The Body Anatomized: New Studio Art and Art History Class with School of Visual Art's Jonathon Rosen, Beginning June 2

We at Morbid Anatomy are beyond delighted to be offering "The Body Anatomized," a new hybrid studio art and art history class with Jonathon Rosen of the School of Visual Art. Over eight sessions, our instructor Jonathon Rosen will present illustrated lectures covering the rich and storied history of anatomical visualization, covering everything from Catholic relics to the "flayed angels" of Jacques Fabien Gautier d'Agoty (top image); Italian wax Anatomical Venuses to the diagrammatic illustrations of Christian Wilhelm Braune (middle image); Clive Barker’s Faust to the man machine of Fritz Kahn (bottom image). Under Jonathon's ongoing critical feedback and guidance, students will generate finished artworks in the medium of their choice incorporating medicine or anatomy as a point of departure, be it personal or political, didactic or obscure.

The course runs over 8 Mondays from June 2nd to July 21st. The class is limited to only 20 people. Full details follow, and tickets can be purchased here. Hope very much to see you there!

The Body Anatomized: Art Studio and History Class with SVA's Jonathon Rosen
Dates: Mondays June 2 to July 21 (8 sessions)
Admission: $300 (Must purchase ticket here)
Time: 7-10pm
Class limited to 20 people
Morbid Anatomy Museum (New Space) , 424A 3rd Avenue (Corner of 7th Street and 3rd Avenue)
This class is part of The Morbid Anatomy Art Academy

Temple of the soul or soft machine? The body is where human art, science, culture, politics and medicine all intersect. This hybrid lecture/studio course takes inspiration from artists ancient to post-modern who use medicine and anatomy as a point of departure for personal, political, religious or scientific commentary.

Over eight sessions, Jonathon Rosen will explore the influence of traditional medical imagery on contemporary art-making and pop culture through the lens of history, culture and aesthetics. Examples will range from medieval doctor’s sketchbooks and illuminated manuscripts, via Renaissance medical surrealism and 19^th century medical devices, to contemporary works by Damien Hirst, John Isaacs, the virtual human project, BodyWorlds, and beyond. On the way we will also touch on aesthetic surgery, genetics, biomechanics, medical museums, anatomy in movies and French underground comics.

With Jonathon's ongoing critical feedback and guidance, students will generate finished artworks incorporating medicine or anatomy as a point of departure, be it personal or political, didactic or obscure. This work can be singular or narrative, 2D, 3D, static or moving, in any medium, and projects are not required to be anatomically correct (and please note: Jonathon will not be giving how-to instruction in traditional medical illustration). There will also be an ongoing in-class assignment, based around anatomizing pre-existing vintage images.

SYLLABUS

Class 1: Coming Attractions. A visual overview of the course as an introduction to the history of medical-art & imagery including an introduction to your instructor’s work. Discussion of class, homework and assignments.

Class 2: Sacred Anatomy and Materia Medica. The invention of scientific illustration: The earliest printed medical textbooks and the pioneers of human dissection. From early Islamic to late medieval European. Barbers, surgeons and wound men, demons, miraculous limb transplants, hybrid monsters and diagnosis by zodiac.

Class 3: The emergence of modernity and the culture of dissection in Renaissance culture. Vesalius, Leonardo Da Vinci, Realdo Colombo, Charles Estienne, Jacopo Berengario da Carpi.

Class 4: Medical Chic: Baroque to Enlightenment era. The Anatomy Theater, Albinus. The Altlas of Jean Baptiste Marc Bourgery. Hogarth and satires of medicine. Spotlight on Jacques Fabien Gautier d'Agoty.

Class 5: 19th century; Optical devices, x-rays, prosthetics, automatons, pop-up books & anatomical manikins. Medical Museums, Mutter, Vrolik, La Specola & wax figuration. Etienne-Jules Marey and motion capture.

Class 6: 20^th century; Medical Industrial Complex: Fritz Khan and mechanical/ metaphorical bodies. Vintage Educational anatomy & health films: How the eyes and ears work. Illustrations by Netter. Vintage Chinese medical posters.

Class 7: Fantastic Voyage: Clive Barker’s Faust, Stan Brakhage’s the act of seeing with one’s own eyes. Body Worlds. New imaging: virtual cadavers, prosthetics, braces, body scanning, genetics, medical animation. Growing body parts and sensor-driven prosthetics. New Artists including; Marseille collective Le Dernier Cri’s Hopital Brut, Damien Hurst, John Isaacs.

Class 8
: Final project due / critique.

Jonathon Rosen is a NY-based artist and animator who teaches at the School of Visual Arts. He has worked with Jean Michel Basquiat and Tim Burton (the journal drawings, Sleepy Hollow), and made artwork for ID Magazine, Popular Science, Oxford Review, New Scientist, Psychology Today, Discover Magazine, RCA Records, Rolling Stone, MTV, the New York Times Science Times and Sunday Magazine, and many more. His work has been shown at PS.1, and is in the collections of David Cronenberg and the Metropolitan Museum of Art.

Images:

1. Gautier D'Agoty; Anatomy of a Woman's Spine via here.
2. Christian Wilhelm Braune, via Ars Anatomica. 
3. Fritz Kahn via here.

Obstetrical Phantoms! Dracula and Syphilis! Incorruptable Saints! Tarantism in Southern Italy! Krampus Costume Party! The Devil! Taxidermy Galore: Upcoming New York City Morbid Anatomy Events

Morbid Anatomy has so many exciting happenings coming up that we hardly know where to begin.

This week, we hope you'll join us for one or two lectures by visiting scholar Brandy Schillace. Her first talk, on the topic of "obstetrical phantoms" (middle image) and the "uncanny valley," will take place this Thursday night. Her second, this Friday night, will be on "Dracula, Degeneration and Syphilitic Births at the Fin de Siècle," and will feature thematic music and artistinal cocktails by Friese Undine (top image).

In the weeks to come we have something to suit every taste; on December 7th, we are delighted to host London-based Chiara Ambrosio for a talk/screening on "Tarantism: Dance, Possession and Exorcism in Southern Italy (bottom image)" followed by All the Saints You Should Know's Elizabeth Harper's talk on the relics of Paris on December 9th. On December 10th, we hope you'll join us for "Danse Macabre: Death and Material Ecologies in Brittany" with art historian Maura Coughlin.

Following this, we have a weekend of parties and specatacle! On Friday the 13th (!) of December, we will celebrate the date and Morbid Anatomy's birthday with "THE DEVIL - A Celebration" featuring an Illustrated lecture by The Midnight Archive's Ronni Thomas; an artifact show and tell; live music by Bird Radio; DJed tunes and cocktails by Friese Undine; and sweets by Rachel Ridout. The very next night--Saturday December 14th--you won't want to miss our annual party devoted to Krampus, St. Nicholas' cloven-hooved, chain-swinging, lolling-toungued, child-punishing Eastern-European sidekick. Come in your best Krampus costume to win prizes! That same weekend, from 12-6 on Saturday and Sunday, you won't want to miss the Morbid Anatomy Holiday Fair, with a variety of vendors serving your alternative holiday needs including taxidermy, waxworks, anthropomorphic insect tableaux and more. More on that soon.

And, finally, for those who want to learn the craft of taxidermy, Morbid Anatomy Taxidermist in Residence Divya Anantharaman has scores of offerings just for you, including Small Rabbit Taxidermy Class "Trophy Plaque" or Full Size Mount (November 14); Anthropomorphic/Naturalistic Chipmunk Taxidermy Class Krampus Special (December 7); Skull, Bone, Antler Decoration Workshop (December 8) and Anthropomorphic/Naturalistic Squirrel Taxidermy Class (January 12).

