Showing posts with label day of the dead. Show all posts
Showing posts with label day of the dead. Show all posts

Thursday, November 13, 2014

"The Madonna of the Monster" or The Marian Cult of “La Madre Santisima de la Luz”: Morbid Anatomy 2014 Day of the Day Tour Report by Board Member Amy Slonaker

Following is a guest post by Amy Slonaker--Morbid Anatomy Museum Board Member and two-time attendee of the Morbid Anatomy Day of the Dead Tour in Mexico. I asked Amy--who is also a bit of a dilettante in the area of religious history--to write a brief report about the phenomenon of “La Madre Santisima de la Luz” as witnessed on our Mexican travels. The information contained in her post, Amy points out, came via the world wide web, so she warmly invites any corrections or addenda; you can email them by clicking here.

The Marian Cult of “La Madre Santisima de la Luz”
The 2014 Morbid Anatomy Day of the Dead Tour was another winner that focused on experiencing the celebration of Dia de Los Muertos in Mexico. It also brought us in touch with the Marian cult of “La Madre Santisima de la Luz.” We had seen her image in a church on last year’s tour but didn’t know her name. Imagine our delight to find this prayer card amongst so many others!

In 2013, while visiting the city of Guanajuato, Mexico, we came across a unique shrine to the Virgin Mary in the Templo de la Compania de Jesus (Temple of Jesuits).



We had never seen a representation of the Virgin Mary like this one which included a fantastical monster’s head with a gaping mouth. It wasn’t until the following year, in Mexico City, that we discovered two prayer cards at the religious mall behind The Metropolitan Cathedral of the Assumption of Mary of Mexico City featuring the same monster’s head, with the inscription “La Madre SS De La Luz,” “Most Holy Mother of Light.”

Now with a name to guide us, we traced the interesting origin of this image to Palermo, Sicily, in the early years of the 18th century.

The initial account of the creation of this image was written in Palermo in 1733, and then translated and published in Mexico in 1737(1). It goes like this:

A Jesuit priest wished to have a painting of the Virgin Mary to take with him as he preached throughout Sicily. He called upon a woman who was known to have received multiple visitations from the Virgin Mary. The priest asked the woman to consult with Mary as to how Mary would like her image to appear. Sure enough, the Virgin appeared and provided a detailed description of an image that included her saving a soul from the gaping maw of hell.

After a few missteps--including a painter who didn’t know how to follow directions, and a resulting illness/miraculous healing of the woman who received the vision--a second painting was created that successfully included the Virgin’s wish for a hellmouth.

This painting was then brought to the cathedral in Leon, Mexico, in 1732. From here, a healthy cult to the “Most Holy Mother of Light” spread in the region, accounting for the image of "Nuestra Señora de la Luz" we came across in nearby Guanajuato.

But the plot thickens. We found another example of “Santisima de la Luz” on an altar in the Iglesia de San Miguel Archangel in Mexico City, above a wax reliquary for a figure labeled "Santa Rustica." This time, all the aspects of the Virgin’s requested image existed except the Bosch-like, big-mouthed, hell-monster. What happened to the fanciful fiend from which the fellow on the left should be springing?


It turns out that the notion of Mary directly saving souls out of Hell was doctrinally flawed despite being totally in line with what Mary requested during her visitation of the woman in Sicily. Scholars have noted several versions of “La Madre Santisima de la Luz” in which the hellacious beast has been covered over or with its presence omitted in the initial rendering. While some researchers opine this was to rectify any doctrinal fuzziness, another explanation may be that the appearance of the Jesuit-sponsored cult of “La Madre Santisima de la Luz” arrived only shortly before the Jesuits were kicked out of Mexico in 1767 by order of Pope Clement XIV (2). Hence, the Jesuit-promulgated “La Madre Santisima de la Luz” became expunged and replaced with a more generic Virgin.

We look forward to more sightings of images of “La Madre Santisima de la Luz”-- some of which exist in the present-day United States in parts of California and New Mexico. But we can’t help  but hope that the next shrine we see includes a huge monster head.
  1. La Devocion de Maria Madre Santissima de la Luz, En Mexico, en la Imprenta Real del superior Gobierno, y del Nuevo Rezado, de Doña Maria de Rivera, en el Empedradillo. Año de 1737.
  2. Dominus ac Redemptor is the papal brief promulgated on 21 July 1773 by which Pope Clement XIV suppressed the Society of Jesus.
Bibliography:

Wednesday, November 12, 2014

Sergei Eisenstein's Unfinished Film ¡Que viva México!


In the words of October's Scholar in Residence Salvador Olguín:
In 1930, after failing to secure enough backing for his motion picture projects in the US, which would have marked his entrance into Hollywood, Russian filmmaker Sergei Eisenstein decided to go for the second best thing in North America, and headed south to Mexico. There, he shot extensively: about 40 hours worth of film. The idea was to produce a movie celebrating Mexico’s violent and diverse history. The title: ¡Que viva México!

