appearing in the upcoming season of Oddities-and is definitely up to no good shenanigans. You can find out more at www.d-i-v-y-a.com
Also, some technical notes:
  • We use NO harsh or dangerous chemicals.
  • Everyone will be provided with gloves.
  • All animals are disease free.
  • Although there will not be a lot of blood or gore, a strong constitution is necessary; taxidermy is not for everyone
  • All animals were already dead, nothing was killed for this class.
  • Please do not bring any dead animals with you to the class.
_______________________________________________

The Glass Flowers: Marvels in Art and Science
Illustrated lecture by Jenny Brown, Collection Manager of the Ware Collection of Blaschka Glass Models of Plants at Harvard
Date: Tuesday, August 27th
Time: 8.00
Admission: $8
Presented by Morbid Anatomy
The Ware Collection of Blaschka Glass Models of Plants at Harvard University, more popularly known as The Glass Flowers, is often described as “an artistic marvel in the field of science and a scientific marvel in the field of art.” The collection was commissioned to aid in botanical instruction and serve as the premier botany exhibit in what is now the Harvard Museum of Natural History. The models were made from 1887 through 1936 by Leopold (1822-1895) and Rudolf (1857-1939) Blaschka, father and son glass artists who lived and worked in Hosterwitz, Germany near Dresden.
Prior to making the Glass Flowers, the Blaschkas established a very successful business supplying collections around the world with glass models of marine invertebrates such as sea anemones, jellyfish, and squid among many other species. Like these marine animals, plant specimens were difficult to preserve and display in a compelling fashion. Once-vibrant colors would fade and forms would be flattened when mounted on a herbarium sheet or become distorted if preserved in liquid. Glass, in the highly skilled hands of the Blaschkas, provided a medium from which lifelike models of plants could be made for study and public display. The Glass Flowers are complex items to categorize, straddling art and science, regarded as teaching tools and exemplary works of art glass. This lecture will share the fascinating history and creation of this truly singular collection.

Jenny Brown is the Collection Manager of the Ware Collection of Blaschka Glass Models of Plants at Harvard University, better known as the Glass Flowers. She holds a master’s degree in library and information science from Pratt Institute and a BFA in Interrelated Media from the Massachusetts College of Art and Design. She has done cataloging, archiving, and collection management work for the estate of abstract painter Doug Ohlson (NYC) and in the studio of glass artist Toots Zynsky (Providence, RI) where she also worked as a studio assistant and gained valuable experience handling fragile artworks. Jenny brings a love of natural history, the organizational skills of a librarian, and just the right mixture of confidence and caution to her position managing the Glass Flowers.

_______________________________________________

Anthropomorphic/Naturalistic Chipmunk Taxidermy Class with Divya Anantharaman
Date: Sunday, September 15th
Time: 12:00 – 5 PM
Admission: $120
Tickets at http://chipmunktaxidermy.brownpapertickets.com
This class is part of the Morbid Anatomy Art Academy
Perfect for beginners, this hands-on class will examine the nutty ways of the chipmunk! Students will create a fully-finished chipmunk mount in the naturalistic or anthropomorphic style of their choice. Students will learn everything involved in producing a finished mount - from initial preparation, hygiene and sanitary measures, to proper technique and dry preservation. The class will teach a few methods of creating a form to suit a small animal, and students will have the option of selecting which technique they would like to use for their piece. The use of anatomical study, reference photos, and detailed observation will also be reviewed as important tools in recreating the natural poses and expressions that magically reanimate a specimen. A selection of naturalistic and anthropomorphic props will be provided, however, students are welcome to bring their own bases and accessories if something specific is desired. All other supplies will be provided for use in class.
Each student will leave class with a fully finished piece, and the knowledge to create their own pieces in the future.
Divya Anantharaman is a Brooklyn based artist whose taxidermy practice was sparked by a lifelong fascination with natural mythology and everyday oddities. After a journey filled with trial and error, numerous books, and an inspiring class (Sue Jeiven's popular Anthropomorphic Mouse Taxidermy Class at Observatory!), she has found her calling in creating sickly sweet and sparkly critters. Beginning with mice and sparrows, her menagerie grew to include domestic cats, woodchucks, and deer. Recently profiled on Vice Fringes, the New York Observer, and other publications, she will also be appearing in the upcoming season of Oddities-and is definitely up to no good shenanigans. You can find out more at www.d-i-v-y-a.com
Also, some technical notes:
  • We use NO harsh or dangerous chemicals.
  • Everyone will be provided with gloves.
  • All animals are disease free.
  • Although there will not be a lot of blood or gore, a strong constitution is necessary; taxidermy is not for everyone
  • All animals were already dead, nothing was killed for this class.
  • Please do not bring any dead animals with you to the class.
_______________________________________________
Heavenly Bodies – Jeweled Sacred Skeletons of the 16th Century
Illustrated lecture and book party with Dr. Paul Koudounaris, with music and artisinal cocktails by Friese Undine
Date: Friday, October 11
Time: 8:00
Admission: $8
**Copies of Heavenly Bodies will be available for sale and signing