Full details follow on all events; hope to see you at one or more!

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Mother Machine: an ‘Uncanny Valley’ in the Eighteenth Century Illustrated lecture with Dr. Brandy Schillace

Date: Thursday, November 21
Admission: $8
Time: 8:00 PM
Location: Observatory, Brooklyn (543 Union Street (at Nevins), Brooklyn, NY 11215)


Known by a variety of names—“this most curious machine,” “this mock woman,” and the “celebrated Apparatus” —Dr. William Smellie’s mechanized obstetrical phantom was both science and spectacle in the eighteenth century. Strangely, however, though crucial to the training of at least 900 man-midwives in ten years, the machine disappears from both the actual and rhetorical "scene" of 18th-century obstetrical science.

This illustrated talk will explore the mitigating factors contributing to the machine's disappearance. Why was such a valuable teaching tool auctioned to the public after Smellie’s death? Why did famed obstetrician William Hunter agree to sell his own copy of the machine to Dr. Foster of the Dublin Rotunda? And why—after so much popular debate—does the machine disappear from public notice by the latter part of the century? Dr. Schillace will also document her own rather circuitous journey of discovery, that is, the necessary labor of unearthing (if not birthing) a medical artifact’s unusual history.

Dr. Brandy Schillace is an interdisciplinary, medical-humanist scholar. She writes about cultural production, history of science, and intersections of medicine and literature. She is the managing editor of Culture, Medicine and Psychiatry, an international journal of cross-cultural health research and a guest curator and blogger for the Dittrick Medical History Museum. Dr. Schillace was the keynote speaker for the annual meeting of the Archivists and Librarians in the History of Health Sciences 2013, and is the recent recipient of the Chawton House Library Fellowship (for study of 18th century women writers) and the Wood Institute travel grant from the Philadelphia College of Physicians. She has also an edited book collection under contingent contract with Cambria Press: Birthing the Monster of Tomorrow: Unnatural Reproductions. For a selection of recently published work, please visit http://fictionreboot-dailydose.com/publications-and-press.

Image: A late eighteenth-century “birthing phantom.” Unlike Smellie’s machine, these were not intended to be exactly like the living body, but rather a basic replica allowing midwives to understand the position of the child in the birth canal. By permission of the Dittrick Medical History Center and Museum
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“Children of the Night”: Dracula, Degeneration and Syphilitic Births at the Fin de Siècle
Illustrated lecture with Dr. Brandy Schillace and custom cocktails and DJed music by Friese Undine
Date: Friday, November 22
Admission: $10
Time: 8:00 PM
Location: Observatory, Brooklyn (543 Union Street (at Nevins), Brooklyn, NY 11215)

Bram Stoker’s Dracula is often read as a narrative of reverse colonization, revealing fears of degeneration at the fin de siècle. Anxieties over the decline of empire and—as both symptom and consequence—the degeneration of masculinity in Victorian Britain resulted in a number of dystopic narratives, each revealing an uneasy relationship between evolution and devolution, sexuality, sexual identity and mental health. However, the signal terror of Stoker’s vampires lies not only in their overt sexuality and promiscuity—but also in their fecundity. As Van Helsing warns, the vampire is not a single foe but a potential army. Both “father” and unnatural mother, Count Dracula is capable of reproducing the undead—and yet his victims do not, it seems reproduce themselves.

In this presentation Dr. Schillace will explore accounts of syphilitic infection as a means of understanding the complexities of infection among the “innocents,” Lucy Westenra and the children she victimizes. Culminating in a re-examination of the only human birth in Stoker’s novel—Mina Harker’s son Quincy—this project seeks to provide new insight into 19th century anxieties about degeneration’s naissance.

Dr. Brandy Schillace is an interdisciplinary, medical-humanist scholar. She writes about cultural production, history of science, and intersections of medicine and literature. She is the managing editor of Culture, Medicine and Psychiatry, an international journal of cross-cultural health research and a guest curator and blogger for the Dittrick Medical History Museum. Dr. Schillace was the keynote speaker for the annual meeting of the Archivists and Librarians in the History of Health Sciences 2013, and is the recent recipient of the Chawton House Library Fellowship (for study of 18th century women writers) and the Wood Institute travel grant from the Philadelphia College of Physicians. She also an edited book collection under contingent contract with Cambria Press: Birthing the Monster of Tomorrow: Unnatural Reproductions. For a selection of recently published work, please visit http://fictionreboot-dailydose.com/publications-and-press.

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Small Rabbit Taxidermy Class "Trophy Plaque" or Full Size Mount with Divya Anantharaman
Date: Sunday, November 24
Time: 12:00pm - 6pm
Admission: $250
*TICKETS MUST BE PRE-ORDERED AT http://smallrabbittaxidermy.brownpapertickets.com/
***Offsite at The Fabricoscope (41 Willow Place, #2, 11201 Brooklyn) (MAP)
Subway: Court St, Borough Hall, Jay St. Metro Tech.

In this intimate, hands-on class (limited to only six students), we will study the happy and hoppy rabbit! Students will create a fully-finished rabbit mount in a naturalistic or anthropomorphic position. There is also the option to create a "trophy style" shoulder mount (where the head and shoulder is mounted on a wooden plaque). When purchasing ticket, please specify which you would like to do.

Students will learn everything involved in producing a finished mount - from initial preparation, hygiene and sanitary measures, to proper technique and dry preservation. The class will teach how to create a wrapped body form using the rabbit's own body as reference, and how to reconstruct a rabbit head using the skull as reference. Students will also be introduced to the techniques of ear turning and ear carding. The use of anatomical study, reference photos, and detailed observation will also be reviewed as important tools in recreating the natural poses and expressions that magically reanimate a specimen. A selection of props will be provided, however, students are welcome to bring their own bases and accessories if something specific is desired. All other supplies will be provided for use in class.

Each student will leave class with a fully finished piece, and the knowledge to create their own pieces in the future.

Divya Anantharaman is a Brooklyn based artist whose taxidermy practice was sparked by a lifelong fascination with natural mythology and everyday oddities. After a journey filled with trial and error, numerous books, and an inspiring class (Sue Jeiven's popular Anthropomorphic Mouse Taxidermy Class at Observatory!), she has found her calling in creating sickly sweet and sparkly critters. Beginning with mice and sparrows, her menagerie grew to include domestic cats, woodchucks, and deer. Recently profiled on Vice Fringes, the New York Observer, and other publications, she will also be appearing in the upcoming season of Oddities-and is definitely up to no good shenanigans. You can find out more at www.d-i-v-y-a.com
Also, some technical notes:

• We use NO harsh or dangerous chemicals.
• Everyone will be provided with gloves.
• All animals are disease free.
• Although there will not be a lot of blood or gore, a strong constitution is necessary; taxidermy is not for everyone
• All animals were already dead, nothing was killed for this class.
• Please do not bring any dead animals with you to the class.

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Anthropomorphic/Naturalistic Chipmunk Taxidermy Class with Divya-Krampus Special!
A class with Morbid Anatomy Library Taxidermist in Residence Divya Anantharaman
Date: Saturday, December 7 (afternoon)
Time: 12:30PM
Admission: $120
*TICKETS MUST BE PRE-ORDERED AT http://chippytaxidermy.brownpapertickets.com/
***Offsite at The Fabricoscope (41 Willow Place, #2, 11201 Brooklyn) (MAP)
Subway: Court St, Borough Hall, Jay St. Metro Tech.