Eisenstein would never finish editing the film. All we are left with is a version from 1979, and a legend.
Above is a wonderful clip from Eisenstein's unfinished ¡Que viva México!, compliments of our friend James Bell.

Tuesday, November 11, 2014

The Churches and Mummies of Mexico City and Oaxaca: Photos from the Morbid Anatomy Museum Day of the Dead Trip, 2014

The Morbid Anatomy Musuem crew has just returned from our annual Day of the Dead field trip in Mexico. This year, our trip--as always, under the guidance of Scholar in Residence Salvador Olguín--took us to Oaxaca and Mexico City, where we saw markets, mummies, churches, skeleton puppet shows, three day of the dead celebrations, and much, much more.

We have just posted a set of photographs--from which the above are drawn--documenting some of the fabulous churches, mummies and street scenes we saw whilst in Mexico; you can see the full set--at much higher quality!--by clicking here.

For more, you can see Day of the Dead celebration photos here, and photos from our visit to Enriqueta Vargas' Tultitlan-based Santa Muerte Shrine by clicking here. If you would like to be put on the wait list for the 2015 Day of the Dead trip, you can email Salvador at info [at] borderlineprojects.com or sign up for the Morbid Anatomy Mailing List (and thus receive an alert when it is announced) by clicking here.

And thanks so much to the forty or so folks who joined us on our trip this year, from such far-flung locales as New Orleans, London, Oakland, Portland, Chicago, Los Angeles, Virginia, San Francisco, and New York City! Hope you had a great time, and hope to see you again next year.

Thursday, September 11, 2014

October is "Death in Mexico" Month at Morbid Anatomy with Scholar in Residence Salvador Olguín

This October, the majority of the programming at the Morbid Anatomy Museum will be devoted to the unique cultural practices around death in Mexico under the tutelage of Mexico-born scholar in residence Salvador Olguín, a writer and researcher with an MA in Humanities and Social Thought from NYU who has worked extensively with cultural artifacts connected to the representation of Death. 

Over the course of the month, Olguín will seek to explore--via lectures, screenings, workshops, a reading group, field trips and a party--the historical background behind some of Mexico's most intriguing cultural practices and artifacts such as Day of the Dead and Santa Muerte (see above). Offerings include a reading group exploring ways in which the theme of human sacrifice has haunted the Mexican nation ever since the Spaniards first learned about this practice among the Aztecs, and will culminate in our second annual Field Trip to Mexico City and Oaxaca for Day of the Dead. The month's activities are co-sponsored by the Mexican Cultural Institute of New York.

Following is a full list of events taking place as part of Olguín's residency. To learn more about him, click here. Hope to see you at one or more of these terrific events!
_____________________________________________

“La Santa Muerte (Saint Death)” A Screening of the Documentary with Director Eva Aridjis
Date: Friday, October 3rd
Time: 8pm

Admission: $8 (tickets here)
Tonight, join us and director Eva Aridjis for a film about the rapidly growing cult of Santa Muerte, or Saint Death. This female grim reaper, considered a saint by followers but Satanic by the Catholic Church, is worshiped by people whose lives are filled with danger and/or violence- criminals, gang members, transvestites, sick people, drug addicts, and families living in rough neighborhoods.

More here.

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'Cuerpo Presente': Mourning and Cultural Representations of Death in Mexico, Featuring a Collection of Postmortem Photographs from Rural Mexico: An Illustrated lecture with Salvador Olguín
Date: Tuesday, October 7th
Time: 8pm
Admission: $8 (tickets here)


This illustrated lecture will present a series of postmortem photographs taken between the 1930’s and the 1950’s, when the tradition of celebrating a person’s departure with a last photo was very much alive in small towns and villages in Mexico.

More here.
_____________________________________________

Halloween/Day of the Dead Flea Market with multiple vendors selling taxidermy galore, mexican folk art, unusual antiques, obscure books, and assorted curiosities
Date: Sunday, October 12th
Time: 12pm to 6pm
Admission: FREE


Halloween/Day of the Dead Flea Market with your favorite artists, makers and antique peddlers, including Rebeca Olguin and Day of the Dead folk art; Daisy Tainton with her insect shadowboxes and mourning rings; Invisible Gallery and with his taxidermilogical curiosities; Elizabeth New and her abject housewares; Deadly Chocolate by Curious Candies; and many more!

More here.

_____________________________________________

Screening of ¡Que Viva Mexico! by Sergei Eisenstein
Date: Sunday, October 12th
Time: 8pm
Admission: $8 (tickets
here)In 1930, after failing to secure enough backing for his motion picture projects in the US, Russian filmmaker Serguéi Eisenstein headed south to Mexico, where he shot about 40 hours worth of film. The idea was to produce a movie celebrating Mexico’s violent and diverse history. The title: ¡Que viva México! Join us to watch this film in our large screen, and for a conversation with writer Salvador Olguín afterwards.
More here.