Tonight, Dr. Paul Koudounaris--author of Empire of Death, the definitive book on ossuaries--will present a heavily illustrated talk based on his new book Heavenly Bodies: Cult Treasures and Spectacular Saints from the Catacombs, the story of skeletons discovered in the Roman Catacombs in the late sixteenth century.
These largely anonymous skeletons were presented as the remains of Early Christian martyrs, and treated as sacred. They were sent to Catholic churches and religious houses in German-speaking Europe to replace the holy relics that had been destroyed in the wake of the Protestant Reformation. Here, the skeletons would be carefully reassembled and richly adorned with jewels and precious costumes by teams of nuns. Intended as flamboyant devotional items, they are now considered some of the finest works of art ever created in the medium of human bone. As time passed, faith in these sumptuously decorated skeletons--once an important part of the spiritual life of many people--wavered, until finally they were cast out during the Enlightenment as remnants of a superstitious and embarrassing Catholic past.

Largely forgotten in the annals of religious history, Dr. Koudounaris gained unprecedented access to religious institutions where the surviving decorated skeletons are held. His photographs are the first that were ever taken of many of them, and the images which will accompany his lecture are bizarre, moving, and beautiful.

Dr. Paul Koudounaris holds a PhD in Art History (UCLA) and has taught classes at numerous universities and published in magazines throughout the world. He is the author of The Empire of Death, the first illustrated history of charnel houses and religious sanctuaries decorated with human bone. Named one of the ten best books of 2011 (London Evening Standard), it has garnered international attention for its combination of unique historical research and stunning photography.

Photo: Photo by Dr. Paul Koudounaris, tonight's speaker, from his new book "Heavenly Bodies."
_______________________________________________

Death Salon, Los Angeles, CaliforniaA weekend symposium devoted to to discussions of mortality and its cultural implications with special programming by Morbid Anatomy, Atlas Obscura, and The Order of the Good Death
 Dates: October 18 - 20
Full info and registration here
S C H E D U L E
Friday, October 18, 2013
The Order of the Good Death
For registered guest's only, this day will be devoted to discussions about death and the feminine and uncommon corpses. Presenters will include Annetta Black of Atlas Obscura; Nancy Caciola, Medieval History professor at UC San Diego; Brandy Schillace, Managing Editor of Culture, Medicine and Psychiatry; Andrea Wood, professor at Winona State University, Joanna Ebenstein, founder of Morbid Anatomy, and Snow Mercy, biochemistry PhD and professional dominatrix and advocate. 
This will be followed by an open-to-the-public Death Salon Cabaret with talks, music, and short films hosted by Lord Whimsy with speakers including Paul Koudounaris, Author of The Empire of Death; Bess Lovejoy, author of Rest in Pieces: The Curious Fates of Famous Corpses; Lindsey Fitzharris, Wellcome Trust Postdoctoral Research Fellow; and Sarah Troop, host of The Cabinet of Curiosities Podcast. There will also be  musical performances by Jill Tracy and Adam Arcuragi. More details can be found here.
------------------------------------------------------------
Saturday, October 19, 2013
Morbid Anatomy Day
11 AM-6 PM
 A one day, open-to-the-public Morbid Anatomy pop-up event which will explore the interstices of art and medicine, death and culture with screenings, a mini-symposium, a lecture on fin de siècle Parisian death themed cabarets with recreations of their classic drinks, and a panel on saints and mortification of the flesh.