Perfect for beginners, this hands-on class will examine the nutty ways of the chipmunk! Students will create a fully-finished chipmunk mount in the naturalistic or anthropomorphic style of their choice. Students will learn everything involved in producing a finished mount - from initial preparation, hygiene and sanitary measures, to proper technique and dry preservation. The class will teach a few methods of creating a form to suit a small animal (sculpting, the age old technique of wrapping, and carving) and students will have the option of selecting which technique they would like to use for their piece. The use of anatomical study, reference photos, and detailed observation will also be reviewed as important tools in recreating the natural poses and expressions that magically reanimate a specimen. A selection of naturalistic and anthropomorphic props will be provided, however, students are welcome to bring their own bases and accessories if something specific is desired. All other supplies will be provided for use in class.

In the spirit of the holidays, we will have some extra special Krampus themed props, accessories, and refreshments!

Each student will leave class with a fully finished piece, and the knowledge to create their own pieces in the future.

Divya Anantharaman, one of the Morbid Anatomy Library's "taxidermists in residence," is a Brooklyn based artist whose taxidermy practice was sparked by a lifelong fascination with natural mythology and everyday oddities. After a journey filled with trial and error, numerous books, and an inspiring class (Sue Jeiven's popular Anthropomorphic Mouse Taxidermy Class at Observatory!), she has found her calling in creating sickly sweet and sparkly critters. Beginning with mice and sparrows, her menagerie grew to include domestic cats, woodchucks, and deer. Recently profiled on Vice Fringes, the New York Observer, and other publications, she will also be appearing in the upcoming season of Oddities-and is definitely up to no good shenanigans. You can find out more at www.d-i-v-y-a.com

Also, some technical notes:

• We use NO harsh or dangerous chemicals.
• Everyone will be provided with gloves.
• All animals are disease free.
• Although there will not be a lot of blood or gore, a strong constitution is necessary; taxidermy is not for everyone
• All animals were already dead, nothing was killed for this class.
• Please do not bring any dead animals with you to the class.

_______________________________________________

Tarantism: Dance, Possession and Exorcism in Southern Italy: Illustrated Lecture and Screening with Chiara Ambrosio
Illustrated Lecture and Screening with Filmmaker and Artist Chiara Ambrosio with Thematic DJed music and Special Cocktails by Friese Undine
Date: Saturday, December 7 (evening)
Time: 8:00
Admission: $10
Presented by Morbid Anatomy
** This talk originally premiered at the 2013 Congress of Curious Peoples, London

Tarantism is a form of dance mania that illustrates the complex struggle between Pagnism and Catholicism in the South of Italy.

Its journey and development- from Greek and Roman times, through the middle ages and renaissance, straight through to the modern day- traces a story that transcends the history of medicine and religion to embrace a vast and complicated conversation about the political and socio-economical identity of a land, and the continued fight for freedom and emancipation in an extremely volatile and difficult terrain, both physical and psychological.

This event will begin with a talk will exploring Tarantism as a ritualistic spectacle that, through dance and music, offers a form of resistance and continuation of specific local histories beliefs and identity. After the talk, Chiara will screen her film "Time To Go,"which was heavily inspired by the ideas behind the talk and dance as a form of exorcism. There will also be DJed music and special artisinal cocktails courtesy of artist Friese Undine. 

Chiara Ambrosio is a filmmaker working with animation, experimental film, documentary and sound to explore the ways in which we perceive, remember, articulate and preserve personal and collective histories and place through the filter of memory and the imagination. Her most recent works include “ A Walk Through Woods,” a film-cycle developed and filmed on location in North Cornwall, and “La Frequenza Fantasma (The Ghost Frequency)”, a feature-length documentary film-poem developed as part of a Fellowship in the Visual Anthropology department of Goldsmith University and filmed in a village in the South of Italy. Her first animation was produced and scored by British composer Michael Nyman, and her subsequent work has included collaborations with performance artists, musicians and writers, and has been shown in a number of venues including national and international film festivals, galleries and site-specific events. Chiara is also the founder and curator of The Light & Shadow Salon, a monthly film salon at The Horse Hospital in Bloomsbury. More information can be found at: www.acuriousroom.com.

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Skull, Bone, Antler Decoration Workshop with Divya Anantharaman
A class with Morbid Anatomy Library Taxidermist in Residence Divya Anantharaman
Date: Sunday, December 8
Time: 1:00 PM
Admission: $85.00
*TICKETS MUST BE PRE-ORDERED AT http://skulldecoration.brownpapertickets.com/
***Offsite at The Fabricoscope (41 Willow Place, #2, 11201 Brooklyn) (MAP)
Subway: Court St, Borough Hall, Jay St. Metro Tech.

For as long as humankind has been harvesting animals for food and clothing, we have also been using their bones to create tools, utensils, and art. A timeless tradition, from ancient to modern times, the possibilities are endless, and a great way to celebrate the holidays-with a decoration for your home, or creating a handmade gift for a loved one.

In this class, we will explore the many ways we can celebrate animals and our relationship to them by decorating their skulls, bones, and other parts using a number of materials and methods. Students will be guided in decorating a small skull, antler shed, or other part of their choice (from the selection provided). In addition to an assortment of skulls, bones, and shed antlers, decorative materials provided will include beads, crystals, expertly dried plants and flowers (Divya's signature specialty, used in her blooming skull and antler pieces), paints, finishes, and a number of other materials. Students are also welcome to bring their own design ideas or special items. There will also be inspirational images and books available for use.

This class will teach students everything involved in properly decorating bone in order to have a lasting piece, including initial cleaning, whitening and degreasing, any special preparation required based on the ornamentation of their choice, and a variety of attachment techniques. Tools and supplies will be provided for use in class.

Each student will leave class with a fully finished piece, and the knowledge to create their own pieces in the future.

Divya Anantharaman, one of the Morbid Anatomy Library's "taxidermists in residence," is a Brooklyn based artist whose taxidermy practice was sparked by a lifelong fascination with natural mythology and everyday oddities. After a journey filled with trial and error, numerous books, and an inspiring class (Sue Jeiven's popular Anthropomorphic Mouse Taxidermy Class at Observatory!), she has found her calling in creating sickly sweet and sparkly critters. Beginning with mice and sparrows, her menagerie grew to include domestic cats, woodchucks, and deer. Recently profiled on Vice Fringes, the New York Observer, and other publications, she will also be appearing in the upcoming season of Oddities-and is definitely up to no good shenanigans. You can find out more at www.d-i-v-y-a.com

Also, some technical notes:

• We use NO harsh or dangerous chemicals.
• Everyone will be provided with gloves.
• All animals are disease free.
• Although there will not be a lot of blood or gore, a strong constitution is necessary; taxidermy is not for everyone
• All animals were already dead, nothing was killed for this class.
• Please do not bring any dead animals with you to the class.

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The Bones of the Saints: Unlocking the Secret History of Paris
An illustrated lecture by All the Saints You Should Know's Elizabeth Harper
Date: Monday, December 9
Time: 8:00
Admission: $8
Presented by Morbid Anatomy

Though frequently overlooked by tourists and locals alike, the holy dead of Paris continue to haunt the city to this day. The bodies of the saints are inextricably woven into the city and unlock some of the most fascinating chapters in the history of Paris.

In this highly illustrated talk, All the Saints You Should Know's Elizabeth Harper will introduce you to such curiosities as cephalophores, or decapitated saints like St. Denis, the patron saint of Paris; incorruptible corpses and their corruptible counterparts sculpted in wax that reside on the same street; the relics of Roman Empress St. Helena, the first relic hunter, now hidden away in a small parish crypt; the bones of 11,000 virgins that never existed; and finally the relics of the patroness of Paris and her connection the murder of an Archbishop by an occultist in the 19th century.