_____________________________________________
Human Sacrifice in Theory and History: Mexico and Beyond: Reading and discussion group led by Salvador Olguín
Dates: Three Mondays, October 13th, 20th and 27th
Time: 8pm
Admission: $28 (tickets
here)

In this guided reading group, writer and Morbid Anatomy Museum scholar in residence Salvador Olguín will introduce attendees to texts, testimonials, and images dealing with the themes of human sacrifice and decapitation, in an attempt to understand the symbolic nature of current events and events in history. The class will touch on George Bataille's Acéphale society, which strove to, via a literal human sacrifice, save the world from catastrophe. It will also explore the ways in which the theme of human sacrifice has haunted the Mexican nation ever since the Spaniards first learned about this practice among the Aztecs.

More here.

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Field trip to Santa Muerte Shrine in Queens; save the date!
Date: October 18; More soon!

_____________________________________________

Death and the Idea of Mexico: An Illustrated Lecture by Claudio Lomnitz, Director of the Center for Mexican Studies at Columbia University and author of Death and the Idea of Mexico
Date: Tuesday, October 21st
Time: 8pm
Admission: $8 (tickets here)


In this lecture, professor Lomnitz will provide us with a glance into said past. The lecture is based on Lomnitz’s book (available for sale and signing at the Museum) Death and the Idea of Mexico, the first social, cultural, and political history of death in a nation that has made death its tutelary sign.

More here.

_____________________________________________

Annual Day of the Dead/Dia de los Muertos Party

Featuring an illustrated Lecture by Dr. Andrew Chestnut, Music, Costumes, Calavera Makeup, Tequila, Traditional Altar, Sugar Skulls, Death Piñata, and more!
Date: Friday, October 24th
Time: 8pm
Admission: $25 - $15 for Morbid Anatomy Museum Members (tickets
here)
Presented by Morbid Anatomy and Borderline Projects


Please join us on Friday, October 24 for our annual Morbid Anatomy Day of the Dead/Dia de los Muertos costume party! Featuting a mini-lecture by Dr. Andrew Chestnut, author of "Devoted to Death: Santa Muerte, The Skeleton Saint," Calavera Makeup by Jane Rose, tequila, music, sugar skulls, our beloved La Catrina, exotic tunes by DJ in Residence Friese Undine, a Day of the Dead Altar honoring the late film director Luis Bunuel, a Mexican Food Truck and, as always, an opportunity to strike a mortal blow to our beautiful piñata of Lady Death herself!

More here.

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Papel Picado (Day of the Dead Cut Paper Decoration) workshop with Rebeca Olguín

Date: Sunday, October 26th
Time: 1pm to 6pm
Admission: $100 (tickets here)


During this workshop the participants will make their own papel picado creations withdrawing inspiration from the traditional techniques and motives of the art of papel picado in Mexico

More here.

_____________________________________________
Muerte en Mexico: A Special Field Trip to Mexico City and Oaxaca for for Day of the Dead to Visit Sites Important to the History of Death in Mexico
Dates: October 31 – November 4 2014 (**Must reserve by July 15)
 $675.00 USD (includes all hotels in double-rooms, luxury ground transportation, museum admissions, guided visits, and breakfasts; airfares not included); email info@borderlineprojects.com to reserve a space. Please send payments via PayPal to: info@borderlineprojects.com.  SOLD OUT


A 4-day trip to Mexico City and Oaxaca for Day of the Dead; curated, organized and guided by Mexican writer and scholar Salvador Olguín for Borderline Projects, and Morbid Anatomy. Includes day of the dead celebrations, markets, churches, luxury bus travel, hotels, tickets to museums and breakfasts.

More here.

Photo: Santa Muerte shrine, Mexico City.

Thursday, July 3, 2014

Oaxaca: A Decapitated Native American Princess and Morbid Anatomy Day of the Dead Trip : A Guest Post by Scholar in Residence Salvador Olguín

Following is a guest post by Morbid Anatomy Library scholar in residence--and guide of the Morbid Anatomy annual Mexican Day of the Dead trip--Salvador Olguín. This year's trip will be take us to Mexico City and Oaxaca where we will visit Day of the Dead celebrations, epic churches, museums, markets, and much more. Oaxaca is famous for hosting some of the most lavish and unusual Day of the Dead altars, so this is sure to be a very special trip. We very much hope you'll consider joining us!

The 2014 Morbid Anatomy Day of the Dead trip runs from October 31 through November 4th, and the deadline for registering is July 15. You can find out more about it the trip--and secure yourself a spot!--by clicking here. You can see photos from last year's trip by clicking here.
Oaxaca: A Decapitated Native American Princess

Oaxaca de Juárez, located in Mexico’s southern State of Oaxaca, is, in fact, a very ancient city. Humans have been present in the area since at least 7,500 BC, and some of its most prominent megalithic structures date from ca. 500 BC. The city’s official coat of arms features the image of the head of a decapitated woman, and is based on a legend from the Colonial era. Donají was a Zapotec princess who, according to legend, fell in love with Nucano, a prince from the rival Mixtec people. Mixtecs and Zapotecs had been fighting over the territory that is now Oaxaca way before it was conquered by the Aztecs and, subsequently, the Spaniards, and fighting continued well into the first decades of the Viceroyalty of the New Spain –i.e. Colonial Mexico, created in 1519 after the fall of the Aztec Empire. During one of these numerous confrontations, Donají was taken captive, converted to Christianity by recently baptized Mixtecs, and was finally decapitated. Her legend is still reenacted today during the festival of La Guelaguetza in Oaxaca.