11-1: Morbid Anatomy Anthology book panel of mini lectures, Midnight Archive screenings and panel discussion moderated by Lord Whimsy featuring:
1-2: Lunch
2-5:  Obliterated Bodies, Dissected Souls: Panel Moderated by Colin Dickey
Mortification of the Feminine Flesh: Elizabeth Harper
From the fatal anorexia of St. Catherine of Sienna to St. Rose of Lima's hidden crown of nails, self-inflicted pain has become part of a well-worn path to holiness for many Catholic women. However, these shocking acts become comprehensible and even logical when seen as a response to the transformation of the Church from the egalitarian early Christian church to the strict patriarchy of the Catholic Church as we know it. This change, coupled with Catholicism's unique views on death and martyrdom have lead many holy women to believe that to perfect a woman's soul, her body must be destroyed.
The Annihilated Saint: The Signifying Body of Bartholomew: Colin Dickey
Colin Dickey discusses images of torture in the cult of Christian saints, particularly Saint Bartholomew, who was flayed alive and who is regularly depicted holding his own skin. Inverting the traditional relationship of torturer and powerless victim, Christian imagery turned the act of torture into empowerment, where specific methods of torture became iconically associated with specific saints. As the cult of the saints waned, these images of torture began to filter into European consciousness in bizarre and fascinating ways, as Bartholomew's singular torture found its way into the lexicon of Renaissance anatomy textbooks, creating a new relationship between the sublime body and the dissected corpse.
Bringing Out the Dead: The "Anatomy Art" of Gunther von Hagens: Allison de Fren
Filmmaker/media scholar Allison de Fren discusses the corporeal displays of controversial German anatomist Gunther von Hagens. Using examples from both his traveling exhibition of human cadavers, Bodyworlds, and his UK television series Anatomy for Beginners, she will show how von Hagens recycles the visual motifs of Renaissance anatomy theatre and art to resuscitate the practice of public dissection for contemporary audiences
 5-6: ”Cabarets of Death” : Lecture followed by fin de siècle Parisian death-themed cabarets cocktails from original recipes with Mel Gordon
Highly illustrated lecture with reprints of the Cabaret du Néant’s menu and a recreation of their classic drinks from original recipes.
------------------------------------------------------------
Death Salon Soirée
Silver Lake, Los Angeles
8pm
In the evening, for conference attendees only, address in registration email.
------------------------------------------------------------
Sunday, October 20, 2013
Atlas Obscura Day
Sunday Mourning Death Salon planners’ breakfast. Location and TBA. Open to conference attendees only.

Atlas Obscura‘s field agent Matthew Blitz will lead guided field trip(s) to Evergreen Cemetery, exploring its long, fascinating history since 1877. Shuttle bus transportation provided by LA Beer Hop. Open to conference attendees only.
_______________________________________________
Reliquary Wax Doll Workshop with Artist and Ceroplast Sigrid Sarda
Date: Saturday, October 26th and Sunday October 27th
Time: 1 – 6:30 PM
Price: $350
Must RSVP via sigrid.sarda(at)gmail.com to sign up.
This class is part of The Morbid Anatomy Art Academy
Wax artist Sigrid Sarda has returned for a special 2 day class teaching the art of doll making. This class will revolve entirely on the creation of a wax doll in the image of the student’s chosen saint with the relic of their choice.
The wax doll represented as a human figure has always fascinated man. In early times these dolls were connected to witchcraft, magic, exorcisms for priests, and effigies. For this class they represent talismans and reliquaries for the student’s own personal interpretation of the saint’s meaning. The doll then becomes an object of prayer and veneration.
Each student will receive a handmade wax doll by Sigrid, either male or female and in turn will learn to set eyes, root hair, color the skin tone and add special physical quirks the saint may have, an example being stigmata or a particular wound. The student will then realize their own decorated costumes for the saints using patterns in the art of Victorian paper clothes making for dolls.
First day schedule:
  • short talk on the history of the wax doll and everyone’s chosen saint and what it
  • means to them.
  • inserting glass eyes
  • rooting hair
  • Lunch break
  • rooting hair, beginning of skin coloring and adding any special physical quirks.
Second day schedule:
  • finish up skin coloring and quirks
  • insert / add relic
  • lunch break
  • make and decorate clothing for doll
  • dress doll
Materials are included though the student is expected to bring their own relic. The relic can be a lock of hair, a fingernail, bone, anything that has meaning to the student. The trims, spangles and paper for the costumes are either antique or vintage as are the glass eyes.
The dolls will be approx 6"-8".
Sigrid Sarda is self taught in the art of ceroplastics. She has been featured on such programs as The Midnight Archive, TV's Oddities, and has exhibited in London and NYC. She has an upcoming residency at The Gordon Museum in London, recreating the Black Dahlia for NoirCon 2014 and will be giving a demonstration in the art of medical wax moulage for The New York Academy of Medicine this fall.