Elizabeth Harper writes All the Saints You Should Know, a blog on Catholic relics and lore as well as pieces on saints and sacred destinations for Atlas Obscura. She is the creator of the "Relics in Rome" map, which pinpoints hundreds of publicly viewable saints' relics in Rome's 900+ churches. She was also an organizer and presenter at Death Salon 2013. By day she is a lighting designer for theatre and opera. She's is currently collaborating with Teller from Penn and Teller on "Play Dead" in Los Angeles.

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Anthropomorphic/Naturalistic Squirrel Taxidermy Class with Divya Anantharaman
A class with Morbid Anatomy Library Taxidermist in Residence Divya Anantharaman
Date: Sunday, January 12
Time: 12:00 PM
Admission: $250.00
*TICKETS MUST BE PRE-ORDERED AT http://squirrelytaxidermy.brownpapertickets.com/
***Offsite at The Fabricoscope (41 Willow Place, #2, 11201 Brooklyn) (MAP)
Subway: Court St, Borough Hall, Jay St. Metro Tech.

In this intimate, hands-on class (limited to only five students), we will study the nutty ways of the squirrel! Students will create a fully-finished classic squirrel mount in a natural sitting position. Students will learn everything involved in producing a finished mount - from initial preparation, hygiene and sanitary measures, to proper technique and dry preservation. The class will offer the option of creating a form through the age old technique of wrapping and carving a head, or using a pre-fabricated head and sculpting a body. There will also be a carcass casting demo, and explanation of how foam mannikins are made. The use of anatomical study, reference photos, and detailed observation will also be reviewed as important tools in recreating the natural poses and expressions that magically reanimate a specimen. A selection of naturalistic and anthropomorphic props will be provided, however, students are welcome to bring their own bases and accessories if something specific is desired. All other supplies will be provided for use in class.

Each student will leave class with a fully finished piece, and the knowledge to create their own pieces in the future.

Divya Anantharaman, one of the Morbid Anatomy Library's "taxidermists in residence," is a Brooklyn based artist whose taxidermy practice was sparked by a lifelong fascination with natural mythology and everyday oddities. After a journey filled with trial and error, numerous books, and an inspiring class (Sue Jeiven's popular Anthropomorphic Mouse Taxidermy Class at Observatory!), she has found her calling in creating sickly sweet and sparkly critters. Beginning with mice and sparrows, her menagerie grew to include domestic cats, woodchucks, and deer. Recently profiled on Vice Fringes, the New York Observer, and other publications, she will also be appearing in the upcoming season of Oddities-and is definitely up to no good shenanigans. You can find out more at www.d-i-v-y-a.com

Also, some technical notes:

• We use NO harsh or dangerous chemicals.
• Everyone will be provided with gloves.
• All animals are disease free.
• Although there will not be a lot of blood or gore, a strong constitution is necessary; taxidermy is not for everyone
• All animals were already dead, nothing was killed for this class.
• Please do not bring any dead animals with you to the class.

_______________________________________________

Danse Macabre: Death and Material Ecologies in Brittany
Illustrated lecture by Art Historian Maura Coughlin
Date: Tuesday, December 10
Time: 8:00
Admission: $8
Presented by Morbid Anatomy

Ossuaries, skull boxes, widows weeds and material substitutions for bodies missing at sea figure in many travel narratives, popular images and paintings of Breton coastal culture. Many representations depict the seemingly anachronistic practice of reburial of the body, several years after its interment; the ritual function of the ossuary in the churchyard; the display of individual skull boxes in the church and ossuary; and the hybrid Celtic-Christian culture of death lore, Toussaint and the Ankou (grim reaper) in Brittany. A range of artistic topographies have been written onto the Breton landscape, mapping out an ecology of place, obsessed with the pervasive nature of death. Maura Coughlin will explore topics of death, mourning, waste and ecology in coastal Brittany from about 1850 to 1940.

Maura Coughlin, after receiving a PhD in Art History from New York University in 2001, taught at Brown University, RISD and in the art history departments of several New England Universities. She is now Associate Professor of Visual Studies at Bryant University. In late fall of 2013, she has essays related to her talk at Morbid Anatomy being published in two new collections: Death Tourism: Disaster Sites as Recreational Landscape. Edited by Brigitte Sion (Seagull Books - Enactments, December 2013 ) and Women and the Material Culture of Death (Edited by Maureen Daly Goggin and Beth Fowkes Tobin (Ashgate) November 2013). She also runs the blog materialbrittany.blogspot.com—a stew of thoughts on visual and material culture related to Brittany, where mourning, skulls, fish, seaweed, death and compost all collide—and is working on a film, Danse Macabre, which uses layers of imagery and sound work to mimic some of the associations conjured by the fin de siècle fascination with the cult of death in Brittany.
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THE DEVIL - A Celebration and Morbid Anatomy Birthday Party
Illustrated lecture by The Midnight Archive's Ronni Thomas; Artifact Show and Tell; Live Music by Bird Radio; DJed tunes and cocktails by Friese Undine; Sweets by Rachel Ridout; and Morbid Anatomy Birthday Party
Date: Friday, December 13
Time: 8:00
Admission: $12
Presented by Morbid Anatomy

This Friday the 13th of December, join us for a night of demonic fun as we explore history’s most elusive and alluring character - The Christian Devil. Morbid Anatomy filmmaker in Residence Ronni Thomas (themidnightarchive.com) has a freely admitted obsession with the Devil; tonight he will discuss his origin, his life, his evolution, and his importance in “three acts”; early Christianity, middle ages, and romantic-modern era’. We will also take a look at the Devil’s fascinatingly designed Hell as perceived by Dante, Tundale, Bosch and many others. How did the Devil go from being a genuine and terrifying threat to becoming a champion for the passionate and rebellious? Where did the devil get his horns? What did 666 represent?

The event will be interactive through dialogue, art and physical artifacts provided from Thomas’ own collection and that of Oddities' Evan Michelson’s private collection. And most importantly the event will bring our own little devil Joanna Ebenstein (founder of Morbid Anatomy) to her 25th year of age ;) We will also be celebrating the birthday of special guest Chiara Ambrosio. Cocktails by Friese Undine and demonic themed music throughout as well as decorated ambiance and festivities. There will also be live music by London's Bird Radio and sweets by Rachel Ridout. Not to miss-ssssssss…

Ronni Thomas is the Morbid Anatomy Museum Filmmaker in Residence. He is creator of The Midnight Archive web series is an avid drinker who appreciates both the history of antique spirits and the effects they have on his self esteem. He is currently working on a film about Victorian anthropomorphic taxidermist Walter Potter; more on that here.

Image: The Hours of Catherine of Cleves, 1440; sourced at Metal on Metal

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The Ghoul a Go Go and Morbid Anatomy Krampus A Go-Go Costume Party!
Date: Saturday, December 14
Time: 8:00
Admission: $13
Presented by Morbid Anatomy and Ghoul a Go Go

Join Ghoul A Go-Go and Morbid Anatomy at Observatory for their 200th annual party devoted to Krampus, St. Nicholas' cloven-hooved, chain-swinging, lolling-toungued, child-punishing Eastern-European sidekick! We've emptied a bag full of children to make room for all the fun!

A mystery episode of Ghoul A Go-Go will be shown in a darkened room. Cardone the Ultimate Vaudeville Magician will be there to astound you with his ultimate Vaudeville magic. Dust off that old Krampus outfit, because there will be a Krampus Kostume Kontest with a prize for the best! Instead of a movie, this year Creighton will be showing clips from his secret stash of bizarre holiday films.

You'll believe a reindeer can fly!