A place of legend, Oaxaca has also played a key role in Mexico’s modern history. It was the birthplace of Benito Juarez, a Zapotec lawyer and liberal politician who went on to become one of the first Native American presidents in the American continent. He also famously overthrew an Imperial government, dubbed the Second Mexican Empire, imposed by Mexico’s Conservative Party on the back of a full-scale French invasion of the country. Juarez succeeded in his task after seeking weapons and support from Mexican Americans living in California, nicknamed Californios, and after being backed by a US government that had just come out of the American Civil War, and which imposed an 1866 naval blockade preventing further French troops to arrive in Mexico.

Today, the traces of Oaxaca’s violent history can still be felt, as well as the heritage of the many indigenous peoples that have lived, and still live in the city. This heritage can be specially felt during the celebration of the Days of the Dead, which take a prominent role in the lives of its citizens during the month of November. If you want to experience Oaxaca personally, this year I will be organizing a Special Tour to celebrate Day of the Dead in Mexico, together with the Morbid Anatomy Museum. You can find more information about the tour here.
Image: Day of the Dead in Oaxaca by Boris Spider; found here.

Saturday, November 2, 2013

Happy Day of the Dead/Dia de los Muertos, Mexico City Style!

Happy Day of the Dead/Dia de los Muertos! Above are some photos of the decorations and festivities we saw in Mexico City ramping up to the big day. To see a full collection of photos, click here. More soon!

Wednesday, July 17, 2013

"Death in Mexico" Guest Post and Field Trip Deadline!

Following is a guest post by the lovely Ms. Laetitia Barbier, who has been quietly and brilliantly running Brooklyn's Morbid Anatomy as Head Librarian since March. When she heard about the upcoming Morbid Anatomy "Death in Mexico" field trip, she was so excited that she asked if she could write a guest post about a similar pilgrimage she took back in 2009. 

Our "Death in Mexico" field trip, which will take place October 31-November 4, will be led by Mexican writer and scholar Salvador Olguín and will include two Day of the Dead festivals; special tours of The Museo Nacional de la Muerte (National Museum of Death; top image); The Museo de las Momias (Mummy Museum; 2nd and 3rd image), and The José Guadalupe Posada Museum. There will also be visits to the historical Hidalgo market in Guanajuato, the Zacatecas Cathedral, the Temple of the Jesuit Order.

If you are interested in joining us on what promises to be an amazing trip, you *must* register by this Saturday, July 20th; all questions can be directed to info [at] borderlineprojects.com. You can find complete information about the field trip by clicking here.

Following is Laetitia's guest post; I hope you enjoy it as much as I did!
Celebrated as the “most surrealist country in the world” by poet Andre Breton during his 1938 journey, Mexico seems to have conserved its uniqueness and profound beauty despite the challenges of rough economic realities and the constant pressure of narcotraffic. Mexico revels in intense visual experience which, inevitably, peaks in delight and splendor around The Day of The Dead. During the weeks of preparation preceding this one night event, the all country revealed, through its legions of skeletons, an ambiguous relationship that Mexicans maintain with Death.

In 2009, I spent two month frolicking in Mexico, realizing a longtime personal dream: a solo journey to survey death and its myriad avatars, from the historical past of the country to its contemporary culture, surveying domains like criminology, religion, the arts, and even... wrestling. Once there, I soon realised that the very mexican obsession with death went far beyond the folklore of Dia de Los Muertos. Once the sugar skulls are gone, the mexican predilection for the Macabre is still palpable. In Mexico, Death is a permanent spectacle, reminding one of Mexico's storied relationship with death tracing back to the pre-hispanic gods, the Jesuit missionaries, the inquisition and the Revolucion. Both revered and feared, Death is a major fragment of the Mexican Identity.

When Joanna told me about her idea of having field trip in Mexico for the Day of the Dead, I was, of course, extremely excited. Its a wonderful thing to be able to visit this country when the all population are preparing their home for their beloved spirits to return; seeing the fragile skeletons of the Angelitos in Guanajuato was probably one of the most incredible experience I ever had.   
You can find out more about the upcoming Death in Mexico field trip by clicking here.
 
All images © Laetitia Barbier; Captions, top to bottom: 
  1. “Angelito” is the name given to stillborn babies. This one belong to the Museo National de la Muerte.
  2. Guanajuato Mummies
  3. Guanajuato Mummies
  4. A Santa Muerte Statue in its Church of Mexico City
  5. Ex Votos in antique store
  6. The Old Funeral Parlor of Guanajuato and its collection.
     

