Showing posts with label eros. Show all posts
Showing posts with label eros. Show all posts

Thursday, February 6, 2014

Invisible Cabinets: A Glimpse into the Morbid Anatomy "Gentlemen’s Erotica" Section: Guest post by Laetitia Barbier

In the run up to Valentine's Day and its attendent festivities, I asked Morbid Anatomy Library head Librarian Laetitia Barbier to write a bit about a "mini-collection" tucked discreetly away in our own "special collections" cabinet. Following is her post; To learn more about the history of these enigmatic publications, you won't want to miss Colin Dickey's Valentine's Day lecture "Privately Published: A Descent Into Early 20th Century Mail Order Erotica;" more on that can be found here
As a Parisian student, I was fascinated with the idea that our National Library once conserved its most licentious material in a reclused section conveniently named “The Hell.” Confiscated over the centuries by the French authorities, piles of erotic publications and other unchaste artifacts were gathered on the shelves of the storage room, labeled “ENFER” and cast away from general public appreciation. Stored aside to prevent “ moral contamination” and only visible to a few scholars under very strict conditions, the censored hoard flourished to become a secret yet abundant collection. “L’enfer” was the academic repository of mankind’s most untamed fantasies.
Is there such a “Hell” section in the Morbid Anatomy Library? Do we hide from public eyes risqué publications that might cause our visitors to blush? The answer is, of course, yes. And our very own purgatory section, locked in our dark wood Victorian cabinet, we call “Gentlemen’s Erotica.”

Among the bizarre treasures enclosed in our “Gentleman’s Erotica” section, two volumes bear nearly the same title in an identical layout with elegant, elegant typography. A private Anthropological Cabinet of the Hermaphrodite, supposedly from 1903 and his homonymous twin, published thirty years later, presenting 500 Authentic Racial-Esoteric Photographs and Illustrations. In fact, it is more likely that both “private Cabinets” were published around 1930, begat by Falstaff press - an American publishing house who discretely provide these pseudo-scientific compendiums by mail, sometime antedating their publication to avoid censorship. On a boastful frontispiece, both books indeed guarantee an illustrated journey through “scientific explorations” and “Museum archives” to “mature subscribers only” but because of their unassuming covers, the majority of the Morbid Anatomy visitors never give them any attention. These books were, indeed, just as invisible in a family man’s study, safely incognito in the multitude of books. Nonetheless, the few of us who did open them know how explicit and disturbingly sexy these aphrodisiacal little publications are. "Educational" literature, they blurred every line between good and bad taste with the latent vocation to arouse their masculine and voyeur audience.

If you want a better sense of what lies hidden within these books, join us this Valentine's Day for Colin Dickey's heavily-illustrated lecture "Privately Published: A Descent Into Early 20th Century Mail Order Erotica." And, for the boldest among you, feel free to ask the Gentleman’s Erotica section next time you’ll visit the Morbid Anatomy Library.
This is the second guest post Laetitia has written based on her favorite books in the Morbid Anatomy Library; to see all posts by Laetitia, click here. Click on images to see larger, more detailed versions.

Tuesday, April 16, 2013

"Eros et Thanatos: Amour et Mort dans la Gravure du XVI au XX," Exhibition and Artwork Sale, Through April 26th, Galerie B. J. F. Antiquitiés, Paris




I just got an email about a very wonderful looking exhibition entitled "Eros et Thanatos: Amour et Mort dans la Gravure du XVI au XX" on view at Paris' Galerie B. J. F. Antiquitiés through April 26th. The exhibition consists of a collection of around one hundred artworks dating from the 16th to the 20th century exploring, in the words of the gallerist, "Eros et Thanatos, Love and Death, as a simplification of day by day life along history....to show how, as in the Baroque Vanitas, life is short and so, for this reason it is important to take advantage of all the time we’re living." Seems like an even more apt message then usual today, on the heels of the terrible news of the Boston Marathon bombing.

The exhibition--created in collaboration with Palau Antiguitats, a Barcelona-based dealer of old prints and drawings--features works by such famed artists as Goya, Piranesi, Hogarth, Beardsley, Rops, Kubin and Rouault alongside a number of more unusual works by lesser- or un-known artists.
It is free and open to the public; viewing hours are Tuesday through Saturday, 2:00- 7:00 PM. The collectors among you will be also delighted to learn that all pieces are available for sale. And fairly reasonably, to boot.

You can view a complete, illustrated list of works with full information and prices by clicking here; you can view the exhibition flyer by clicking here, and can find out more by about the exhibition by clicking here. If you have any questions, you can contact the gallery directly at galerie.bjf [at] wanadoo.fr. And, if you do go end up purchasing a piece, please make sure to mention that you read about it on Morbid Anatomy!

Above are a selection of an assortment of my favorite pieces from the exhibition; full captions and price information follows. And please note: all images are courtesy of the gallery; all the rights reserved for all to Palau Antiguitats (Barcelona).
  1. Omnem in Home Venustatem Mors Abolet, Hans Sebald Beham (1500-1550), Nuremberg, 1547, 3.200 €
  2. Retrat doble amb personatge i mort, Johann Jakob Kleinschmidt (1687-1772), Augsburg, Segle XVIII, 750 €
  3. E Terra ut rerum primordia cuneta refurgunt, Sic, rursum in terram mortua cuncta cadunt, Gerard de Jode (editor), Flandes, finales s. XVI, 900 €
  4. Sin título. “Triunfo de la muerte,” Anónimo, Francia, siglo XVIII, 350 €
  5. Vita quid est hominis? Flos umbraq fumu... Anònim, Alemanya, principis segle XVII, 250 € 
  6. Miserere Nostri, Crucifixió de Crist, Maters Dolorosa i Purgatori, Anònim, Catalunya, segle XVIII. Tiratge s. XIX, 350 €
  7. “Mirame atentamente, así estarás un día tu,” Congregación de los misioneros del Santo Espíritu, Fotogravat, Espanya, 150 €
  8. Sicut Foenum Dies Elus Sicut Flos Agri Sic Efflorebit, Hoefnagel, Georg [ designer ], Hoefnagel, Jacob [ engraver ], Frontispici part 4a llibre “Archetypa Atudiaque Patris Georgii
    Hoefnageli,” Escola Alemanya, 1592, 1.200 €
  9. Fantasia, seducción ò... Ca. 1875-1880, Tinta i llapis sobre paper., Segell testamentari signat pel fill de l’artista, 750 €
  10. Conjunt de quatre estampes de divinitats eròtiques, Bacus i Ariadna; Psique i Cupido; Apollo i Climene; Venus i Mercuri; Jean-Jacques Achille Devéria (1800-1857) (dibuix i
    litografia); Goupil (editors), París, ca. 1830, 1000 € (conjunt)
  11. Bathyllus taking the pose, Juvenal Scourging Woman, Aubrey Beardsley (1872-1898), Londres, 1894-1896, Tipografia sobre paper vitel·la, 150 €