You will also have some beer, wine, and an Old Country favorite shot to warm you up! There will even be a Krampus Kake for those who are into that sort of thing. It wouldn't be the Observatory if you didn't learn yerself nuthin'. So, Vlad and Creighton will teach you their style of taxidermy. Creighton will demonstrate the process right before your eyes. You will then be given the opportunity to make your own critter (while supplies last) and a prize awarded for best monstrosity!

* Ghoul A Go-Go “MYSTERY EPISODE” with Vlad & Creighton appearing LIVE!
* CARDONE performing magic!
* Creighton screens his secret stash of bizarre holiday films!
* Taxidermy lesson as taught by Creighton: Everybody will a chance to create their own taxidermied critter!
* Krampus Kostume Kontest with prize awarded to best!
* Brew and spirits from The Old Country! Krampus Kake! More fun than you can beat with a stick!
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Morbid Anatomy Holiday Fair: Save the Date
Date: Saturday, December 14 and Sunday, December 15
Time: 12 - 6
Admission: Free
Sponsored by Brooklyn Brewery

Join us at our annual holiday gift fair with multiple vendors serving your alternative holiday needs including taxidermy, waxworks, anthropomorphic insect tableaux and more. Details soon! 

Full list and more information on all events can be found here. More on the Morbid Anatomy Art Academy can be found here. Image found here.

Middle image Sourced here.

Death Centos! The American Way of Death! Dracula, Degeneration and Syphilitic Births at the Fin de Siècle! Taxidermy Galore! Upcoming Morbid Anatomy Events in New York, Los Angeles and Mexico

We are Morbid Anatomy are very excited about a number of upcoming events, workshops, symposia and spectacles coming up in New York, Los Angeles, and Mexico.

This Saturday--September 7th--we hope you'll join us for "Death Centos" (above), an illustrated reading and lecture with Ugly Duckling Press. Other upcoming talks include "the age of heroic medicine" (September 26);  Jeweled skeletons lecture/book party with Dr. Paul Koudounaris, author of Empire of Death (October 11); Death in America and the Green Cemetery Movement (November 7); and Mother Machine: an ‘Uncanny Valley’ in the Eighteenth Century (November 21) and “Children of the Night”: Dracula, Degeneration and Syphilitic Births at the Fin de Siècle (November 22), both with Dr. Brandy Schillace.

We also hope to see you at a our Wonder Cabinet and Medical History Festival at The New York Academy of Medicine on (co-curated by Morbid Anatomy and Lawrence Weschler, October 5th); a Los Angeles-based weekend symposium devoted to to discussions of mortality (October 18-19); as well as upcoming workshops in chipmunk (September 15) and European Starling taxidermy (September 22) and wax reliquary dolls (October 26)!

Full info follows on all events; Hope to see you at one or more!

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Death Centos
An illustrated reading with Ugly Duckling Press, author Diana Arterian and artist Natalia Porter
Date: Saturday, September 7
Time: 7.00 PM
Admission: $5
Books will be available for sale and signing
Location: Observatory, Brooklyn (543 Union Street (at Nevins), Brooklyn, NY 11215)


Tonight, artist Natalia Porter will introduce us to "The Game of the Goose," a 16th century game reflecting the typical life cycle of its time. The game--with its 63 fields interrupted by markers of life stages up through death and rebirth--surfaced in 16th century Italy, though its roots probably stretch back much further to the middle east. Porter will discuss the history of the game, showcase a number of its beautifully diverse designs, and discuss how it influenced her own design for the Death Centos broadside (see image).

Later, Diana Arterian will read from Death Centos, her new chapbook from Ugly Duckling Press. Her poems are the merged last words from historical figures and death-row inmates. She will explain the development and meaning of rejuvenating and recontextualizing their statements.

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Anthropomorphic/Naturalistic Chipmunk Taxidermy Class with Divya Anantharaman
Date: Sunday, September 15th
Time: 12:00 – 5 PM
Admission: $120
Tickets at http://chipmunktaxidermy.brownpapertickets.com
This class is part of the Morbid Anatomy Art Academy
LOCATION: ***Offsite at The Fabricoscope (41 Willow Place, #2, 11201 Brooklyn) (MAP): Subway: Court St, Borough Hall, Jay St. Metro Tech.

Perfect for beginners, this hands-on class will examine the nutty ways of the chipmunk! Students will create a fully-finished chipmunk mount in the naturalistic or anthropomorphic style of their choice. Students will learn everything involved in producing a finished mount - from initial preparation, hygiene and sanitary measures, to proper technique and dry preservation. The class will teach a few methods of creating a form to suit a small animal, and students will have the option of selecting which technique they would like to use for their piece. The use of anatomical study, reference photos, and detailed observation will also be reviewed as important tools in recreating the natural poses and expressions that magically reanimate a specimen. A selection of naturalistic and anthropomorphic props will be provided, however, students are welcome to bring their own bases and accessories if something specific is desired. All other supplies will be provided for use in class.

Each student will leave class with a fully finished piece, and the knowledge to create their own pieces in the future.

Divya Anantharaman is a Brooklyn based artist whose taxidermy practice was sparked by a lifelong fascination with natural mythology and everyday oddities. After a journey filled with trial and error, numerous books, and an inspiring class (Sue Jeiven's popular Anthropomorphic Mouse Taxidermy Class at Observatory!), she has found her calling in creating sickly sweet and sparkly critters. Beginning with mice and sparrows, her menagerie grew to include domestic cats, woodchucks, and deer. Recently profiled on Vice Fringes, the New York Observer, and other publications, she will also be appearing in the upcoming season of Oddities-and is definitely up to no good shenanigans. You can find out more at www.d-i-v-y-a.com
Also, some technical notes:

• We use NO harsh or dangerous chemicals.
• Everyone will be provided with gloves.
• All animals are disease free.
• Although there will not be a lot of blood or gore, a strong constitution is necessary; taxidermy is not for everyone
• All animals were already dead, nothing was killed for this class.
• Please do not bring any dead animals with you to the class.

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European Starling Taxidermy Class with Divya Anantharaman
Date: Sunday, September 22
Time: 12:00pm
Admission: $185
*TICKETS MUST BE PRE-ORDERED AT http://eurostarlingtaxidermy.brownpapertickets.com
This class is part of the Morbid Anatomy Art Academy
LOCATION: ***Offsite at The Fabricoscope (41 Willow Place, #2, 11201 Brooklyn) (MAP): Subway: Court St, Borough Hall, Jay St. Metro Tech.

In this class, students will create a fully finished mount from a European starling (also known as the common starling). This beautiful bird is an invasive species-60 birds were brought to America from Europe in 1890, and have multiplied to number over 150 million today! The birds coloration changes by season-from glossy black with iridescence to black with spots, to greyish brown, with beaks going from bright yellow to black.

This class will cover introductory basic techniques used for small bird taxidermy. Each student will begin with their own bird, which they will proceed to skin, flesh, and mount in the pose of their choice. A selection of anthropomorphic and naturalistic props will be provided, although attendees are also welcome to bring their own, allowing the student to customize their bird. Students will create forms and poses using the technique of wrapping (a very traditional method of creating forms for small animals). We will also discuss the various methods of maintaining feet, beaks, and the delicate nature of grooming feathers.  Reference images will be provided, though students are more than welcome to provide their own props and inspiration. We will also discuss federal and state bird laws, as well as the MBTA (a copy of which will be provided).

Each student will leave class with a fully finished piece, and the knowledge to create their own pieces in the future.