Sunday, June 30, 2013

Trip to Mexico with Morbid Anatomy for Day of the Dead, Anyone?

Hi there! Interested in taking a little trip down to Mexico for Day of the Dead this year under the guidance of Mexican writer and history of death in Mexico scholar Salvador Olguín and organized by Morbid Anatomy?

The trip will take us to some of the of lesser-known macabre destinations in Mexico holding unique gems associated with the culture of death. Our journey will take us to two off-the-beaten-track Day of the Dead celebrations, special tours of obscure museums, markets selling Day of the Dead and Santa Muerte artifacts, churches, cemeteries, and, throughout, great regional cuisine (and drink!) and luxury transportation...

Full details follow; must RSVP by email to info [at] borderlineprojects.com by July 20. Hope you can join us for what is sure to be an unforgettable trip!
Death in Mexico: A Special Field Trip to Mexico for Day of the Dead, Obscure Macabre Museums, and other Sites Important to the History of Death in Mexico October 31 - November 4
A 4-day trip to Mexico focusing on sites influential to the Mexican history of death, organized by Mexican writer and scholar Salvador Olguín and Morbid Anatomy
Dates: October 31  -  November 4 2013 (**Must reserve by July 20)
Includes: Two Day of the Dead Festivals; Special tours of The Museo de las Momias (Mummy Museum), The Museo Nacional de la Muerte (National Museum of Death), and The José Guadalupe Posada Museum, and a visit to historical Hidalgo market in Guanajuato, the Zacatecas Cathedral, the Temple of the Jesuit Order and other beautiful places.
Cost: $600.00 USD (Includes all hotels, luxury ground transportation, museum admissions, and breakfasts; airfares not included)
PLEASE NOTE: non-refundable down payment of $250.00 required by July 20 to reserve) Email info@borderlineprojects.com with questions.
This Halloween season, why not join Morbid Anatomy and Mexican scholar Salvador Olguín for a very special 4-day, 4-night trip to Mexico for our favorite holiday, Dia de los Muertos, or Day of the Dead?
With Mexican writer and history of death in Mexico scholar Salvador Olguín as our guide, this tour will introduce attendees to some of the of lesser-known macabre destinations in Mexico holding unique gems associated with the culture of death. Our journey will take us to two off-the-beaten-track Day of the Dead celebrations, special tours of obscure museums, markets selling Day of the Dead and Santa Muerte artifacts, churches, cemeteries, and, throughout, great regional cuisine (and drink!) and luxury transportation.
Departing from Monterrey, the trip will take us to the beautiful, historical colonial cities of Guanajuato, Zacatecas and Aguascalientes to experience an area traditionally described as wild and untamed within Mexico. This region of Mexico is uniquely important to the history of death in Mexico in that it was the home of both José Guadalupe Posada and Joaquín de Bolaños, author of the first official Mexican biography of Death La Portentosa Vida de la Muerte published in 1792.
Attractions include:
October 31
We recommend arriving in Monterrey on the evening of Halloween, October 31. We will have a Halloween celebration, Mexican style, and we will depart to our first destination early in the morning of November 1st.
November 1st  - Monterrey/Guanajuato
We will convene in Monterrey, Mexico at 7:30 in the morning, and leave for the city of Guanajuato by bus. Mexico’s Museo de las Momias (Mummy Museum) makes the small Colonial city of Guanajuato the star of this tour. The Mummy Museum has been displaying the naturally mummified bodies of people buried in the local cemetery for almost 150 years. A combination of dry weather, a mineral-rich soil, and a potent concentration of minerals in the water makes every person who has lived and died in Guanajuato a potential mummy, according to local lore. The museum itself is a wonderful combination of the macabre and the kitsch. You can visit the actual cemetery and see real mummies, but you can also visit the ‘modern’ Halloweenesque section of the museum, and eat charamuscas, a sugary candy shaped like a mummy.
November 2nd – Zacatecas
Zacatecas, another small Colonial city in Northern Mexico, was the home of Joaquín de Bolaños, author of the first official Mexican biography of Death. La Portentosa Vida de la Muerte was first published in 1792, and was quickly condemned by the literary elites and some prominent officers of the Inquisition. The book managed to survive, and nowadays the City of Zacatecas honors Bolaños, its prodigal son, with a festival named after him around Day of the Dead.
November 3rd – Aguascalientes
Aguascalientes was the birthplace of José Guadalupe Posada. Posada’s Calaveras have become icons of the festivities around Día de Muertos. In this city, we will visit the José Guadalupe Posada Museum, which houses original illustrations by Posada and other engravers of the time. The tour includes an exclusive visit of the Museo Nacional de la Muerte (National Museum of Death.)
We will be back in Monterrey by November 4 after 5:00 p.m. Please consider this for your traveling arrangements. For more information, contact  info [at] borderlineprojects.com
Cost: $600.00 USD - airfares not included, non-refundable down payment of $250.00 required by July 20 to reserve . Email info [at] borderlineprojects.com for questions.
The $600 fee covers land transportation in a luxury bus, traveler insurance, lodging (double rooms at hotels), taxes, breakfasts, guided tours, tickets to all museums, special visits to some of the sites, and special treats.