_______________________________________________
SOLD OUT!!! Death in Mexico: A Special Field Trip to Mexico for Day of the Dead, Obscure Macabre Museums, and other Sites Important to the History of Death in Mexico October 31 - November 4
A 4-day trip to Mexico focusing on sites influential to the Mexican history of death, organized by Mexican writer and scholar Salvador Olguín and Morbid Anatomy
Dates: October 31  -  November 4 2013 (**Must reserve by July 20)
Includes: Two Day of the Dead Festivals; Special tours of The Museo de las Momias (Mummy Museum), The Museo Nacional de la Muerte (National Museum of Death), and The José Guadalupe Posada Museum, and a visit to historical Hidalgo market in Guanajuato, the Zacatecas Cathedral, the Temple of the Jesuit Order and other beautiful places.
Cost: $600.00 USD (Includes all hotels, luxury ground transportation, museum admissions, and breakfasts; airfares not included)
PLEASE NOTE: non-refundable down payment of $250.00 required by July 20 to reserve) Email info@borderlineprojects.com info [at] borderlineprojects.com with questions.
This Halloween season, why not join Morbid Anatomy and Mexican scholar Salvador Olguín for a very special 4-day, 4-night trip to Mexico for our favorite holiday, Dia de los Muertos, or Day of the Dead?
With Mexican writer and history of death in Mexico scholar Salvador Olguín as our guide, this tour will introduce attendees to some of the of lesser-known macabre destinations in Mexico holding unique gems associated with the culture of death. Our journey will take us to two off-the-beaten-track Day of the Dead celebrations, special tours of obscure museums, markets selling Day of the Dead and Santa Muerte artifacts, churches, cemeteries, and, throughout, great regional cuisine (and drink!) and luxury transportation.
Departing from Monterrey, the trip will take us to the beautiful, historical colonial cities of Guanajuato, Zacatecas and Aguascalientes to experience an area traditionally described as wild and untamed within Mexico. This region of Mexico is uniquely important to the history of death in Mexico in that it was the home of both José Guadalupe Posada and Joaquín de Bolaños, author of the first official Mexican biography of Death La Portentosa Vida de la Muerte published in 1792.
Attractions include:
October 31
We recommend arriving in Monterrey on the evening of Halloween, October 31. We will have a Halloween celebration, Mexican style, and we will depart to our first destination early in the morning of November 1st.
November 1st  - Monterrey/Guanajuato
We will convene in Monterrey, Mexico at 7:30 in the morning, and leave for the city of Guanajuato by bus. Mexico’s Museo de las Momias (Mummy Museum) makes the small Colonial city of Guanajuato the star of this tour. The Mummy Museum has been displaying the naturally mummified bodies of people buried in the local cemetery for almost 150 years. A combination of dry weather, a mineral-rich soil, and a potent concentration of minerals in the water makes every person who has lived and died in Guanajuato a potential mummy, according to local lore. The museum itself is a wonderful combination of the macabre and the kitsch. You can visit the actual cemetery and see real mummies, but you can also visit the ‘modern’ Halloweenesque section of the museum, and eat charamuscas, a sugary candy shaped like a mummy.
November 2nd – Zacatecas
Zacatecas, another small Colonial city in Northern Mexico, was the home of Joaquín de Bolaños, author of the first official Mexican biography of Death. La Portentosa Vida de la Muerte was first published in 1792, and was quickly condemned by the literary elites and some prominent officers of the Inquisition. The book managed to survive, and nowadays the City of Zacatecas honors Bolaños, its prodigal son, with a festival named after him around Day of the Dead.
November 3rd – Aguascalientes
Aguascalientes was the birthplace of José Guadalupe Posada. Posada’s Calaveras have become icons of the festivities around Día de Muertos. In this city, we will visit the José Guadalupe Posada Museum, which houses original illustrations by Posada and other engravers of the time. The tour includes an exclusive visit of the Museo Nacional de la Muerte (National Museum of Death.)
We will be back in Monterrey by November 4 after 5:00 p.m. Please consider this for your traveling arrangements. For more information, contact  info [at] borderlineprojects.com
Cost: $600.00 USD - airfares not included, non-refundable down payment of $250.00 required by July 20 to reserve . Email info [at] borderlineprojects.com for questions.
The $600 fee covers land transportation in a luxury bus, traveler insurance, lodging (double rooms at hotels), taxes, breakfasts, guided tours, tickets to all museums, special visits to some of the sites, and special treats.
_______________________________________________

Full list and more information on all events can be found here. More on the Morbid Anatomy Art Academy can be found here.

Top image: Jacaranda filicifolia, Image courtesy of The Archives of Rudolph and Leopold Blaschka and the Ware Collection of Blaschka Glass Models of Plants, Harvard University, Cambridge, Massachusetts, USA
Posted by at

No comments:

Post a Comment

Subscribe to: Post Comments (Atom)