Divya Anantharaman is a Brooklyn based artist whose taxidermy practice was sparked by a lifelong fascination with natural mythology and everyday oddities. After a journey filled with trial and error, numerous books, and an inspiring class (Sue Jeiven's popular Anthropomorphic Mouse Taxidermy Class at Observatory!), she has found her calling in creating sickly sweet and sparkly critters. Beginning with mice and sparrows, her menagerie grew to include domestic cats, woodchucks, and deer. Recently profiled on Vice Fringes, the New York Observer, and other publications, she will also be appearing in the upcoming season of Oddities-and is definitely up to no good shenanigans. You can find out more at www.d-i-v-y-a.com
Also, some technical notes:

• We use NO harsh or dangerous chemicals.
• Everyone will be provided with gloves.
• All animals are disease free.
• Although there will not be a lot of blood or gore, a strong constitution is necessary; taxidermy is not for everyone
• All animals were already dead, nothing was killed for this class.
• Please do not bring any dead animals with you to the class.

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Desperate Times-The Age of Heroic Medicine
Illustrated lecture and book signing with Nathan Belovsky, author of Strange Medicine: A Shocking History of Real Medical Practices Through the Ages 
Date: Thursday, September 26
Time: 8:00
Admission: $5
Location: Observatory, Brooklyn (543 Union Street (at Nevins), Brooklyn, NY 11215)

We complain, but modern-day medicine has been good to us. Not so the medicine of the nineteenth century, and for a good two thousand years before that. From the time of the ancient Greeks until relatively recently, even the best, most respected doctors did more harm than good, and hurt more patients than they helped.

In this illustrated lecture, Nathan Belofsky, author of Strange Medicine: A Shocking History of Real Medical Practices Through the Ages, will discuss medicine’s reckless “Heroic Age”, roughly 1780 to 1850. Desperate doctors of this era, armed with dangerous new tools and techniques, would do anything for a cure.

With acid and hot irons doctors blistered and burned their patients, even as respected European physicians raced to stamp out “spermatorrhea (wet dreams). Medical journals had doctors stick dried peas into freshly opened wounds-to promote pus and infection-and shove leeches into bodily cavities, though they sometimes got “lost” inside. Cutting-edge doctors used electricity to cure impotence and bad eyesight, while Benjamin Rush, Treasurer of the Mint and signer of the Declaration of Independence, hung his patients from the ceiling and “twirled” them for hours on end, to get blood flowing to their brains.

Copies of Strange Medicine will be available for sale, and wine will be served.
Nathan Belofsky is a writer and attorney living in Manhattan. Strange Medicine, his second book, has been lauded by Publishers Weekly and Booklist, and will soon be available in foreign translation. Visit the website at strangemedicine.com.

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Day Long "Wonder Cabinet and Medical History Festival," New York Academy of Medicine
Date: Saturday, October 5, 2013
Time: 11.00 AM - 7.00 PM (Open-bar after Party from 7-9PM)
*** OFFSITE AT The New York Academy of Medicine (1216 Fifth Avenue at 103rd Street, New York, NY 10029)
Admission: Free and no registration necessary except for classes and party; click here to register for those
Co-curated by Morbid Anatomy and Lawrence Weschler

This all day, open-to-the-public "Wonder Cabinet and Medical History Festival" will include lectures, workshops, behind-the-scenes tours, demonstrations and, at the end of the day, an after-party featuring medical films from the National Library of Medicine, the music of DJ Friese Undine, and an open bar.

The event will feature over a dozen speakers--among them neurologist and author Oliver Sacks, cultural critic Mark Dery, Portraits of the Mind author Carl Schoonover, the National Library of Medicine's Michael Sappol, media historian Amy Herzog, historian Daniel Margocsy, medical illustrator Marie Dauenheimer and Cranioklepty author Colin Dickey--expounding on topics including (but not limited to!) 18th century wax anatomical models; Books bound in human skin; Charles Wilson Peale and the first American museum; "Cranioklepty" or the stealing of famous skulls; Reflections on death and the art of the tableau; Pre-modern neuroscience; and "artist of death" Frederik Ruysch.

Attendees will also have the opportunity to make their own Dance of Death linoleum cuts, draw from real anatomical specimens and/or animal skeletons, try their hand at the arcane art of carbon dust medical illustration, witness a demonstration of medical wax moulage, and learn about the musculoskeletal system via an "anatomy performance" using a live model.

They will also have the opportunity to explore the fantastic inner spaces of this incredible (see above) and under-seen New York landmark.

Image: Coller Rare Book Reading Room, New York Academy of Medicine.
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Heavenly Bodies – Jeweled Sacred Skeletons of the 16th Century
Illustrated lecture and book party with Dr. Paul Koudounaris, with music and artisinal cocktails by Friese Undine
Date: Friday, October 11
Time: 8:00
Admission: $8
**Copies of Heavenly Bodies will be available for sale and signing
Location: Observatory, Brooklyn (543 Union Street (at Nevins), Brooklyn, NY 11215)

Tonight, Dr. Paul Koudounaris--author of Empire of Death, the definitive book on ossuaries--will present a heavily illustrated talk based on his new book Heavenly Bodies: Cult Treasures and Spectacular Saints from the Catacombs, the story of skeletons discovered in the Roman Catacombs in the late sixteenth century.

These largely anonymous skeletons were presented as the remains of Early Christian martyrs, and treated as sacred. They were sent to Catholic churches and religious houses in German-speaking Europe to replace the holy relics that had been destroyed in the wake of the Protestant Reformation. Here, the skeletons would be carefully reassembled and richly adorned with jewels and precious costumes by teams of nuns. Intended as flamboyant devotional items, they are now considered some of the finest works of art ever created in the medium of human bone. As time passed, faith in these sumptuously decorated skeletons--once an important part of the spiritual life of many people--wavered, until finally they were cast out during the Enlightenment as remnants of a superstitious and embarrassing Catholic past.

Largely forgotten in the annals of religious history, Dr. Koudounaris gained unprecedented access to religious institutions where the surviving decorated skeletons are held. His photographs are the first that were ever taken of many of them, and the images which will accompany his lecture are bizarre, moving, and beautiful.

Dr. Paul Koudounaris holds a PhD in Art History (UCLA) and has taught classes at numerous universities and published in magazines throughout the world. He is the author of The Empire of Death, the first illustrated history of charnel houses and religious sanctuaries decorated with human bone. Named one of the ten best books of 2011 (London Evening Standard), it has garnered international attention for its combination of unique historical research and stunning photography.

Photo: Photo by Dr. Paul Koudounaris, tonight's speaker, from his new book "Heavenly Bodies."
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Death Salon, Los Angeles, California
A weekend symposium devoted to to discussions of mortality and its cultural implications with special programming by Morbid Anatomy and The Order of the Good Death
Dates: October 18 - 20
Full info and registration her

S C H E D U L E

Friday, October 18, 2013
8:00 PM
The Order of the Good Death
Death Salon Cabaret
Bootleg Theater
2220 Beverly Blvd., Los Angeles

Death Salon Cabaret with talks, music, and short films hosted by Lord Whimsy with speakers including Paul Koudounaris, Author of The Empire of Death; Bess Lovejoy, author of Rest in Pieces: The Curious Fates of Famous Corpses; Lindsey Fitzharris, Wellcome Trust Postdoctoral Research Fellow; and Sarah Troop, host of The Cabinet of Curiosities Podcast. There will also be  musical performances by Jill Tracy and Adam Arcuragi. More details can be found here.

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Saturday, October 19, 2013
Morbid Anatomy Day
11 AM-6 PM

A one day, open-to-the-public Morbid Anatomy pop-up event which will explore the interstices of art and medicine, death and culture with screenings, a mini-symposium, a lecture on fin de siècle Parisian death themed cabarets with recreations of their classic drinks, and a panel on saints and mortification of the flesh.