Friday, November 2, 2012

Tonight: Morbid Anatomy Speaking at "Seize the Day," A Special Day of the Dead Inspired Program at The Wellcome Collection, London

Tonight! Hope to see you at "Seize the Day," a special Day of the Dead inspired program taking place at my all-time favorite institution, The Wellcome Collection. I will be giving an illustrated talk as part of the wonderful-looking evenings line-up that will also include drinking, dancing, and general death-related merriment.

Full details follow; hope very much to raise a glass with you there!
Seize the Day
02 November 2012, 19.00 - 23.00
The Wellcome Collection
183 Euston Road, London NW1 2BE
Experience a brush with death at our special Friday-night late, and explore what death has to tell us about life. If you knew you were going to die tomorrow, what would you choose to do today? How would you like to be remembered after you die? And what would you like to achieve before you go? Ponder these questions while enjoying stimulating talks, enchanting stories from around the world and activities throughout the galleries. Enjoy a drink while listening to a Dixieland jazz band. Decorate a coffin, pick up some dance steps in our special ‘Last Dance’ class and design your ideal fantasy funeral. Join us to embrace the inevitability of death and celebrate while we still can!

Featuring:

•  Joanna Ebenstein, founder of the Morbid Anatomy blog and library, on facing up to death through art

•  David Spiegelhalter, Winton Professor for the Public Understanding of Risk, University of Cambridge, on the statistics of death

•  Frank Swain, author of ‘Zombology: The new science of zombies, reanimation and mind control’ on science’s investigations into the final frontier

•  Activities in the galleries from The Natural Death Centre
•  New Orleans jazz funeral tunes from the Silk Street Jazz band
•  Stories of God, the Devil and Death from the Crick Crack Club
•  Tea dance classes from former dancer and teacher Glen Snowden
•  ‘Immortal Dream’ from Contemporary Vintage.

This event is free, so drop in any time. Talks are ticketed and tickets will be available on the night. 
You can find out more about this event here.

Image: Memento Mori, Andrea Previtali, 1502; Museo Poldi Pezzoli, Milan ; sourced here.

Friday, October 19, 2012

Morbid Anatomy Speaking at "Seize the Day," A Special Day of the Dead Inspired Program at The Wellcome Collection, London, November 2, 7 PM

For those in London and environs: I would love to see you next month at "Seize the Day," a special Day of the Dead inspired program taking place at my all-time favorite institution, The Wellcome Collection, on the evening of Friday, November 2. I will be giving an illustrated talk as part of the wonderful-looking evenings line-up that will also include drinking, dancing, and general death-related merriment.

Full details follow; hope very much to raise a glass with you there!
Seize the Day
02 November 2012, 19.00 - 23.00
The Wellcome Collection
183 Euston Road, London NW1 2BE
Experience a brush with death at our special Friday-night late, and explore what death has to tell us about life. If you knew you were going to die tomorrow, what would you choose to do today? How would you like to be remembered after you die? And what would you like to achieve before you go? Ponder these questions while enjoying stimulating talks, enchanting stories from around the world and activities throughout the galleries. Enjoy a drink while listening to a Dixieland jazz band. Decorate a coffin, pick up some dance steps in our special ‘Last Dance’ class and design your ideal fantasy funeral. Join us to embrace the inevitability of death and celebrate while we still can!

Featuring:

•  Joanna Ebenstein, founder of the Morbid Anatomy blog and library, on facing up to death through art

•  David Spiegelhalter, Winton Professor for the Public Understanding of Risk, University of Cambridge, on the statistics of death

•  Frank Swain, author of ‘Zombology: The new science of zombies, reanimation and mind control’ on science’s investigations into the final frontier

•  Activities in the galleries from The Natural Death Centre
•  New Orleans jazz funeral tunes from the Silk Street Jazz band
•  Stories of God, the Devil and Death from the Crick Crack Club
•  Tea dance classes from former dancer and teacher Glen Snowden
•  ‘Immortal Dream’ from Contemporary Vintage.

This event is free, so drop in any time. Talks are ticketed and tickets will be available on the night. 
You can find out more about this event here.

Image: Memento Mori, Andrea Previtali, 1502; Museo Poldi Pezzoli, Milan ; sourced here.

Saturday, October 30, 2010

Mütter Museum Day of the Dead Party Today!


Today, the incomparable Mütter Museum of Philadelphia will be hosting an epic Day of the Dead party. Stop by at noon or four PM to catch me expounding on medical museums, memento mori, and morbidity as keynote speaker; stay for the party, complete with food, drink, music and sugar skulls!

Hope very much to see you there.
The Mütter Museum’s 3nd Annual Day of the Dead Festival
Come celebrate this traditional Mexican holiday with an all-day event at the Mütter Museum! Decorate sugar skulls, enjoy traditional food and drink, visit the Museum, hear from guest speaker, artist Joanna Ebenstein and see an exclusive show by local personality Grover Silcox!

- 10AM: Museum opens and sugar skull decorating begins
- 12PM and 4PM: Talk by Artist Joanna Ebenstein
- 5 - 6:30PM: Guided museum tour, exclusively for Friends of the Mütter
- 6:30 - 8PM: Exclusive performance by Grover Silcox

Sponsored by the Mütter Museum of The College of Physicians of Philadelphia

(NOTE: Registration is not required for daytime festivities and is free with Museum admission; registration IS required, with additional cost for admission, to Silcox production.)
For more information on the Mütter Museum 3rd Annual Day of the Dead Festival, click here.

Image: "The Mütter Museum : Philadelphia, Pennsylvania, Human skulls, backroom; 19th Century" From Anatomical Theatre Exhibition

Tuesday, October 26, 2010

A Very Morbid Anatomy Dia de los Muertos/Day of the Dead!


Morbid Anatomy is very excited to announce two wonderful Day of the Dead celebrations taking place this upcoming Day of the Dead and Halloween weekend!

On Saturday October 30th, Philadelphia's incomparable Mütter Museum will be hosting their 3rd Annual Day of the Dead Festival, where I will be giving two lectures as keynote speaker. The very next day--Sunday October 31st, aka Halloween proper--Morbid Anatomy will be co-hosting the Second Annual Observatory Day of the Dead Party, replete with authetic Red Hook Latin food vendors, a death piñata, traditional food and drinks, sugar skulls, a José Posada (see above) inspired community altar, costumes, Negra Modelo, live music and much, much more.

Hope to see you at one or both of these fantastic events (detailed below)! But either way, Feliz Dia de Muertos from Morbid Anatomy at our favorite time of the year!
Saturday October 30th [link]
The Mütter Museum’s 3nd Annual Day of the Dead Festival

Come celebrate this traditional Mexican holiday with an all-day event at the Mütter Museum! Decorate sugar skulls, enjoy traditional food and drink, visit the Museum, hear from guest speaker, artist Joanna Ebenstein and see an exclusive show by local personality Grover Silcox!

- 10AM: Museum opens and sugar skull decorating begins
- 12PM and 4PM: Talk by Artist Joanna Ebenstein
- 5 - 6:30PM: Guided museum tour, exclusively for Friends of the Mütter
- 6:30 - 8PM: Exclusive performance by Grover Silcox

Sponsored by the Mütter Museum of The College of Physicians of Philadelphia

(NOTE: Registration is not required for daytime festivities and is free with Museum admission; registration IS required, with additional cost for admission, to Silcox production.)

Dia de Muertos (Day of the Dead) Party
Admission: $5
Date: Sunday, October 31st
Time: 5 PM - ?
Please R.S.V.P. to salvador.olguin@gmail.com for party planning purposes.

Dia de Muertos (Day of the Dead) is celebrated annually in Mexico during the last days of October and the first days of November. It is a party to honor the dearly departed by presenting offerings to them, building an altar, and inviting them to reunite with the living in a nightly feast including their favorite dishes and drinks. It has deep roots in ancient, pre-Hispanic celebrations, but it also integrates the Christian traditions brought to the country by the Spanish –the main celebration takes place on November 2nd, coinciding with All Saints Day.

On Sunday, October 31th, and for the second year in a row, Morbid Anatomy and Observatory will host a Day of the Dead party in tandem with author and scholar Salvador Olguin. This year, we will build an altar dedicated to the Economy. Traditionally, the Day of the Dead altar is dedicated to a person whose death is deeply felt by the people building it; in spite of some hopeful reports by some cheerful voices, our global Economy does not seem to be recovering quickly enough from its recent collapse. This year, we will bring her some offerings, attract her with a few bottles of tequila, and lure her back to the realm of the living with the fragrant smell of incense and marigolds. Feel free to collaborate with our altar building by bringing objects that express how deeply felt the departure of the Economy was for you and your close ones. We want to entice the ghost of the Economy to walk again among the living, to come back from the afterworld and celebrate with us, Mexican style.

Many of this year’s features are based in the art of Jose Guadalupe Posada, a Mexican printer and illustrator who worked around the time of the Mexican Revolution (1910), and who used his art to satirize prominent figures of his era. His best-known works are his calaveras (skulls), etchings depicting dancing skeletons, skulls dressed up as Revolucionarios and politicians, etc. Since this November we celebrate the 100th anniversary of the Mexican Revolution, it felt natural to honor Posada by having a live version of one of his most famous calaveras: La Catrina. Made by Posada as a depiction of the skeleton of a rich lady, La Catrina has come to represent a satirical version of Death herself in Mexico. At our party, La Catrina will mingle with our guests, and people will be able to have their picture taken with her, in front of our altar.