11-1: Morbid Anatomy Anthology book panel of mini lectures, Midnight Archive screenings and panel discussion moderated by Lord Whimsy featuring:

• Colin Dickey, Author of Cranioklepty; Co-editor of The Morbid Anatomy Anthology
• Caitlin Doughty, Ask A Mortician/The Order of the Good Death
• Joanna Ebenstein, Founder of Morbid Anatomy
• Richard Faulk, Author of Gross America
• Mel Gordon, Author of The Grand Guignol and Voluptuous Panic: The Erotic World of Weimar Berlin
• Evan Michelson of TV’s “Oddities”
• Paul Koudounaris, author of Empire of Death
• Ronni Thomas, The Midnight Archive

1-2: Lunch

2-5:  Obliterated Bodies, Dissected Souls: Panel Moderated by Colin Dickey
Mortification of the Feminine Flesh: Elizabeth Harper
From the fatal anorexia of St. Catherine of Sienna to St. Rose of Lima's hidden crown of nails, self-inflicted pain has become part of a well-worn path to holiness for many Catholic women. However, these shocking acts become comprehensible and even logical when seen as a response to the transformation of the Church from the egalitarian early Christian church to the strict patriarchy of the Catholic Church as we know it. This change, coupled with Catholicism's unique views on death and martyrdom have lead many holy women to believe that to perfect a woman's soul, her body must be destroyed.

The Annihilated Saint: The Signifying Body of Bartholomew: Colin Dickey
Colin Dickey discusses images of torture in the cult of Christian saints, particularly Saint Bartholomew, who was flayed alive and who is regularly depicted holding his own skin. Inverting the traditional relationship of torturer and powerless victim, Christian imagery turned the act of torture into empowerment, where specific methods of torture became iconically associated with specific saints. As the cult of the saints waned, these images of torture began to filter into European consciousness in bizarre and fascinating ways, as Bartholomew's singular torture found its way into the lexicon of Renaissance anatomy textbooks, creating a new relationship between the sublime body and the dissected corpse.

Bringing Out the Dead: The "Anatomy Art" of Gunther von Hagens: Allison de Fren
Filmmaker/media scholar Allison de Fren discusses the corporeal displays of controversial German anatomist Gunther von Hagens. Using examples from both his traveling exhibition of human cadavers, Bodyworlds, and his UK television series Anatomy for Beginners, she will show how von Hagens recycles the visual motifs of Renaissance anatomy theatre and art to resuscitate the practice of public dissection for contemporary audiences

 5-6: ”Cabarets of Death” : Lecture followed by fin de siècle Parisian death-themed cabarets cocktails from original recipes with Mel Gordon

Highly illustrated lecture with reprints of the Cabaret du Néant’s menu and a recreation of their classic drinks from original recipes.

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Reliquary Wax Doll Workshop with Artist and Ceroplast Sigrid Sarda
Date: Saturday, October 26th 
Time: 11:3 – 6:30 PM
Price: $350
Must RSVP via sigrid.sarda(at)gmail.com to sign up.
This class is part of The Morbid Anatomy Art Academy
Location: Observatory, Brooklyn (543 Union Street (at Nevins), Brooklyn, NY 11215)

Wax artist Sigrid Sarda has returned for a special 2 day class teaching the art of doll making. This class will revolve entirely on the creation of a wax doll in the image of the student’s chosen saint with the relic of their choice.

The wax doll represented as a human figure has always fascinated man. In early times these dolls were connected to witchcraft, magic, exorcisms for priests, and effigies. For this class they represent talismans and reliquaries for the student’s own personal interpretation of the saint’s meaning. The doll then becomes an object of prayer and veneration.

Each student will receive a handmade wax doll by Sigrid, either male or female and in turn will learn to set eyes, root hair, color the skin tone and add special physical quirks the saint may have, an example being stigmata or a particular wound. The student will then realize their own decorated costumes for the saints using patterns in the art of Victorian paper clothes making for dolls.

This class will consist of:

• short talk on the history of the wax doll and everyone’s chosen saint and what it
• means to them.
• inserting glass eyes
• rooting hair
• Lunch break
• rooting hair, beginning of skin coloring and adding any special physical quirks.

followed by

• finish up skin coloring and quirks
• insert / add relic
• lunch break
• make and decorate clothing for doll
• dress doll

Materials are included though the student is expected to bring their own relic. The relic can be a lock of hair, a fingernail, bone, anything that has meaning to the student. The trims, spangles and paper for the costumes are either antique or vintage as are the glass eyes.

The dolls will be approx 6"-8".

Sigrid Sarda is self taught in the art of ceroplastics. She has been featured on such programs as The Midnight Archive, TV's Oddities, and has exhibited in London and NYC. She has an upcoming residency at The Gordon Museum in London, recreating the Black Dahlia for NoirCon 2014 and will be giving a demonstration in the art of medical wax moulage for The New York Academy of Medicine this fall.

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SOLD OUT!!! Death in Mexico: A Special Field Trip to Mexico for Day of the Dead, Obscure Macabre Museums, and other Sites Important to the History of Death in Mexico October 31 - November 4
A 4-day trip to Mexico focusing on sites influential to the Mexican history of death, organized by Mexican writer and scholar Salvador Olguín and Morbid Anatomy
Dates: October 31  -  November 4 2013 (**Must reserve by July 20)
Includes: Two Day of the Dead Festivals; Special tours of The Museo de las Momias (Mummy Museum), The Museo Nacional de la Muerte (National Museum of Death), and The José Guadalupe Posada Museum, and a visit to historical Hidalgo market in Guanajuato, the Zacatecas Cathedral, the Temple of the Jesuit Order and other beautiful places.
Cost: $600.00 USD (Includes all hotels, luxury ground transportation, museum admissions, and breakfasts; airfares not included)
PLEASE NOTE: non-refundable down payment of $250.00 required by July 20 to reserve) Email info@borderlineprojects.com info [at] borderlineprojects.com with questions.

This Halloween season, why not join Morbid Anatomy and Mexican scholar Salvador Olguín for a very special 4-day, 4-night trip to Mexico for our favorite holiday, Dia de los Muertos, or Day of the Dead?

With Mexican writer and history of death in Mexico scholar Salvador Olguín as our guide, this tour will introduce attendees to some of the of lesser-known macabre destinations in Mexico holding unique gems associated with the culture of death. Our journey will take us to two off-the-beaten-track Day of the Dead celebrations, special tours of obscure museums, markets selling Day of the Dead and Santa Muerte artifacts, churches, cemeteries, and, throughout, great regional cuisine (and drink!) and luxury transportation.

Departing from Monterrey, the trip will take us to the beautiful, historical colonial cities of Guanajuato, Zacatecas and Aguascalientes to experience an area traditionally described as wild and untamed within Mexico. This region of Mexico is uniquely important to the history of death in Mexico in that it was the home of both José Guadalupe Posada and Joaquín de Bolaños, author of the first official Mexican biography of Death La Portentosa Vida de la Muerte published in 1792.

Attractions include:

• Two Day of the Dead celebrations
• The Guanajuato The Museo de las Momias (Mummy Museum)
• The Museo Nacional de la Muerte (National Museum of Death)
• The José Guadalupe Posada Museum,
• The Hidalgo market in Guanajuato, a historical market where attendees can buy Day of the Dead and Santa Muerte souvenirs
• Temple of the Jesuit Order
• A plethora of stores and other places for shopping, delicious food, an evening tour of Guanajuato with live music included, and much more.

October 31
We recommend arriving in Monterrey on the evening of Halloween, October 31. We will have a Halloween celebration, Mexican style, and we will depart to our first destination early in the morning of November 1st.