At this year’s Dia De Muertos party, you will also find pan de muerto, champurrado (a traditional Mexican beverage), sugar skulls, marigolds, Negra Modelo, traditional foods and crafts, a community altar, a piñata of death herself to dash to bits, live traditional music, a death themed slide show produced by Morbid Anatomy, and, of course, Redhook vendors taco truck supplying delicious and authentic foodstuffs. If you would like to dress appropriately for the occasion, you only need to take an old suit or dress, or wear the clothes of a person whose death means something for you, or simply wear your everyday clothes: everything works, as long as you add a touch of the hereafter to it –some make up to look a little pale, a skeleton suit, some dirt under your fingernails. Or you can go all the way and dress up like one of Posada’s Calaveras.

We hope you can join us! Feliz Dia de Muertos!

Salvador Olguin’s work has been published in magazines both in Mexico and in the US. He is the author of Seven Days, a multimedia theatrical piece that celebrates the convergence of traditions and hybridism that characterizes Mexico’s fascination with mortality. He has worked extensively with Mexican cultural artifacts related with death. He is currently performing research on the metaphoric uses of prostheses in literature and the visual arts, at New York University, as well as writing poems about the life of plants and the genealogy of intelligent machines. He was born in Monterrey, Mexico and is currently based in Brooklyn.
For more information on the Mütter Museum 3rd Annual Day of the Dead Festival, click here; for more information about the Observatory Dia de Muertos party, click here. To see photos from last year's Dia de Muertos Observatory Party--which will give you a sense of what you're in for--click here.

Images: Top: “Happy Dance and Wild Party of All the Skeletons,” by José Guadalupe Posada, via Radio Free Mike. Mütter image: From Anatomical Theatre Exhibition

Thursday, November 12, 2009

"All Souls’ Day," William Adolphe Bouguereau (1859)


Lovely mourning painting, courtesy of the incomparable Wurzeltod Tumblr Feed. Thanks, Suzanne, as always!

Tuesday, October 27, 2009

Morbid Anatomy Presents at Observatory: Dia de Muertos (Day of the Dead) Party, Sunday November 1



Free this Sunday, November 1st? Looking for a way to nurse your Halloween hangover and ease back into the sad, post-halloween world? Well then! Why not join us for our first ever Dia de Muertos (Day of the Dead) Party at Observatory, where you will find for your delectation--among other things!--pan de muerto, champurrado, sugar skulls, music, Negra Modelo, traditional foods and crafts, an altar for communal contribution (see below), a Red Hook vendors taco truck supplying delicious and authentic foodstuffs (!!!), and much more. If you feel inclined to dress as a calavera–see bottom image, by José Posada–well then, all the better!

Co-hosted by myself, former Observatory lecturer and Morbid Anatomy guest-poster Salvador Olguin and professor Cristin Cash, its' sure to be a good time. You might even learn something! Full invitation follows:
Morbid Anatomy Presents at Observatory: Dia de Muertos (Day of the Dead) Party
Sunday, November 1st
Observatory, 543 Union Street (at Nevins), Brooklyn, NY 11215
4:00 PM–?
$5

Morbid Anatomy and Observatory formally request the pleasure of your company for our Dia de Muertos (Day of the Dead) party this Sunday (November 1).

Dia de Muertos is an annual festival celebrated in Mexico that seeks to ceremonially reunite the living with the dead. Traditional Day of the Dead ceremonies involve the preparation of an elaborate altar replete with flowers, candles and food that honor the dead to entice their return to the realm of the living. Mementos, relics and/or images of the dead are significant elements of altar decoration that both personalize and animate the altar as a site of memory and interaction.

For our Dia de Muertos party, we invite guests to bring an object or artifact that reminds you of a beloved thing no longer present to be placed on our community altar. The artifact can relate to a person, pet, idea, or anything lost that you would like to lure back to the land of the living, if just for one night.

This party was curated with the inestimable assistance and guidance of co-hosts Salvador Olguin and Cristin Cash.

Salvador Olguin’s work has been published in magazines both in Mexico and in the US. He is the author of Seven days, an interdisciplinary theatrical piece that celebrates the convergence of traditions and hybridism that characterizes Mexico’s fascination with mortality. He has worked extensively with Mexican cultural artifacts related with death, and he is currently performing research on the metaphoric uses of prostheses in literature and the visual arts, at New York University. He was born in Monterrey, Mexico and currently resides in Brooklyn.

Cristin Cash is Assistant Professor of Latin American Art History at St. Mary’s College of Maryland. Her research focuses on art and politics in ancient Maya architecture and representations of the urban landscape in contemporary photography from Mexico and Cuba. At St. Mary’s College, she teaches courses in the Art and Architecture of the Americas from ancient times to the present, World Architecture and Museum Studies.
You can find directions by clicking here. Please RSVP to morbidanatomy@gmail.com, just so we know how much stuff to prepare. Hope to see you there!