November 1st  - Monterrey/Guanajuato
We will convene in Monterrey, Mexico at 7:30 in the morning, and leave for the city of Guanajuato by bus. Mexico’s Museo de las Momias (Mummy Museum) makes the small Colonial city of Guanajuato the star of this tour. The Mummy Museum has been displaying the naturally mummified bodies of people buried in the local cemetery for almost 150 years. A combination of dry weather, a mineral-rich soil, and a potent concentration of minerals in the water makes every person who has lived and died in Guanajuato a potential mummy, according to local lore. The museum itself is a wonderful combination of the macabre and the kitsch. You can visit the actual cemetery and see real mummies, but you can also visit the ‘modern’ Halloweenesque section of the museum, and eat charamuscas, a sugary candy shaped like a mummy.

November 2nd – Zacatecas
Zacatecas, another small Colonial city in Northern Mexico, was the home of Joaquín de Bolaños, author of the first official Mexican biography of Death. La Portentosa Vida de la Muerte was first published in 1792, and was quickly condemned by the literary elites and some prominent officers of the Inquisition. The book managed to survive, and nowadays the City of Zacatecas honors Bolaños, its prodigal son, with a festival named after him around Day of the Dead.

November 3rd – Aguascalientes
Aguascalientes was the birthplace of José Guadalupe Posada. Posada’s Calaveras have become icons of the festivities around Día de Muertos. In this city, we will visit the José Guadalupe Posada Museum, which houses original illustrations by Posada and other engravers of the time. The tour includes an exclusive visit of the Museo Nacional de la Muerte (National Museum of Death.)

We will be back in Monterrey by November 4 after 5:00 p.m. Please consider this for your traveling arrangements. For more information, contact  info [at] borderlineprojects.com

Cost: $600.00 USD - airfares not included, non-refundable down payment of $250.00 required by July 20 to reserve . Email info [at] borderlineprojects.com for questions.

The $600 fee covers land transportation in a luxury bus, traveler insurance, lodging (double rooms at hotels), taxes, breakfasts, guided tours, tickets to all museums, special visits to some of the sites, and special treats.

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Death in America and the Green Cemetery Movement
An Illustrated lecture by funeral director Amy Cunningham
Date: Thursday, November 7
Time: 8:00 PM
Admission: $8
Location: Observatory, Brooklyn (543 Union Street (at Nevins), Brooklyn, NY 11215)

Each year in the U.S., the death care industry buries enough formaldehyde to fill eight Olympic sized swimming pools, enough metal in caskets form to rebuild the Golden Gate Bridge, and enough concrete in burial vaults to construct a two-lane highway running halfway across the country. While our cemeteries are rich with national and local histories, natural habitats and remembrances of the dead, they’re also a blazing locus of waste and pollution.

In tonight's illustrated lecture, funeral director Amy Cunningham will share the history of American death practices from Victorian family-centric rituals to contemporary ideas of the "green cemetery," a grassroots movement dedicated to the development of ecologically responsible and meaningful end-of-life rituals.

Amy Cunningham is a New York licensed funeral director and celebrant who specializes in helping families plan sustainable end-of-life rituals. A former magazine journalist, she maintains a blog called TheInspiredFuneral.com.

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Mother Machine: an ‘Uncanny Valley’ in the Eighteenth Century Illustrated lecture with Dr. Brandy Schillace

Date: Thursday, November 21
Admission: $8
Time: 8:00 PM
Location: Observatory, Brooklyn (543 Union Street (at Nevins), Brooklyn, NY 11215)


Known by a variety of names—“this most curious machine,” “this mock woman,” and the “celebrated Apparatus” —Dr. William Smellie’s mechanized obstetrical phantom was both science and spectacle in the eighteenth century. Strangely, however, though crucial to the training of at least 900 man-midwives in ten years, the machine disappears from both the actual and rhetorical "scene" of 18th-century obstetrical science.

This illustrated talk will explore the mitigating factors contributing to the machine's disappearance. Why was such a valuable teaching tool auctioned to the public after Smellie’s death? Why did famed obstetrician William Hunter agree to sell his own copy of the machine to Dr. Foster of the Dublin Rotunda? And why—after so much popular debate—does the machine disappear from public notice by the latter part of the century? Dr. Schillace will also document her own rather circuitous journey of discovery, that is, the necessary labor of unearthing (if not birthing) a medical artifact’s unusual history.

Dr. Brandy Schillace is an interdisciplinary, medical-humanist scholar. She writes about cultural production, history of science, and intersections of medicine and literature. She is the managing editor of Culture, Medicine and Psychiatry, an international journal of cross-cultural health research and a guest curator and blogger for the Dittrick Medical History Museum. Dr. Schillace was the keynote speaker for the annual meeting of the Archivists and Librarians in the History of Health Sciences 2013, and is the recent recipient of the Chawton House Library Fellowship (for study of 18th century women writers) and the Wood Institute travel grant from the Philadelphia College of Physicians. She has also an edited book collection under contingent contract with Cambria Press: Birthing the Monster of Tomorrow: Unnatural Reproductions. For a selection of recently published work, please visit http://fictionreboot-dailydose.com/publications-and-press.

Image: A late eighteenth-century “birthing phantom.” Unlike Smellie’s machine, these were not intended to be exactly like the living body, but rather a basic replica allowing midwives to understand the position of the child in the birth canal.
By permission of the Dittrick Medical History Center and Museum

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“Children of the Night”: Dracula, Degeneration and Syphilitic Births at the Fin de Siècle
Illustrated lecture with Dr. Brandy Schillace and custom cocktails and DJed music by Friese Undine
Date: Friday, November 22
Admission: $10
Time: 8:00 PM
Location: Observatory, Brooklyn (543 Union Street (at Nevins), Brooklyn, NY 11215)

Bram Stoker’s Dracula is often read as a narrative of reverse colonization, revealing fears of degeneration at the fin de siècle. Anxieties over the decline of empire and—as both symptom and consequence—the degeneration of masculinity in Victorian Britain resulted in a number of dystopic narratives, each revealing an uneasy relationship between evolution and devolution, sexuality, sexual identity and mental health. However, the signal terror of Stoker’s vampires lies not only in their overt sexuality and promiscuity—but also in their fecundity. As Van Helsing warns, the vampire is not a single foe but a potential army. Both “father” and unnatural mother, Count Dracula is capable of reproducing the undead—and yet his victims do not, it seems reproduce themselves.

In this presentation Dr. Schillace will explore accounts of syphilitic infection as a means of understanding the complexities of infection among the “innocents,” Lucy Westenra and the children she victimizes. Culminating in a re-examination of the only human birth in Stoker’s novel—Mina Harker’s son Quincy—this project seeks to provide new insight into 19th century anxieties about degeneration’s naissance.

Dr. Brandy Schillace is an interdisciplinary, medical-humanist scholar. She writes about cultural production, history of science, and intersections of medicine and literature. She is the managing editor of Culture, Medicine and Psychiatry, an international journal of cross-cultural health research and a guest curator and blogger for the Dittrick Medical History Museum. Dr. Schillace was the keynote speaker for the annual meeting of the Archivists and Librarians in the History of Health Sciences 2013, and is the recent recipient of the Chawton House Library Fellowship (for study of 18th century women writers) and the Wood Institute travel grant from the Philadelphia College of Physicians. She also an edited book collection under contingent contract with Cambria Press: Birthing the Monster of Tomorrow: Unnatural Reproductions. For a selection of recently published work, please visit http://fictionreboot-dailydose.com/publications-and-press.

Full list and more information on all events can be found here. More on the Morbid Anatomy Art Academy can be found here.